48 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of physical abuse, emotional abuse, and death.
Claire is one of the major protagonists of the novel and one of the most frequent point-of-view characters. When the novel begins, she is 34 years old and has lived in Bascom, North Carolina, since she was six. Claire is described as pretty, “all dark hair and eyes and olive complexion” (13). She is reserved and guarded and has a reputation in Bascom for being standoffish. She is skilled at food preparation and knows how to use the plants in her garden to prepare dishes that can influence people in certain ways. She generally does this with the consent and cooperation of her subjects, as when Ariel Clark hires her to give Emma’s party an ambiance of financial and marital success, or the fact that she distributes her rose geranium wine each year only to the person in town who most needs it. Claire takes satisfaction in her culinary talent, and she doesn’t find it strange that the Waverleys should have a sentient apple tree or that Waverley women should possess magical talents. Despite her magical inheritance and her outsider status in town, Claire is the manifestation of good sense and fortitude. Sydney thinks, “She seemed comfortable, the way their grandmother used to seem comfortable. Don’t-move-me-and-I’ll-be-fine comfortable” (45).
Claire requires a sense of security, which is one reason she resists changes to her routine and refrains from initiating new relationships. Claire didn’t enjoy Lorelei’s unrooted lifestyle during the first six years of her life, which were characterized by a lack of a home. Feeling little sense of affection or reassurance from her mother and with no father in her life, Claire clung to the stability of her grandmother’s presence and having a solid place to live. Claire’s early childhood was marked by the sense that she needed to earn her place there by being helpful and assisting her grandmother so she would be allowed to stay. She felt jealous of her younger sister, Sydney, for being born in Bascom and having that sense of rootedness that Claire craved from birth. Claire was eager to be identified as a Waverley and still takes pride in that heritage, as it gives her a sense of place and purpose that she didn’t have in her formative years. However, her idealized picture of her life as a Waverley involves idealizing her grandmother as well. Over the course of the novel, she will develop a more three-dimensional picture of her grandmother that will, in turn, become a more mature understanding of Bascom and her heritage as well.
Claire is wary of people in general, but she has a kind nature. She helps Evanelle and doesn’t hesitate to give Sydney and Bay a home, though this is a major disruption to her quiet life and orderly routine. Sydney’s return, however, forces Claire to confront her deepest fear, which is that the people she loves will leave, and she will be hurt and alone. Her dislike of discomfort is the reason Claire gives for not allowing others to eat the apples from the tree; Claire thinks that knowledge could only bring hurt in some fashion, highlighting her characteristic distrust of change. Likewise, her fear that a relationship would eventually end is what keeps Claire from accepting Tyler into her life, at least until she discovers that her attraction to him is stronger than her fear of intimacy or of being vulnerable. Claire’s character arc involves confronting these fears of loss and deciding to risk being vulnerable to gain the satisfaction of connection and companionship with another person.
Sydney Waverley is the second major protagonist and point-of-view character in the book. She is Claire’s younger sister by six years and serves as her foil. Where Claire longs to be identified as a Waverley and feels attached to their home in Bascom, relating more to their grandmother, Sydney identifies more with their mother and admires that wild, carefree lifestyle. Sydney felt excluded as a child because of her reputation as a Waverley, which made other children stay away from her, and she took solace in her friendship with Henry Hopkins. Later, in high school, when she fell in love with Hunter John and was accepted into his circle of popular friends, Sydney thought she had found a place to belong. Hunter John’s telling her that she wasn’t good enough to plan a future with hurt and humiliated Sydney. She left town after her graduation from high school and moved around, using the false name of Cindy Watkins, dating men who provided an emotional thrill, and stealing money from those boyfriends to support herself.
Sydney is not entirely like her mother, however, in that she felt it necessary to stay in a relationship with David after she gave birth to Bay. She wanted to give Bay a stable home, and this is her motivation for escaping David a second time and driving across the country to North Carolina, highlighting both her strength and determination. Her fear that David might find them, or that Claire will disapprove of her, keeps Sydney initially from saying much about her life in the 10 years she was away. As she returns to Bascom, Sydney proves that she is a nurturing parent to Bay, that she has healed and moved on from the heartbreak over Hunter John, and that she is ready to form stable relationships with both Henry and Claire.
