59 pages 1-hour read

Game Changer

Fiction | Novel | Adult | Published in 2018

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Themes

Content Warning: This section of the guide includes discussion of anti-gay bias.

The Conflict Between Public Persona and Private Self

In Rachel Reid’s Game Changer, Scott Hunter lives with the strain of a polished public image that hides his private reality. As captain of the New York Admirals, he performs the role of a straight, respected leader in a hypermasculine league, and this persona becomes a shield he relies on. The novel shows how this separation wears him down and how he can only find real steadiness when he folds his private life into his public one, even though the risk to his career and reputation feels overwhelming.


Scott begins by keeping his two worlds separate because he believes his job depends on that barrier. He hides his growing relationship with Kip Grady inside his high-security apartment, which he treats as a sealed-off refuge. Scott has never brought anyone there before, and although he lets Kip in, he preserves strict secrecy. Their time together feels insulated from the constant media attention that follows Scott everywhere else. He treats this division as a survival tactic shaped by a hockey culture where players are expected to settle down young and where teammates “used homophobic slurs liberally” (29). To protect his status, he tries to erase any trace of his personal life. He believes his life and his career are dependent upon the public persona he has built and comes to think that his sexuality jeopardizes that stardom.


The emotional strain of this split becomes impossible to ignore. As Scott’s hockey career enters playoffs, his time with Kip becomes less frequent, forcing both of them to confront a life where they can only exist together in private moments. When Scott tries to cross this line, like when he takes Kip on the museum date, it becomes clear that Scott is not emotionally ready for the two sides of his life to collide. Even with a disguise, someone recognizes him, and the attention sends him back into hiding. When a few blurry photos appear online, he panics and says, “We shouldn’t have gone! It was stupid” (247). This moment sets off his biggest fight with Kip. Kip tells him he cannot live as a secret any longer, and Scott has to face the fact that his rigid boundaries now threaten the relationship he values most.


Because of his relationship with Scott, Kip similarly faces an internal conflict over who he wants to be and who he is forced to be. As his relationship with Scott grows, Kip is forced to keep it a secret from his friends and his family. He spends more and more time in Scott’s apartment, lamenting the fact that he “was spending most nights at Scott’s place, [though] Scott was only home for about half of them. Kip had told his parents that he’d been crashing with friends in Manhattan. He’d needed to tell them something” (249). Kip lies to his family about his relationship with Scott, while repeatedly insisting to his friends at the bar and his coworkers that he is still single. While this is initially not an issue for Kip, he slowly becomes disenchanted with his life with Scott, as his need to hide his private self prevents him from having friends, seeing his family, and, ultimately, pursuing his goals for his career. Kip articulates this conflict himself, as “[h]e did wonder sometimes if Scott would ever be ready to come out. To let them be a real couple. In private, though, when Scott did have time for him, things were wonderful” (249). Here, Kip acknowledges the existence of two forms of himself, wondering if they will ever be able to be reconciled.


The story resolves this tension during the celebration that follows the Admirals’ Stanley Cup win. While surrounded by teammates, families, and cameras, Scott calls Kip onto the ice and kisses him. His choice fuses his public role with his private identity at the height of his career. Instead of treating this display as self-sabotage, the novel frames it as the point where Scott finally claims a life shaped by honesty rather than fear.

Vulnerability as a Catalyst for Growth and Success

In the world of professional sports, emotional openness often appears risky, yet Game Changer ties Scott Hunter’s best performance to the moments when he lowers his guard. The book links his slump on the ice to the loneliness that shapes his private life, then shows his game improving as he lets Kip Grady in. Scott’s rise to a Stanley Cup win grows out of this shift toward connection.


The opening chapters place Scott in a scoring drought and facing pressure from his agent, who worries because he has “not scored a goal since November!” (11). The book presents these struggles as an outgrowth of his isolation. Scott lives without family, hides that he is gay, and builds emotional walls that keep everyone at a distance. His uneven performance reflects that loneliness and suggests that he cannot hold onto elite play while cut off from meaningful relationships. However, he stringently holds onto this façade for years, refusing to show his vulnerability due to pressures within the NHL and his own standards for himself.


