56 pages • 1-hour read
Susan ChoiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of animal violence, physical abuse, death, emotional abuse, illness, and child abuse.
Over years, Serk develops a set of rules to survive his reeducation camp. Living conditions are so poor that prisoners resort to eating vermin and grass. There are regular executions, which everyone must attend. Thanks to his engineering skills, Serk is assigned to work as a boiler steward, which gives him a warm place to sleep at night.
On the birthday of North Korean dictator Kim Il Sung, some prisoners are granted clemency, though the selection has no discernible pattern. Serk is surprised when his name is called. The pardoned prisoners are taken to work on a collective farm. The farm manager enlists Serk in his side business, leveraging his engineering skills to repair the manager’s truck.
The government tries to force increased rice production by cramming seedlings together. Workers complain that this will guarantee the crop’s failure, but the manager cannot do anything about it. The government will blame the failure on anything other than policy. Later that summer, the Sung’s death is announced, causing mass panic among workers. Serk does not mourn, though he understands that the workers’ grief comes from fear for their survival.
The farm manager disappears one day. Serk leaves the farm to work with charcoal burners on a nearby mountain. The high-risk environment of this job prompts Serk to escape, stowing away on several passenger trains until he reaches North Korea’s border, where he crosses a dangerous river into China.
In China, a woman provides him with secondhand clothes and food. She advises him to travel to the nearby city, where he can find people willing to help refugees like him. Serk repairs the woman’s hut to extend his lodging. When there is nothing left to fix, Serk travels to the city. A Korean woman brings him to a refugee house and begins the process of disguising him as a South Korean tourist. She also gives Serk a Bible, urging him to study it for his salvation. Serk is housed in a cell that he cannot leave on his own.
Serk’s hosts, whom he calls the Reverend and Mrs. Reverend, run an operation to aid refugees fleeing North Korea. Because of the risk, they screen those they take in to be sure that they aren’t spies or secret police officers. The Reverend wonders about Serk’s past but chooses to trust that Serk’s story is authentic.
Serk becomes accustomed to the apartment, meeting other refugees and studying Mandarin. The Reverend complains that Serk doesn’t spend enough time learning Bible verses, but Serk doubts that anyone who benefits from the Reverend’s charity sincerely believes in God. They are merely doing whatever they must, just as they did in the reeducation camps.
One night, Serk overhears the Reverend arguing with another man, whom Serk dubs “the Fisherman.” The Fisherman disagrees with the Reverend’s charitable approach and agrees to take Serk from the Reverend’s custody. The Fisherman claims his father was abducted in the 1960s. The South Korean government refused to investigate the abduction, labeling the Fisherman’s father a defector. When the Fisherman learned that there was a grassroots movement to rescue captives from North Korea, he relocated to China. The Fisherman pays refugees to re-enter North Korea and locate abduction survivors, so that they can be rescued. More often than not, the refugees are never heard from again, which the Fisherman accepts since he loathes all North Koreans. The Fisherman’s efforts have resulted in the liberation of at least two confirmed abduction survivors.
At Serk’s request, the Fisherman uses his network to search for prisoners who match Louisa’s description. In return, Serk helps with the Fisherman’s operation. A part of Serk still believes that Louisa failed to swim against the seawater current, which caused her capture. He weighs this against memories of Louisa’s lifelong passion for swimming, which make her escape plausible. When they moved to Japan, Serk learned about the tides so that he could teach Louisa to swim in seawater.
Serk learns about a pattern of missing persons cases that occurred in Japan beginning in the late 1970s, which matches his experience. The Fisherman dislikes Japan just as much as North Korea, downplaying the suffering of relatively few Japanese families in comparison to the thousands of abductions that occurred in South Korea. This prompts Serk to admit that his family migrated from Jeju Island to Japan.
