59 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of anti-gay bias, sexual content, and cursing.
At the Kingfisher, Kip celebrates his birthday with friends. Though surrounded by people he cares about, Kip wishes Scott could be there. Their server, Kyle, flirts with Kip as he has on previous visits. Kip resists the temptation to reciprocate, recognizing his relationship with Scott is now monogamous.
After the group says their goodbyes, Elena reveals she texted Scott to pick Kip up. To Kip’s surprise, Scott arrives driving his SUV. During the drive, a drunk Kip chats with Scott, who apologizes for missing the party and admits the evening was difficult for him. Scott says Elena’s text made their secret relationship feel more real.
The next morning, Kip wakes hungover to find Scott that has cooked. Over breakfast, Kip asks why the previous night was hard. Scott admits he wished he could have attended the party and met Kip’s friends. Kip stops himself from pushing Scott about coming out. As Scott leaves for practice and a Sports Illustrated interview, he proposes taking Kip to the Metropolitan Museum of Art for his birthday. Kip is thrilled until Scott specifies that they must be discreet, dampening his excitement.
Kip and Scott tour the Met’s Arms and Armor collection. Scott wears a hat and hoodie as a disguise but remains tense, keeping his hands in his pockets to avoid touching Kip. When Kip tries to touch Scott’s arm, Scott flinches. Kip shares that his father, a high school history and English teacher, used to bring him here. He explains his passion for ensuring “marginalized groups’” stories are told correctly (241). Scott asks to read Kip’s undergraduate thesis, touching Kip with his genuine interest. Kip reveals he recently applied to local graduate programs.
In a brightly lit gallery, fans begin recognizing Scott and taking photos. Several approach for selfies and autographs. Overwhelmed, Scott insists they leave immediately, canceling their lunch plans. They return to Scott’s apartment.
That evening, Shawn texts Kip a romantic-looking photo of Kip and Scott at the museum. Kip lies, claiming they are just friends. He decides not to tell Scott about the online photos to avoid stressing him. Later, Scott asks about them, revealing his teammate Carter sent one to him. Kip pretends to have just discovered them. Scott paces anxiously, angry at himself for the risky outing and worried about appearing too affectionate. Frustrated, Kip announces he is leaving. Scott apologizes, explaining every public step is huge for him, and pleads for Kip to stay. Kip relents.
Kip watches the Admirals win their first playoff series. He reflects on his two-month relationship with Scott, noting Scott has had less time for him during the playoffs. Kip tells his parents he has been staying with friends in Manhattan to hide that he sleeps at Scott’s apartment most nights. After the game, Scott texts that he is celebrating with his teammates. Alone in Scott’s empty penthouse, Kip feels disappointed and lonely, tired of hiding their relationship and lying to loved ones.
Scott arrives late and drunk, gives Kip a quick kiss, and falls asleep immediately. Kip recalls a recent team dinner for players and their partners that Scott did not invite him to, which left him feeling low. At work, Kip sees Scott’s photo on a newspaper cover and feels guilty for being demanding, convinced their relationship cannot last. His coworker Maria announces she is quitting for a better job and considering the police academy. Kip feels both happy for her and resentful that she is moving forward while he feels “stuck.”
That evening, Scott comes home exhausted from media appearances and goes straight to bed. Kip realizes he cannot live this way long-term. He knows he must talk to Scott about their future but decides the timing is wrong. The perspective shifts to Scott in the Admirals’ dressing room, where he looks at photos of Kip on his phone before putting it away.
Elena tells Kip she is in Los Angeles for work and cannot attend upcoming games with him. At Scott’s apartment, Kip examines Scott’s Sports Illustrated cover and feels growing dread about their relationship’s future. When Scott arrives home exhausted, Kip offers support. Scott vents all evening while Kip keeps his own worries to himself.
At the next home game, the Admirals are losing badly. After being taunted by opposing player Ilya Rozanov, Scott shoves him. Referee Hal Coleman separates them. From the bench, Scott sees Kip sitting alone in the stands, looking anxious.
Days later, Kip visits Elena to watch another game. She reveals she has been promoted and is moving to Los Angeles next month. Kip is devastated but congratulates her. The next morning, he calls Scott to share the news. Their conversation is stiff and distant, with Scott seeming dismissive. The call ends abruptly, leaving Kip angry.
The perspective shifts to Scott, who returns to his empty apartment and realizes Kip is not there. Their tense text exchange makes Scott feel he is being blown off. Scott asks if Kip is mad; Kip replies he will see him at the game.
At dinner with his family, Kip’s sister, Megan, asks if he is seeing someone. Kip lies but admits he applied to graduate school. Alone in his room, Kip feels his relationship with Scott is doomed and considers ending it quickly.
Before the game, Scott is determined to win so he can have time to fix his relationship with Kip. Seeing Kip in his usual seat comforts him. After the victory, Scott returns home to find Kip absent for the second night. They agree via text to talk the next day.
When Kip arrives at Scott’s apartment, the atmosphere is awkward. Scott asks permission to kiss him. They sit down, and Scott asks what he has done wrong. Kip explains he hates hiding their relationship, calling it “the best thing in his life” but saying it feels like a “dirty secret” (271). He confesses his fear that pressuring Scott to come out will make Scott realize he is not worth the risk. Scott is devastated and denies this, but Kip says he does not know how much longer he can live this way.