Sydney’s transformation shows in her physical appearance as well. When Sydney first arrives, Claire thinks she looks “small, frail, with unwashed light-brown hair and deep circles under her eyes. She seemed to be holding herself to keep from trembling” (38). As she relaxes and begins to feel safe, Sydney’s good looks emerge. Claire notices that her hair has a bit of natural curl that makes it “look like waves of caramel icing on a cake” (80). She has lightly tanned skin with freckles on her face and a petite figure, and, just as in middle school, she strikes Henry Hopkins speechless when he sees her again.
Part of Sydney’s character arc involves coming to terms with her identity as a Waverley and how her unique ability to style hair might connect her to traditions of Waverley magic. As the narrator observes, “Hair said more about people than they knew, and Sydney understood the language naturally” (45). Sydney’s haircut for Claire is a generous move, one of her first overtures of trust and affection, as she puts aside her jealousy and mockery of her youth and instead accepts who Claire is as an adult and makes an effort to bring out her best features with her hairstyle. When David is defeated by the apple tree, and Sydney is truly safe in Bascom, with a partner, a family, and a job she loves, Sydney has also found where she belongs.
Evanelle Franklin is a supporting character who serves as a foil to the Waverley sisters and plays the role of a mentor and guide for them. Evanelle is 79 at the time the story opens and has lived in Bascom all her life. She is part of the Waverley family and so, in the family tradition, possesses a unique, magical gift. Hers is the compulsion to give people very specific items, even if she doesn’t know the purpose. She describes this compulsion as an itch that won’t let her rest until she’s delivered the item.
Evanelle discovered this aspect of herself and came to terms with it very early, as revealed in a story she tells about informing her husband-to-be, when she first met him as a child, that this was part of her identity. They were married for over 30 years, and Evanelle was happy with him. Evanelle also made peace with her reputation around town after her interaction with Luella Clark, which turned out to be embarrassing for Luella, caused others to treat Evanelle with suspicion. Evanelle knows that her true friends accept her.
Evanelle’s role lies in offering information and backstory that the Waverley sisters don’t have, such as the information that their mother’s wildness was possibly inspired, or accentuated, by whatever she saw when she ate an apple from the family tree. Evanelle also serves as a parallel to Claire in the way she takes in Fred after he is left bereft following his breakup with James. Evanelle is also mischievous, as evidenced by her enjoyment of admiring well-shaped male posteriors, but on the whole, her role is to support and connect. She offers further evidence that the reputation of the Waverleys says more about the townspeople who believe that reputation rather than the Waverleys themselves, and she offers a model of self-acceptance for Sydney and Claire.
Emma Clark Matheson is a minor supporting character who serves as a foil to Sydney and, in a lesser way, to Claire. Emma is Sydney’s age and, due to her mother’s influence, viewed Sydney as a rival during their high school years. Emma’s mother believes that a Clark woman bases her identity around her sexual allure and her ability to retain the interest of her sexual partner, and Emma feels conflicted by this advice. Emma demonstrates the danger of defining oneself too much by outside influence or reputation, rather than trusting one’s own decisions or internal compass.
Emma loves Hunter John, and she felt lost and overlooked when he was dating Sydney. In part due to her mother’s counsel that Emma’s only skill or attraction was her sexual allure, Emma has never really believed that Hunter John freely chose her. She got pregnant on purpose the summer after their high school graduation so that he would stay in town and marry her instead of going away to college, and he has not told her he loved her. Emma is like Sydney in that she is seeking security and a way to trust herself. She receives this reassurance at the end when her husband tells her he loves her and that it is Emma who is still obsessed with Sydney, not Hunter John. The happy resolution to Emma’s love story accents the love affairs that both Sydney and Claire are enjoying at the novel’s conclusion.



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