A global news story breaks about several North Koreans who attempted to scale the wall of the Japanese Embassy in Shenyang, China. They were taken into custody, causing a diplomatic scandal. The Fisherman is disgusted by the governments’ failures to consider the refugees’ needs. Serk compares the situation to his own begrudging welcome to the United States.
In September 2002, Kim Jong Il officially acknowledges the abduction of 13 Japanese civilians, five of whom are still alive. The survivors will be allowed to visit Japan with a North Korean escort, but will immediately be repatriated to North Korea by the end of the trip. The Japanese government agrees to drop all other outstanding abduction cases and reconcile with North Korea. The Fisherman, whose real name is Ji-hoon, abandons his hope of reuniting with his father. Serk urges him to keep going.
Ji-hoon prepares to meet an American with government connections. The two meet through a journalist who has covered Ji-hoon’s work. Ji-hoon arranged this on behalf of Serk, whom he has codenamed “The Crab” in his correspondence with the journalist.
Serk is living with Ji-hoon after being evicted from his apartment. He couldn’t pay his rent on time because he forgot where he had hidden his savings, one of several memory lapses that Serk has been experiencing. During their time together, Serk has started sharing information about his life before North Korea, including the fact that Louisa is his daughter. Ji-hoon suspects that the elderly Serk has cognitive decline and is skeptical that Serk’s claims are true memories of a past life.
The American contact is in China to investigate the disappearance of an American student. He commends Ji-hoon for publicizing the South Korean government’s failure to resolve his father’s abduction, though they both acknowledge that the article did little to impact policy. Ji-hoon intuits that the contact is a former intelligence agent, but the American claims that he is merely using his personal connections to help the student’s family, which the American government is unwilling to do institutionally.
The contact theorizes that the student was abducted by the North Korean government. Ji-hoon is skeptical, but he is reluctant to discount this idea for Serk’s sake. The contact, Roger, admits that he used to work for the State Department’s Asia bureau and now works as a human rights advocate. Roger offers to look into Serk’s situation.
The novel flashes back to the night of Serk’s abduction.
While Serk and Louisa were walking on the beach, four figures suddenly appeared, causing Serk to panic and protect Louisa. Serk and the figures addressed each other in Korean, which Louisa couldn’t understand. The figures grabbed Serk before going for Louisa.
In the present, Louisa does not remember any of these details. With the help of Tobias, Saho, Soonja, Roger, and Ji-hoon, Louisa is scheduled to reunite with Serk in Seoul. She has been studying Korean in advance of the reunion.
Roger brings Louisa to the National Medical Center where Serk has been hospitalized. She has asked to meet Serk alone. Before she enters Serk’s room, she is surprised to recognize her surname written out in Hangul, and wishes she could tell Anne that she had always mispronounced it. Anne died several years earlier, which Louisa continues to grieve.
Serk registers Louisa’s presence when she looks into his face. Using a notepad, Louisa asks if they can speak in English instead of Korean. Serk reminds her that he can speak English and that he attempted to teach her, but she failed to learn it. Louisa asks Serk who he thinks she is. Serk answers Seung, the name of his younger brother. Louisa studies the characters of the name, recalling her intensive studies of Korean and the facts of Serk’s life. Serk falls asleep.
Louisa visits again over several days. She tries to get Serk to recognize her by telling him about her experiences in Seoul and her relationships with her three sons. On one occasion, Serk’s answers make her think that he finally recognizes her, but then it becomes clear that he thinks she is his father. She tells her family that she doesn’t care about being recognized. She becomes so possessive of her father that she tries to time her visits to the hours when the nurses don’t attend to him.
On one visit, Louisa pushes Serk around in his wheelchair. They barely make it out of the room when Serk throws himself out of the chair towards the bed. Louisa helps him settle down. He thanks her repeatedly, eventually calling her by her name. This causes Louisa to suddenly remember that her captors threw her off the boat, which allowed her to swim back to shore. She vividly recalls swimming with an awareness of death looming all around her. She shares this resurfaced memory with Serk; it explains the fear that has enveloped her throughout her life. Serk recalls that Anne taught Louisa to swim and asks how Anne is. Louisa lies that Anne is well, an answer that relieves Serk.
