37 pages 1 hour read

Fortunately, the Milk

Fiction | Novel | Middle Grade | Published in 2013

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Pages 57-91Chapter Summaries & Analyses

Pages 57-91 Summary

The time jump puts Professor Steg and the father in a dark and ominous place, populated by the unfriendly wumpires. Steg explains that they are on a mission: “I am trying to get back to the present. My assistant is trying to get home to the future for breakfast” (63). The mention of breakfast reminds the wumpires that they have missed their usual breakfast of “vigglyvorms, vith orange juice on them” (63). The father and Steg start to look like tasty vigglyvorm substitutes.


As the wumpires get ready to eat the father and Steg, one asks about the time machine box. The father tries to convince them it is just a sandwich box. One wumpire can’t resist pressing a button, zooming them six hours forward into bright sunshine, causing the wumpires to melt into “oily black smoke” (65). Professor Steg sets the time machine to the father’s present, but a man’s arm suddenly reaches through a hole in space and grabs the milk. A familiar voice says: “I’ll explain later. Fate of the world at stake” (65), before disappearing with the milk. Seconds later the hole reopens, and the milk is thrown back to the father. The voice calls “Catch!” which the father does. Confused, the father says: “He did say he’d explain later […] And that wasn’t much of an explanation” (66). Steg clarifies: “But it’s not later yet, […] It’s still now. It won’t be later until later” (67).


The boy and his sister interrupt their father’s story again. The boy asks whether Steg and the balloon are on the front lawn. The little sister says she wishes there had been some “nice, handsome, misunderstood wumpires” (68).


The father continues his story. The time jump lands him and Steg back at the father’s house, but as Steg is saying goodbye, they are sucked back up onto the same flying saucer a second time. The angry “globby people” continue their demand for Earth so they can remodel it. Their remodeling plan consists of replacing all the trees with plastic flamingoes, clouds with scented candles, mountains with throw-cushions, and famous landmarks (such as the Eiffel Tower and Australia) with decorative plates depicting the actual landmarks. The globby aliens proudly show off their updated security systems. They press a new button (called a “grundledorfer”) which summons all the angry creatures and people that the father and Professor Steg annoyed on their travels, including the volcano god and a bowl of piranhas, all looking for revenge.


The boy’s little sister interrupts their father, confused about the piranhas. Her father explains that the piranhas were involved in a side adventure that he forgot to mention.


The aliens deactivate Steg’s time machine, but there is enough juice left to open a “little window in time” to their last location (86). The father reaches through the time window and grabs the milk from himself 15 minutes earlier. The aliens are confused about the father’s apparent love of milk. The father (with the help of the volcano god) explains: The two milks are the same milk, and “If two things that are the same thing touch […] then the whole Universe shall end” (88). Not wanting to risk being stuck in a non-existent Universe, the aliens make the angry mob of pirates, wumpires, and unusual people disappear. After a brief, unsuccessful attempt at negotiating for a partial Earth remodel (just the Southern Hemisphere), the aliens prepare to leave. They are stopped by a loud voice shouting: “GALACTIC POLICE. DO NOT MOVE” (91).

Pages 57-91 Analysis

Young’s full-page illustrations of the wumpires, together with the wumpire’s comic narrative, provide a respite in the action before the story’s final time-bending adventure. In a nod to vampire romance novels (for example the Twilight series by Stephenie Meyer), the little sister wistfully mentions “Nice, handsome, misunderstood wumpires” (68), which do not feature in her father’s story.


Gaiman touches on the relativity of time when the future father borrows the milk from the version of himself from 15 minutes earlier. For example, Professor Steg tells father—“it’s not later yet […] It’s still now. It won’t be later until later” (66). A lot happens in the intervening 15 minutes: The father and Steg time travel to the present and arrive outside the father’s house, where they end up exactly where and when the story started, but in an inexplicably updated spaceship.


The aliens’ description of how they would like to remodel the planet, while humorous, could be seen as a more serious commentary on how humans are ruining the earth. For example, in the aliens’ fantasy scenario, plastic replicas of nature replace nature, which is easier to keep tidy (like synthetic turf). Images of places replacing real places could reflect society’s obsession with recording daily life and posting pictures online rather than appreciating tangible experiences in real time.


Gaiman aims to create a sense of urgency. For example, one alien is “so green and small and so globby and crusted that he might have been an enormous snot-bubble blown by an elephant with a terrible head cold” (87). Here, Gaiman uses polysyndeton, where a list of words is separated by the same conjunction, in this case “and.” This creates a breathless feeling (emphasis added): “so green and small and so globby and crusted.”


Gaiman personifies inanimate objects, such as the volcano, with human qualities. When the volcano god explains how touching the two same milks together might end the universe, an alien asks: “How does a volcano know so much about transtemporal metascience?” The volcano replies: “Being a geological formation gives you a lot of time to think […] also I subscribe to a number of learned journals” (89). Gaiman’s absurdism—the aliens call a button a “grundledorfer” after their “brood-aunt, Nessie Grundledorfer” (78)—keeps the story light-hearted.


In this section, Gaiman explores Perseverance and Creativity in Overcoming Adversity. Throughout the story, the father has done everything humanly (and superhumanly) possible to get back home with the milk in time for breakfast. Professor Steg has been father’s optimistic, problem-solving partner through their travels, but when faced with the angry mob on the spaceship even she feels defeated: “We cannot escape” (86). Unfazed, the father perseveres and uses the “small window in time and space” to save the milk and the Universe, letting his children know that he will do whatever it takes to keep them safe and happy (86).


The “human father” in the story is not afraid of the angry characters he meets during his quest, sending them away. This keeps the story appropriate for the father’s young children (and young readers): No angry antagonists are left lurking in the background. While the father in the story is unafraid of the creatures he meets, he is very afraid of disappointing his children. This thread runs throughout the story, exemplified by the father’s obsession with keeping the milk safe.

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