68 pages 2-hour read

Fox

Fiction | Novel | Adult | Published in 2025

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Prologue-Part 2Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, death, death by suicide, child sexual abuse, child abuse, and bullying.

Part 1: “Wieland Waterlands Nature Preserve, South Jersey, 2013” - Part 2: “Tongue”

Prologue Summary

In the Prologue, an unknown speaker states that they are in love with Mr. Fox and that their love transcends time. Fox has told the speaker that their secret love is eternal and that their souls are forever joined. Moreover, Fox has offered and/or exacted the promise that the speaker will never speak of their special relationship and that they will both die before sharing it. The speaker is insistent that Fox has reserved this special status for the speaker alone.

Part 1, Chapter 1 Summary: “The Trophy: Wieland Pond, 29 October 2013”

Paige “P.” Cady walks her small terrier, Princess Di, near the pond. Once off the leash, the dog goes off the path and deeper into the wetlands. This section is told from the dog’s point of view. Since she is a terrier, a hunting breed, Princess Di delights in finding the carcasses of dead animals. Princess Di forgets her human owner and get lost in pursuing scents. She excitedly sniffs out her trophy, which she identifies as some sort of “meat-thing” (12).

Part 1, Chapter 2 Summary: “30 October 2013”

The next day, Martin Pfenning and his 13-year-old daughter, Eunice Pfenning, hike a trail near Wieland Pond. Eunice halts, disturbed by something in the landscape. Pfenning investigates, worried about venomous snakes, but finds only trash. Pfenning urges Eunice to keep walking. The girl takes pictures for a nature project assigned by Mr. Fox. Her father notes how Fox hasn’t been giving Eunice the high marks she usually receives. As a result, she has become rather despondent. She is also keeping a journal for Fox, which she refuses to show either parent, calling it her “Mystery-Journal” (18).


Eunice has been staying after school for the “Looking-Glass Book Club” (21), and while the club seems time-consuming, Pfenning and his wife assume that it’s because of Langhorne’s high standards. Pfenning worries over Eunice’s perfectionism since she has health issues relating to a rare form of anemia that could lead to a more serious blood cancer, but in the moment, he struggles to connect with her. Eunice stops again, seeing something in the pond: a child’s broken doll. Eunice laughs riotously, kicks the doll away from her father, and then runs away to their car in the parking lot. Pfenning follows and then disposes of the doll in the dumpster. A desperate Eunice tries to retrieve it, but Pfenning, confused, drags her back to the car. Panting and white-faced, Eunice tells her father that she’s done something “bad” and begins to sob uncontrollably (30). Pfenning holds her tight.

Part 1, Chapter 3 Summary: “31 October 2013”

The wetlands have long been a hiding place for murder victims, especially those involved in organized crime during the Prohibition era. In more recent times, the money made during Prohibition has dried up, and the town has fallen into economic depression. The Healy brothers—Marcus, 22, and Demetrius, 20—are putting scrap lumber into the landfill to help their father earn extra money. Their father, Lemuel, is a custodian at the prestigious Langhorne Academy preparatory school, but his salary is small. Demetrius, who is usually responsible, is lacking focus, and Marcus is annoyed. Marcus notes that Demetrius never finished high school after being suspended for getting into a fight while defending a girl with a disability from being bullied. Despite momentary sympathy for his brother, Marcus abandons him (and the work) to call a woman. When Marcus returns to the landfill, Demetrius is gone. Marcus worries about the dangers of the landfill, Demetrius’s tendency to get sick, their mother’s death from cancer, and their father’s worsening arthritis. Scared and annoyed, Marcus shouts for his brother as he notices circling vultures above him and unusual tire tracks leading uphill. Marcus discovers Demetrius at the top of the hill, pointing to a car wreck below. Marcus slowly registers the scattered body parts near the wreck. As they head back to their vehicle, Demetrius throws up. Marcus tells Demetrius that he will report the wreck since his brother tends to stammer.

Part 1, Chapter 4 Summary: “Grisly Hallowe’en Discovery at Wieland”

A newspaper report reveals that the human remains are those of a white man. There is no definitive answer as to whether this was an accident, suicide, or foul play.

Part 2, Chapter 1 Summary: “Mr. Tongue”

This chapter takes place sometime before the car wreck. The reader is privy to a monologue of a sexual predator explaining what “Mr. Tongue” will do to his target (57). The point of view then backs further away to show how the pedophile locks his office door to engage in sexual contact with 12-year-old Genevieve Chambers, whom he calls “Little Kitten” (57). Genevieve’s mother has been informed that her daughter must stay after school to attend the Looking-Glass Book Club. The male speaker self-identifies as Francis Harlan Fox, a middle grade teacher at Langhorne Academy. Fox describes an act of coerced oral sex, which he accomplishes by drugging Genevieve. Fox tells Genevieve that she needs to keep everything between them a secret and assures her that he adores her. The chapter ends with the girl noting how much she loves him.

