48 pages 1 hour read

From Scratch: A Memoir of Love, Sicily, and Finding Home

Nonfiction | Autobiography / Memoir | Adult | Published in 2019

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Key Figures

Tembi Locke (The Author)

Tembekile “Tembi” Locke (b. 1970), is an African American actress and the author and narrator of From Scratch. Born to activist parents in Houston, Texas, Tembi moved to Middletown, Connecticut to study Art History at Wesleyan University after high school. In 1990, when Tembi was 20 years old, she enrolled in a study-abroad program in Florence, Italy to learn Italian and fulfill her program’s language requirement. Tembi’s chosen profession and college major attest to her creative drive, while her willingness to live in a foreign country speaks to her curiosity and sense of adventure.


It was during Tembi’s semester abroad that she met Saro, a talented Sicilian chef at the trendy Acqua al 2. Tembi was instantly drawn to Saro, but she refused his overtures for weeks, preferring aloof men to those who wore their hearts on their sleeves, as Saro did. A self-professed foodie with “the culinary soul of an Italian” (2), Tembi fell in love with Saro as she dined at Acqua al 2 alongside two American friends.


Tembi’s family history made her wary of Saro’s advances. Her parents’ separation when she was seven years old and their divorce a year later left her feeling sad and unmoored. Tembi’s mother remarried when she was nine, only to divorce again a decade later, while her father remarried when she was 12. Although Tembi’s parents remained friendly after their divorce, their marital rift made Tembi question the idea of lasting love.


Tembi changed dramatically from her college years to middle age, the period covered in her memoir. As a young college student, Tembi was independent, adventurous, and keen to explore her budding sexuality. Though initially closed off to Saro, she eventually opened her heart to him as fully as he did to her, and the early years of their relationship were joyful, despite his parents’ disapproval of their marriage. Their love deepened when they decided to expand their family and adopt Zoela. The dynamics of their relationship changed, however, when Saro was diagnosed with a rare form of cancer. The lightness that characterized their marriage faded as Tembi became Saro’s primary caregiver, as well as the sole wage-earner of the family. Despite this shift, Tembi remained committed to Saro, vehemently refusing to take a lover (as he proposed) or to leave him (as a friend suggested). She was patient, giving, and strong, not just with Saro, but also with Zoela.


Tembi’s love for Saro did not fade after his death. Rather, Tembi made concerted efforts to draw closer to Saro’s family, especially to his mother, Croce. Although there were days when Tembi was deeply depressed, being present for Zoela got her through the worst of her grief. Tembi’s desire to maintain her and Zoela’s connection to Saro drove her to visit Sicily for three consecutive summers after his death. By the end of this period, Tembi healed from the worst of her grief and was ready to move forward in life without Saro.

Saro Lupo

Born to a long line of farmers in the small, impoverished town of Aliminusa in central Sicily, Rosario “Saro” Lupo (d. 2012) is Tembi’s late husband and Zoela’s doting adoptive father. After two years of studies, Saro dropped out of the University of Florence to pursue a career as a chef. Ambition and skill landed Saro a job at Acqua al 2, a trendy restaurant in the city center popular with locals and tourists. As a young man, the black-haired, olive skinned Saro was extremely attractive. Saro was also kind, attentive, and engaged in his interactions with Tembi, who describes him as “way too available, way too nice” (18). Because of his job, Saro often smelled like food, a trait that left an indelible mark on Tembi even after he became ill with leiomyosarcoma, a rare soft-tissue cancer that appeared in his knee and metastasized into his femur. As she describes, “His skin was warm, I could still smell his signature earthy mix of salt and spice over the scents of medicine, iodine, and baby wipes” (58).  


A defining aspect of Saro’s personality was his steadfastness. Saro was persistent in his pursuit of Tembi, despite being brushed off on many occasions: “Let me take you for dinner” (18), he often said, and although she replied noncommittally each time, Tembi grew increasingly attracted to Saro, largely because of his attention to her needs. It was Saro’s talent in the kitchen, however, that ultimately won Tembi over, and she ultimately realized how much Saro loved her when he waited outside her window for hours in the rain, an act of “a man in love with me down to the bone […] it was the act of a man who was persistent, whose character was unshakable” (42).


Saro’s steadfastness sometimes turned into stubbornness, as evidenced by his fraught relationship with his parents after he married Tembi over their objections and remarried her in Florence even after Giuseppe disowned him. Indeed, if it hadn’t been for Tembi buying plane tickets to Sicily without his knowledge, Saro may never have made amends with his family before his illness claimed his life.