Scott’s play begins to shift once he starts talking to Kip. Their first conversation happens right before a hat trick, and the smoothie Kip blends becomes a small ritual Scott treats as linked to his revived game. This habit reflects a larger change: Scott improves as he lets himself be vulnerable. After their first night together, he tells Kip about his mother’s death and the solitary childhood he rarely mentions. Each step toward honesty with Kip connects to his renewed energy on the ice. Scott describes this change as “something that reignited [him]” (68), which ties his personal openness to his professional progress. Because he allows himself to explore his sexuality and feelings of love with Kip, he finds joy in his life that allows him to transfer that happiness to the hockey rink.


Scott’s decision to come out to Carter, Huff, and Bennett extends this pattern into his team relationships. Years of hiding in an environment built on anti-gay bias make him fear losing their respect. When he confides in them, their answer is steady support, as Huff tells him, “We’ve got your back, Scott” (315). In this moment, Scott shows a newfound vulnerability that opens him up to possible criticism, rejection, and even the loss of his team entirely. Instead, he finds immediate comfort and acceptance, allowing Scott to feel like he is truly understood for the first time and to build their team on a foundation of trust. His teammates’ reactions ultimately strengthen the bond that anchors the Admirals’ success in the Stanley Cup.


This resolution to Scott’s internal conflict over how to handle his sexuality underscores the importance of honesty and vulnerability. While the world of the NHL projects ignorance, anti-gay bias, and closemindedness, Scott instead finds comfort and belonging once he is willing to take the risk of trusting his teammates. Ultimately, the novel links Scott’s success to this new trust, showing how connection strengthens both his leadership and the team’s unity.

Redefining Masculinity in a Hypermasculine World

Rachel Reid places a gay love story inside an NHL locker room to challenge the rigid masculinity that defines Scott Hunter’s workplace. The book sets harsh, anti-gay bias beside a second model that values honesty and emotional steadiness, then follows Scott as he grows into this alternative form of masculinity.


The opening chapters sketch out the old guard of hockey culture. Scott reflects on years when players “used homophobic slurs liberally” and saw queerness as incompatible with professional hockey (29). From the moment he started playing hockey as a young child, where he had a crush on a fellow teammate, he recognized that his gay identity did not fit into the rigid masculinity of hockey. On the ice, the players are expected to be strong and are lauded for getting into fights, as strength is equated to risking bodily harm and standing up for oneself. This idea is best embodied by Frank Zullo, who is described as a “bully, and a bit of a creep” (33), and his slurs toward a rookie mark him as part of that toxic environment. He is disliked by Scott and the rest of the team, taking the idea of hypermasculinity to an extreme. When the Admirals dismiss him after a violent incident off the ice, the moment reflects the book’s rejection of this version of masculinity.


Scott stands in sharp contrast to Zullo. On the ice, he leads with authority and pushes his teammates to stay disciplined; he breaks up a fight and commands their loyalty. This contrast is most clearly exemplified through Scott’s relationship with Kip. He shows tenderness toward Kip, while admitting fears he hides from everyone else. This idea is explored through their sexual relationship, as Scott surprises Kip by asking him to reverse positions during penetrative sex. In response, Kip thinks about how he “was certainly down for whatever, but he’d just sort of assumed that the captain of an NHL team might be kind of… toppy” (56). Although Kip’s thoughts are not ill-intended, they reflect the pressures of hypermasculinity to which Scott has been forced to conform throughout his life. Ultimately, Scott worries that these private qualities undermine his position, making him somehow inferior because of his desire to shirk masculine stereotypes. Instead, the novel shows how he holds toughness and vulnerability together without contradiction. His growth depends on embracing his full emotional life rather than masking it.


By the novel’s end, it is clear that the locker room around Scott has shifted as well. His fear of coming out came from the same culture that shaped Zullo. When Carter, Huff, and Bennett respond with support, they upend those expectations. Their later decision to join him at a gay club in Las Vegas to celebrate his MVP award extends that acceptance into a shared space. Their presence turns team bonding into something open and inclusive and shows how the group’s idea of masculinity has begun to change.

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