Part 2, Chapter 2 Summary: “The Trophy: Wieland Pond, 29 October 2013”

Princess Di returns, carrying her quarry. She plays with it and then turns again to run along the trail. P. Cady gives chase, hoping that whatever the dog has caught is dead. Eventually, the dog minds Cady’s instructions and drops the item. Cady is horrified to find that it’s “a human tongue” (63). She pushes the truth away, however, even as she registers the circling vultures overhead. Chiding herself for not keeping Princess Di on a leash, she leaves the scene.

Prologue-Part 2 Analysis

The novel opens in the wetlands at the edge of Wieland, New Jersey, a “dense [and] silent” landscape known as a dumping ground for the bodies of “murder victims […] ravaged by animals and decay, never found, their murderers never identified” (31-32). The wetlands contrast with the orderly and predictable routines of life in Wieland, symbolizing the town’s suppressed id. This area of southern New Jersey is a world of duality: between town and marsh, between working-class neighborhoods and the elite Langhorne Academy, between order and lawlessness, and between the civilized and the wild.


This in-betweenness is shown in the opening chapters as existing in both the emotional lives of the characters and in their physical world of action. The Prologue’s narration shows that the positive idea of love is twined for the speaker with death and destruction. Princess Di’s animal instincts overcome her training. Cady knows that Di behaves better on a leash, but she gives up in the face of the dog’s desire to explore. When Di returns with the “human tongue” (63), Cady turns away from the truth of its horror by pretending that it belongs to an animal. This refusal to recognize the violence right in front of one’s face becomes a recurrent theme later throughout the text, as numerous adults fail in their duty to protect the children in their care, highlighting The Importance of Communal Responsibility.


In Lewis Carroll’s Through the Looking Glass, one of Mr. Fox’s favorite texts, Alice goes through a mirror to arrive in the reversed image of her exact world, before heading into Wonderland. The girls whom Fox abuses experience a similar reversal, as he uses qualities that they’ve been taught to admire—his love of language and poetry, his courtly manners, his declarations of love—as weapons of control and abuse. The Wieland Wetlands symbolize this upside-down world hiding just beneath the town’s polite surface. Fox uses the guise of a benign, helpful teacher to gain access to young girls. In the scenes with him, he uses nursery-rhyme names for his genitalia (“Mr. Tongue”) and hands (“Big Teddy Bear”) to lure his targets and distance the truth of violation. He gifts writing journals that are to be kept secret from anyone who might disapprove: parents, teachers, and students. Equating secrecy and specialness, Fox dangerously notes to the girls that they may never “reveal” the truth (59). Like the marsh, he wants to hide his dangers under seemingly placid water.


Even the tarts that Fox uses to the drug his students indicate the duality of Langhorne’s world. Something sweet is always laced with something dangerous. Eunice, one of Fox’s students, experiences a moment of panic when she sees a broken doll, and Genevieve wants to “struggle to free herself but dares not, for she does not want to displease Big Teddy Bear” (60). The dream-like sensations experienced by the targets during the assaults contrast with the stark ramifications, illustrating The Variable Nature of Trauma Response. Fox uses and tosses aside the girls, like broken dolls.


While the reader does not yet know for sure that the white Acura in the ravine, discovered by Demetrius, belongs to Fox, the narrative juxtaposition of the human tongue found by Princess Di and Fox’s moniker “Mr. Tongue” suggest that it is. The circling vultures both identify the wreck’s location and help eviscerate the body, acting as both sentinels and jury. The body in the ravine is broken, “eye sockets empty, no nose. Much of the lower jaw gone” (49). Tellingly, Demetrius throws up after viewing it, noting that “he [i]s all—pieces” (49). Fox has been punished, but a mystery begins about who dropped his body there.


Though the wild landscape of the wetlands is the primary repository of secrets in this fictional world, other so-called “civilized” locations harbor secrets as well. Fox’s office and Langhorne Academy are places where crimes are also concealed. Each of the characters harbors secrets as well, from Fox perpetuating his assaults, to neither Genevieve nor Eunice coming forward with the truth, to Cady’s denial that the tongue might be human, to Demetrius not explaining that he knows exactly who the broken body in the ravine belongs to.

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