Scott argues he is not ashamed but must be careful because of his public responsibilities. The conversation escalates. Kip challenges Scott to show people they are wrong about gay athletes and asks if the plan is to hide forever. Kip accuses Scott of being embarrassed to be with him. Scott shouts that Kip has no idea of the pressures he faces as a public “commodity,” while Kip retorts that Scott does not want to tarnish his brand with his “gayness” (274). Scott declares the playoffs are everything to him. Heartbroken, Kip says he is leaving. Scott lets him go, saying only “Fine.”
Days after the argument, Kip gets drunk alone at the Kingfisher. At closing, server Kyle offers to walk Kip to the subway. Though Kip knows it is a bad idea, loneliness makes him agree. On the street, Kyle compliments Kip and asks to kiss him. Confused about his relationship status, Kip hesitates. Kyle kisses him, and Kip kisses back briefly before realizing his mistake. Horrified, he shoves Kyle away and runs.
The perspective shifts to Scott on the team bus in Detroit, exhausted and miserable. He reflects that while some of Kip’s accusations were unfair, he has not adjusted his own life for their relationship. He loves Kip and wants a life with him but dreads becoming known only as “the gay hockey player” (279). During the game, after an opponent uses an anti-gay slur, Scott loses control and brutally beats the player. In the penalty box, he is filled with shame and regret.
A week after the argument, Kip runs into Kyle at a Barnes & Noble. Kyle is kind and invites Kip for coffee as a friend. Kip confides about his closeted boyfriend without naming Scott. Kyle advises that if Kip is truly in love, he must try to fix it. Kyle also tells Kip the Kingfisher is hiring.
At home, Kip is too scared to contact Scott. His father brings an envelope from New York University. Kip has been accepted to the master’s program. His father then reveals he knows Kip has been dating Scott Hunter, deduced from Kip’s reaction to Scott’s recent, brutal on-ice fight. After his father leaves, Kip breaks down, realizing even getting into graduate school cannot make him happy without Scott. He resolves to fix things.
These chapters intensify the exploration of The Conflict Between Public Persona and Private Self, demonstrating how the secrecy required to maintain Scott’s professional identity actively corrodes his personal life. This conflict is exemplified during the date at the Metropolitan Museum of Art, a public space that Scott attempts to navigate with the tools of secrecy: a hoodie, a cap, and a refusal to make physical contact. His tense posture and hypervigilance transform a gesture of romantic intimacy into an exercise in risk management. When fans recognize him, his panic overwhelms any pleasure in the outing, culminating in an argument where he frames their shared experience as a reckless mistake. His identity as a public figure—what he calls a “brand” and a “fucking commodity” (274)—is presented as fundamentally incompatible with the authentic connection Kip requires, forcing a choice between professional preservation and personal fulfillment.
Amid this escalating pressure, Kip’s character arc shifts from passive acceptance to active self-advocacy. Initially, he accommodates the relationship’s constraints by lying to his friends and soothing Scott’s anxieties after the museum incident. However, his growing isolation marks a turning point, particularly when he realizes his life has been reduced to waiting for Scott, feeling “like Scott’s fucking pet” (255). Kip’s ultimatum is therefore not merely a demand for Scott to come out but a declaration of his own self-worth. By refusing to remain what he calls a “dirty secret” (271), he reclaims his identity, prioritizing his need for an acknowledged life over the relationship’s survival in its current form.
The alternating points of view between Kip and Scott heighten the dramatic irony of their communication breakdown. This narrative technique gives the reader access to each character’s internal turmoil while the characters themselves remain isolated in their own perspectives. For instance, while Kip feels forgotten after a playoff win, the narrative reveals Scott is looking at photos of Kip on his phone, underscoring a shared longing that their secrecy prevents them from expressing. This dual perspective exposes that their conflict is driven not by a lack of love, but by an inability to bridge the gap between Scott’s deep-seated fear and Kip’s need for authenticity. The structure ensures the reader understands both the validity of Kip’s grievances and the immense pressure shaping Scott’s choices.
Scott’s on-ice violence serves to deconstruct traditional masculinity, connecting the hypermasculine performance of his profession to the suppression of his identity and underscoring the theme of Redefining Masculinity in a Hypermasculine World. His brutal fight following an anti-gay slur is not a strategic play but a loss of control, triggered while he is emotionally destabilized by his separation from Kip. This explosion of rage is a physical manifestation of his internal agony. The shame Scott feels in the penalty box is not for the fight itself, a common spectacle in hockey, but for the personal failure it signifies. His inability to articulate his love or fear finds an outlet in the sport’s sanctioned violence, demonstrating how environments that reward aggression while punishing vulnerability create immense psychological pressure.
Minor characters and subplots serve as foils that contextualize the internal conflicts that Scott and Kip face. Kip’s friends Elena and Maria represent forward momentum, making his own feelings of stagnation more acute. Kyle, the server, presents a vision of an openly gay life, a path Kip considers but ultimately rejects. Most significantly, Kip’s father reveals he has long deduced the relationship and offers unconditional support. This moment of acceptance directly counters Scott’s belief that coming out will lead to ruin, suggesting his greatest obstacle may be his own internalized fear rather than external judgment. This act of paternal love introduces hope and reinforces the idea that Vulnerability as a Catalyst for Growth and Success is possible.



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