Throughout Tembi’s memoir, Saro constantly displays courage, generosity, and grace in the face of his illness. He went through many rounds of chemotherapy, underwent endless surgery and experimental treatments, and was hospitalized repeatedly, yet he still strove to survive. On his deathbed, Saro urged Tembi to live her life and find love again, “as if it were the most natural thing for a husband to say to a wife” (59).

Croce and Giuseppe Lupo

Croce (Nonna) and Giuseppe Lupo are Saro’s parents. Croce worked in the home and raised their two children, Saro and Franca, while Giuseppe farmed the land. The couple lived in a modest house on Via Gramsci in Aliminusa, Sicily. Giuseppe died of cancer three years before his son. He was buried in the cemetery outside town, where Saro’s ashes were later interred.


Croce and Giuseppe initially disapproved of Saro and Tembi’s marriage. Although they objected to all diverse cultural relationships, including Saro’s Sardinian ex-girlfriend, they were especially critical of his relationship with Tembi: “They will think they have failed me as parents. I’m abandoning them, not marrying an Italian or a Sicilian” (76). Giuseppe believed that Saro was marrying down. He also feared being gossiped about and ridiculed for having a Black American daughter-in-law. Further, Giuseppe was biased against Americans, claiming that all their marriages ended in divorce. He was so opposed to the wedding that he not only refused to attend, but also disowned Saro.  


Croce and Giuseppe were a traditional Sicilian couple. As the man of the house, Giuseppe’s word was final, even when other members of the family disagreed. This patriarchal family system prevented Croce, Franca, and other relatives from attending Saro and Tembi’s wedding in Florence. Indeed, only two of Saro’s relatives attended the wedding—an aunt and uncle who drove from Switzerland without telling the rest of the family. As deferential as Croce was to her husband, however, she did not pass up the opportunity to see Saro when he traveled to Sicily with Tembi for the first time. For seven days, Giuseppe refused to see his son, which also barred Croce from seeing him. On the eighth day, though, Croce announced that she was going to Cefalù with or without Giuseppe. She resourcefully arranged to get a ride with a cousin, pointed to a plate of cold pasta, and told Giuseppe that her mind was made up. Giuseppe gave in to his wife’s wishes, much to Saro and Tembi’s delight. The family reunited at a modest restaurant, “a place [Giuseppe] could comfortably afford and far enough from their hometown that it would create no further gossip” (160).


A reserved woman with a talent for cooking, Croce ultimately grew to accept and love Tembi, and their relationship became more intimate after Saro’s death. Croce soothed Tembi by feeding her and making her feel close to Saro, all the while dealing with the dual grief of being a widow and losing her son. A devout Catholic, Croce grieved her losses by praying, saying the rosary, and attending Mass. Over time, she fully accepted Tembi and Zoela as part of her family, even signing over her house to them during their third summer in Sicily.

Zoela

Zoela is Tembi and Saro’s adopted daughter. Zoela was born in Oakland to a woman who loved her but didn’t have the means to support her. She was adopted as a newborn when Saro’s cancer was in remission. Her name, an old Italian moniker meaning “piece of the earth,” held symbolic significance for Tembi and Saro, and as Tembi explains, “Her name reflected the diversity of her biology and cultures. She was African American, Filipina, Italian, and even, Saro added, Sicilian” (129).


Zoela had a close relationship with her adoptive father. As the primary breadwinner, Tembi spent most of her days working, while Saro, often too ill to work, stayed home with Zoela. Saro and Zoela gardened together, and Zoela also enjoyed watching Saro cook and listening to his stories about ancient gods. Zoela attended school throughout Saro’s illness, but she spent much of her free time with him, especially toward the end of his life. As Tembi relates, “When Zoela came home from school that day, she went straight to her dad’s room. She called him ‘sleepyhead’ and asked if she, too, could have an ice pop” (60).


Zoela’s grief manifested quite differently than Tembi’s after Saro died. While Tembi strove to remember Saro and keep him present in their lives by talking about him and toasting to his memory, Zoela wanted to stop loving Saro because it was so painful to keep on missing him. Similarly, the intensity of her grief drove Zoela to say hurtful things to Tembi, even that she wanted to die so that she could be with him again. Wanting to avoid painful memories, Zoela initially yearned to stay in LA and resisted traveling to Sicily, where reminders of her father abounded. Over time, however, Zoela grew to love her annual visits to Aliminusa, where she was doted on by Saro’s mother. Aliminusa became a second home to Zoela as she learned to embrace her Sicilian heritage. As Tembi observes:


Each summer in Sicily had marked her growth. Walking the streets on her own each morning to get the daily bread from the pasticceria, learning the ancient craft of making fresh ricotta cheese, frolicking in the family’s orchard, Sicily had become a gift to her, the place where she would always know her father (298). 
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