33 pages • 1-hour read
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Finding Perfect shows that open and honest communication is the essential catalyst for healing from shared trauma, demonstrating that avoiding painful subjects only creates distance and misunderstanding. The novella suggests that true emotional intimacy and resolution are only possible when individuals are willing to confront difficult truths together. Initially, the lack of communication between Six and Daniel about their child generates a painful silence that threatens their relationship. Daniel observes that things have been “weird between us for the past couple months” (2), a distance born from their mutual avoidance of Six’s pregnancy and the adoption. This silence breeds insecurity, leading Daniel to assume Six wants to break up and preventing them from supporting each other. He admits to his sister, “She doesn’t seem to want to talk about it, so we don’t” (10). This protective impulse backfires, isolating them in their individual grief and fostering a dynamic of misunderstanding.
Daniel reaching out to his sisters is an important first step in approaching the subject with Six. He doesn’t talk to Hannah about it directly; he first asks if she wants to play video games with him, the same failed tactic he tried with Breckin. At first he’s defensive, and even after he determines to talk to Six on Hannah’s advice, he’s embarrassed and regrets having told her about his problems. But his relationship with Six only begins to mend when they actively choose to communicate. For the first time, Six shares the details of her experience, confessing that she feels “so disconnected” (17). By listening and validating her pain, Daniel can offer genuine comfort.
The second conversation with his sisters goes much differently. Now that he’s broken the ice with Six and resolved to help find their son, he sees Hannah and Chunk as allies rather than adversaries. He admits that it’s “nice to have people who know the truth. And besides, three brains are better than one” (24). This newfound openness empowers Daniel to advocate for Six. During his phone call with Graham, the adoptive father, Daniel’s candid vulnerability about Six’s emotional state is what ultimately persuades Graham to help. The novella thus illustrates that while trauma can create divides, deliberate and empathetic communication can bridge them. Daniel’s ability to communicate with Six and his sisters extends to the novella’s other characters; he mends bridges with his friends, confronts his parents with the news, represents himself well with the Wellses, and even befriends a stranger, the Uber driver, all by showing empathy, humility, and openness in the face of emotionally difficult subjects.
Finding Perfect challenges traditional definitions of family by presenting a model built on shared love, respect, and mutual support rather than biological connection alone. Through the creation of an open, blended family involving both biological and adoptive parents, the story presents a more inclusive and emotionally generous understanding of kinship. The novella subverts the potential for conflict inherent in adoption narratives by keeping institutions out of the narrative. Instead, the two families connect through a personal intermediary—Ava, who is a teacher and family member rather than a legal representative. Thus, by the time contact is established, Quinn and Graham do not view Six and Daniel as threats but as integral parts of their son’s story. This is most evident in Quinn’s email, where she expresses a desire to build a relationship rather than erect boundaries, telling them, “[W]e want nothing more than to share those wonderful things with the people who blessed us with him” (56). Their gratitude and openness pave the way for a family structure in which all four adults prioritize the child’s wellbeing above any potential insecurities.
The process of redefinition also plays out as the extended biological family members try to parse how their roles change following Six and Daniel’s news. At first, they define their roles in the negative. Six feels “like someone took a huge chunk out of [her] chest” (17). Daniel tells Hannah, “I’m a dad, but I’m not. And Six is a mom, but she’s not.” He notes that Hannah probably didn’t expect to learn “she’s sort of an aunt with a nephew she’ll never meet” (8). His mother says, “We’re not old enough to be grandparents,” while his father works through the logic: “Our boy had a boy. Our son has a son. My son has his own son. I have a grandson” (70). Since their connection is biological but Matteo isn’t part of their lives, they have no set framework in which to consider their relationship.
The narrative solidifies its redefinition of family through acts of profound generosity and explicit inclusion. Quinn and Graham’s decision to initiate contact, a choice that goes against the legal structure of the closed adoption, is an act of deep empathy for Six’s pain and brings the extended biological family into the child’s life. Quinn validates Six and Daniel’s parental roles by expressing her desire for Matteo to know he has “an extra mother and father who care for him as deeply as we do” (57). The extended family sends a suitcase of gifts along with Six and Daniel when they visit Matteo, symbolizing their distant but loving presence in his life. The theme culminates when Quinn tells Daniel to “Go hang out in the living room with your family” (80), formally welcomes him and Six into their domestic circle. By presenting this successful and loving blended unit, the novella argues that the boundaries of family are capable of expanding to embrace all who contribute to a child’s happiness.
The narrative explores the emotional conflict between selfless love and selfish fear in Six’s journey through motherhood, ultimately framing her decision to place her child for adoption as an act of sacrifice made for his wellbeing. By contrasting her fear of personal pain with her desire for her child’s security, the story posits that the most courageous acts of maternal love involve prioritizing the child’s happiness over one’s own. Six’s primary internal struggle stems from her fear that her choice was motivated by cowardice rather than courage. She confesses this anxiety to Daniel, admitting she worries it was a “scared choice” (18). This self-doubt is rooted in a moment of acute awareness during her son’s birth, when she nearly changed her mind not for the child’s sake, but because she “didn’t want to hurt” (20). Her internal conflict is not about whether she loves her son, but about whether her actions truly reflected the depth of that love. The narrative treats her guilt with empathy, showing that even the most selfless decisions can be haunted by the fear of regret.
Daniel broaches the subject with Six nearly a year after her son’s adoption, which means that until then, she has suffered this pain alone. Her pregnancy, birth, and the adoption process occurred in a foreign country away from her friends and family, with only a teacher who acted as her confidant. Not knowing the child’s father, Six didn’t have anyone with whom she could share her news or decision. After she and Daniel begin dating, she maintains her silence from fear of judgment.
While Six is plagued by self-doubt, her decision is consistently reframed by others as an act of profound, selfless courage. When she voices her fear, Daniel reassures her that she did not give her son up, but rather “stood up” for him by providing him with a stable life (21). The most powerful validation comes from Quinn, the adoptive mother, who praises Six for accepting “a future of unknown fear in return for your child’s happiness and security” (55). Quinn suffered her own invisible pain in her quest for motherhood, which ended in infertility and a hysterectomy, removing her hope of conceiving a child. Ultimately, she realizes biology doesn’t define motherhood: “Becoming a mother isn’t about securing your own happiness. It’s about taking the chance of being terrified […] for the sake of a child” (54). This external affirmation allows Six to reconcile her fear with her intentions, finally seeing her choice not as an act of abandonment but as a courageous sacrifice. The novella thus distinguishes between the natural fear of personal pain and the transcendent love required to prioritize a child’s welfare as antidotes for the invisible pain that motherhood can entail.



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