Later, Louisa tells Tobias about her lie. Tobias, who compares Louisa to Odysseus, reassures her that it was what Serk needed to hear to find peace. When Louisa indicates that Serk spoke her name without any surprise, Tobias interprets it as a sign that he has always been carrying Louisa in his mind. Serk occasionally recognizes her on successive visits.
In September, Serk experiences pneumonia. Louisa requests that the doctors not resuscitate Serk and that he receive morphine as a form of palliative care. She holds his hand and watches him for hours until he dies.
Serk’s imprisonment in North Korea deepens the stakes of his journey back to Louisa. At the start of Chapter 16, the novel presents the various rules that Serk has imposed on himself for his own survival. The rules imply without explicit description Serk’s harrowing experience in the reeducation camp. The rules are an attempt to make sense and find pattern in a purposefully randomized and unpredictable existence—one of the psychological torments inflicted on prisoners. He cannot act without risking death, which he has witnessed many times in many ways over the years. Even when he is removed from the reeducation camp, the reprieve comes without warning or explanation. There is no reason given for Serk’s selection for clemency. The fact that his pardon is occasioned by the Leader’s birthday gives it the quality of a deus ex machina, or the rhetorical device of an external authorial force resolving the plot of a fictional narrative. The same Leader whose power caused Serk’s decades-long suffering now grants him liberation from incarceration.
This framing of the Leader’s (and thus the state’s) absolute power parallels Serk’s brief sojourn with the Reverend, who urges him to accept Christianity in exchange for liberation from the Reverend’s prison for refugees. Serk refuses to accept an ideology he cannot espouse with sincerity and points out that the other people who acquiesced to the Reverend’s demand likely did so disingenuously. This explicit presentation of freedom conditional on conformity of belief is compared in Chapter 16 with the begrudging acceptance of immigrants in the United States. No matter where Serk dwells—as a second-class citizen in Japan, as a foreigner in the US, as a captive in North Korea and in China—his residency is always in a state of precarity dependent on his acceptance of prevailing dogma. In this context, his evasiveness about his past is an act of survival, bringing to the fore Tension Between Belonging and Identity.
Serk finds an ally in Ji-hoon, or the Fisherman, who is driven not by altruism but by resentment. Ji-hoon’s weaponization of his rescue mission to seek revenge against the governments that failed to resurface his father is another version of the same conflict between identity and belonging. Ji-hoon’s arc is about learning to replace his spite with sympathy for Serk, whom he eventually sees as a surrogate father.
The final part of the novel sees Louisa reckoning with the sudden reappearance of Serk. Much like the film Close Encounters of the Third Kind that is referenced at the start of the novel, in which the alienated father is vindicated in his insistence that aliens are coming, Serk and Louisa’s claims about the abductions prove correct. The novel bookends its plot with another allusion to a fictional work: Homer’s Odyssey, an epic tale of repatriation and return that resonates with Louisa’s reunion with her father. Gaining renewed insight into the night of Serk’s abduction, Louisa leverages what she has learned in her marriages to assimilate this new relationship. She knows that Serk “contains a boundless world she’ll never know” (441), yet that doesn’t preclude her from understanding herself and him. With the resurfaced memory of her survival, she helps Serk find resolution at the end his life: her lie about Anne’s death, since “Thinking she’s alive will give him peace” (445). Her compassion echoes the hope he kept that fueled his ability to stay alive in the reeducation camp, and to stay in China with Ji-hoon after his escape from North Korea. Hopeful of his eventual reunion with Louisa, Serk stayed close to the dangers surrounding him, if only to save Louisa from the threat of death; she ends the novel by protecting him from a different kind of horror in return.



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