56 pages • 1-hour read
Amy HarmonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of religious discrimination, death by suicide, graphic violence, and death.
Angelo is one of the novel’s two protagonists and embodies The Tension Between Faith and Desire. From a young age, Angelo feels drawn to the priesthood. When his father sends him to Italy from America because of his disability, Angelo feels isolated in a new country and finds solace in the Church, where the discipline, ritual, and certainty of faith provide him with belonging and purpose. He says to Eva, “All my life I have been physically imbalanced because of my leg, but in here, everything makes sense. Everything is simple. My mind and body are in harmony. There is balance” (84). Angelo becomes a priest just as World War II begins, and he uses his position to become a crucial figure in Rome’s Catholic underground resistance during the Nazi occupation. Fluent in several languages and deeply trusted within the Church, he shelters Jewish people, secures documents, and coordinates escapes. His work highlights both the courage of individuals within the Church who resisted persecution and the moral cost of such efforts.
The resistance forces Angelo into direct conflict with his vow of obedience, demanding that he choose human compassion over rigid adherence to the church hierarchy, thereby deepening his spiritual journey. For Angelo, the priesthood is a lifeline for the people he serves, giving him the authority and cover he needs to move through occupied Rome and shield those in danger. His collar opens doors that would otherwise be shut, allowing him to pass messages, hide refugees, and act as a bridge between the Church and the underground. In this way, his vocation becomes both a sacred duty and a practical tool of survival, not just for himself but for the countless lives he helps to protect.
Angelo’s life is bound up in his relationship with Eva Rosselli, his childhood companion and eventual lover. They are raised like siblings, but their relationship matures into a forbidden passion that challenges everything Angelo believes about his calling: “[H]e was simply being torn in two. The priest and the man warring with each other. The scripture about serving two masters flitted through his head” (206). Eva represents temptation, but also truth, as she forces Angelo to confront the possibility that love between two people can be as sacred as love offered to God. When Angelo finally surrenders to his love for Eva, it is not a betrayal of his faith but a transformation of it. He comes to understand devotion as something larger than a single vow, wide enough to hold both his service to God and his love for Eva. Eventually, Angelo sets aside the priesthood and embraces a life as husband, father, and professor. Angelo’s life outside his vows is a fuller expression of devotion, no longer confined to the walls of the Church but lived out in the everyday bonds of family and community. His work as a professor of history and theology allows him to preserve memory, wrestle with questions of faith, and shape a generation that might learn from the devastation he survived.
Eva is the novel’s main female character, a Jewish woman living in Italy during the rise of Fascism and the Nazi occupation. A gifted violinist, she begins the story with a sense of possibility and promise, as she finishes high school intent on becoming a performer. As antisemitic laws tighten and persecution escalates, Eva’s identity as a Jewish woman makes her a target of hatred and oppression. As Fascist Italy aligns with Nazi Germany, Eva is forced to confront loss after loss as her family is stolen from her, her home is no longer safe, and her very existence is criminalized. Through this suffering, Eva develops a defiant courage as she refuses to remain hidden and instead joins the resistance, putting herself at significant risk to fight for her people.
Living in Italy becomes unsafe, and Eva fights for survival under the constant threat of betrayal, arrest, and death. Yet she refuses to remain passive: She works with the resistance, takes a job as a secretary for a German Captain, and insists on fighting for her people even when her own life is in peril. Eva resists the urge to surrender and repeatedly demonstrates courage, resilience, and moral clarity in the face of loss and grief. She inspires Angelo as he says, “She makes me serve him better. In fact, she is the very reason I serve” (177). Her relationship with Angelo complicates her path, blurring the lines between love and survival, faith, and desire. Eva embodies both the vulnerability of the persecuted and the strength of those who resist. She becomes a figure of endurance and hope, carrying her people’s suffering bravely even as she fights to survive herself.
Eva’s relationship with Angelo complicates her situation. Angelo provides refuge and comfort, but his vows stand as a wall between them. Their love story forces Eva to wrestle with her identity as a Jewish woman under persecution, while also weighing her respect for Angelo’s commitment to the church against their undeniable connection. Angelo is Eva’s safe place, the one constant she can cling to as her world collapses under the weight of persecution. With him, she feels sheltered and human as he calls her back to her music, her childhood, and the parts of herself untouched by violence. Yet paradoxically, Eva is unsafe for him on many levels. To love her places Angelo in direct conflict with his vows. More dangerously, her Jewish identity puts them both at risk; by standing at her side, Angelo exposes himself to the same persecution she endures. Their relationship is therefore both sanctuary and peril, offering comfort even as it sharpens the dangers surrounding them. By the novel’s end, Eva emerges as both survivor and mother. Her child with Angelo is a living symbol of renewal, a rebuke to the Nazi attempt to erase her.
Camillo is Eva’s father and the owner of a glass factory, representing both the security and vulnerability of the pre-war Jewish Italian community. As a successful businessman, he provides his family with stability and culture, grounding Eva in the traditions and comforts of home. She calls him her “very patient father” (7). After Eva’s mother dies, he raises her alone while managing his business. However, the rise of Fascism and the Nazi occupation forces him to close his factory. Faced with the increasing danger to Jewish people in Italy, Camillo makes the difficult decision to leave the country for Austria, seeking to help their extended family. Tragically, he is arrested and sent to Auschwitz, where he ultimately dies. His fate underscores the brutal reality of The Endurance of Identity in the Face of Persecution, illustrating that even those with wealth and influence were not immune to the machinery of Nazi terror.
Camillo’s absence leaves Eva alone, forcing her to survive in wartime without parental protection. Camillo’s presence remains a guiding force in Eva’s life, even if he isn’t physically present. When despair threatens to overwhelm her, she draws strength from memories of him and the moral grounding he instilled. This connection becomes almost supernatural when he appears to her in a dream while she is on the train bound for Bergen-Belsen. In this vision, Camillo’s voice and presence inspire Eva to act decisively, giving her the courage to jump from the train, which saves her life. Camillo’s character reinforces the novel’s exploration of loss, the fragility of life under oppression, and Love as a Source of Strength in families torn apart by war and persecution.
Captain von Essen is the physical embodiment of the cruelty, obsession, and ideological rigidity of the Nazi regime and serves as the chief antagonist in the novel. Tasked with rooting out Jewish people in hiding and punishing those who aid them, he represents the relentless machinery of persecution, enforcing laws with cold efficiency and brutal violence, as evidenced by his murder of Aldo and the massacre in the caves. When describing Aldo’s murder to Angelo, Eva says Von Essen “didn’t even ask for his papers. […] He wanted to humiliate him. And then he killed him” (242). His presence in the novel creates constant tension and danger, heightening the stakes for Eva, Angelo, and the underground resistance.
Von Essen’s obsession with control and domination is both personal and systemic. He takes a perverse satisfaction in uncovering hidden people and dismantling networks of resistance, embodying the moral depravity of a regime built on hatred. His torture of Angelo and Eva illustrates how persecution can infiltrate every aspect of life, leaving no space safe for identity or humanity. Yet, the constant threat he poses forces them to act courageously, make impossible choices, and rely on ingenuity, faith, and loyalty to survive. The Captain’s presence is a reminder of the pervasive, dehumanizing power of hate.



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