68 pages • 2-hour read
Mai CorlandA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When Aeri checks into the Gray Shore Inn, there is a moon owl in her room. She gives the owl nesting materials, feeds her, and “name[s] her Dia” (108). In return, the owl helps Aeri and Sora. When Seok and the guards are hunting Sora and Aeri, Dia warns them so that they can escape. She is a warning symbol at first. When Sora doesn’t feel like she can continue running from the guards, she is inspired by Dia. Dia flying along with them makes Sora feel like she is more capable than she thought. Throughout the narrative, Dia comes to symbolize perseverance and determination.
Dia follows Aeri and her friends to Lake Cerome, watching over them. At this point, she is a protective and consistent force. When Royo sees that Dia follows them, he finds Aeri’s care for Dia surprising and endearing. He thinks, “She says it like that’s a normal thing to do—to have a little owl friend” (186). Dia is the youngest member of Aeri’s found family. Because of this, Aeri worries that Dia will sacrifice herself to protect Aeri and Royo from the amarth. She loves Dia and doesn’t “want her to risk herself for [Aeri] when she’s so outmatched. But she’s like Royo, ready to battle monsters to protect [Aeri]” (281). In this context, Dia comes to symbolize a love that is worth dying for. However, Dia convinces the amarth to spare Aeri’s and Royo’s lives. The giant predatory bird says, “Selfless kindness to ours doesn’t go unnoticed as it does to yours” and promises to care for Dia (282). In the last scene featuring the owl, she represents Aeri’s good nature and interspecies worthiness.
In addition to Dia being a moon owl, the monsoon moon has its own symbolic roles. It is a representation of the lunar goddess, and it helps Aeri and the others see at night; the moon symbolically and literally offers light. When Dia flies in front of the moon, the protective symbolism is doubled.
The moon is also a representation of love and romance. When Royo and Aeri kiss, he thinks, “I like it so much—kissing this girl under the monsoon moon” (290). The moon helps him forgive Aeri’s lies and prioritize love over black-and-white morality. The gray moon gives Royo the ability to see some things in shades of gray.
Aeri’s hair connects to the theme of The Morality of Secrets and Lies. It becomes a physical representation of her biggest secret in the novel: She has the Sands of Time. When she uses the relic, it ages her, including making her hair longer. Aeri thinks, “My hair is past shoulder-length now from using the amulet, but no one’s noticed. People just assume they misremembered my hair’s length” (177). However, both Sora and Royo notice the change in Aeri’s hair, but they believe it is genetic. Such a visible manifestation of her ability emphasizes the impossibility of keeping such a big secret from her most intimate friends, and the continued growth of her hair and the other characters’ attention to it foreshadow how her secret about the relic will come to light.
Sora and Zahara’s poisoned lipstick symbolizes weaponizing femininity. It can kill when the wearer kisses someone. Sora considers “poisoned, perfumed lipstick [to be] the most effective [poison]” (36). This discreet, feminine weapon is undetectable, making it extremely dangerous. Zahara “runs her thumb by her lips, adjusting her lipstick” (351), after killing two guards with it. This act combines a womanly gesture with a deadly one and connotes the image of the “femme fatale.”



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