44 pages • 1-hour read
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Content Warning: This section of the guide discusses racism, enslavement, and racialized violence.
In the world of Gem of the Ocean, names of people and places are symbolic. The play is set in Aunt Ester’s home at 1839 Wylie Avenue. The year 1839 is significant both within the history of enslavement in the Americas and in relation to several of the play’s central themes. In 1839, 53 abducted and soon-to-be-enslaved men and women aboard the Amistad revolted, killed several members of the ship’s crew, and were briefly able to reroute the ship back to West Africa. However, the remaining crew members prevailed and the ship docked near Montauk, New York. The African men and women were captured and jailed, and the complex trial that would decide their fate garnered international attention. Ultimately, the United States Supreme Court freed them and their story became an important touchstone in the fight for abolition. In Gem of the Ocean, Wilson uses this address to place his own characters within the broader history of enslavement and emancipation in the United States. Like the Amistad’s captives, the inhabitants of 1839 Wylie Avenue fight for freedom and justice. That they do so aboard a “magic” ship is a nod to the many enslaved Africans who crossed the Atlantic against their will.
People’s names are also symbolic. Aunt Ester Tyler tells the story of her own name, noting that she bears the last name of the woman to whom she was sold as a young girl. She calls the name Tyler her “heavy burden,” although she chooses to bear this burden rather than take a new name. At the same time, her first name recalls the biblical Queen Esther, who played an instrumental role in saving her people from genocide at the hands of the king of Persia and his grand vizier Haman. Like her biblical namesake, Aunt Ester “saves” her people, albeit through Redemption and Spiritual Healing. Her name thus exemplifies the way that enslaved people persevere and maintain their own sense of self and identity: Although she will always bear the last name of her former enslaver, she has the strength and history of her first name to guide her.
Solly’s name also has biblical significance. Although he was called Alfred while enslaved, he changed his name to David and Solomon during his escape—“Solly” is a nickname. The biblical King David slew the giant Goliath, while Solomon, who built the First Temple in Jerusalem, was known for his wisdom. Solly certainly embodies characteristics of both men, and his name is thus symbolic of his own inner strength and wisdom. It also symbolizes the way that formerly enslaved people reinvented themselves and forged new identities.
Caesar, too, has a symbolic name. Caesar is the dynastic title given to a series of rulers of ancient Rome, and although it carries a certain gravitas, there are many examples of Caesars throughout history who were neither fair nor just. Caesar certainly sees himself as a leader of sorts, calling himself “the boss” of the Hill District. However, his sense of self-importance is inflated, and he has neither the respect nor the love of his community. Caesar’s name thus symbolizes his lack of ethics and aligns him with historical rulers who did not always have the best interests of their people at heart.
Finally, Citizen’s name is symbolic. He recounts that the name was given to him by his mother, who wanted her son and anyone he came into contact with to know that he was a free man, a “citizen.” Citizen’s name thus shows the importance of freedom to formerly enslaved individuals and illustrates the way that they forged new identities and ways of being in the world in the years following emancipation. Like Solly, Citizen’s name signals his position within a broader community of Black people and becomes a source of pride.
The City of Bones is the mythical destination of Citizen’s “soul washing” journey. He arrives at the City of Bones after figuratively “crossing” the Atlantic Ocean by retracing the Middle Passage, the route taken by ships of enslaved Africans on their way to the Americas. The City of Bones thus symbolizes an afterlife for enslaved Black people. However, it also symbolizes a shared cultural and spiritual history for the formerly enslaved and their descendants. When Citizen enters the City of Bones he comes face to face with this shared history, and in so doing finds redemption.
En route to the City of Bones, Solly and Eli don masks representing the faces of European enslavers, and simulate lashing Citizen and chaining him to a ship carrying enslaved Africans. During this part of the journey, Citizen tells those gathered that the faces he sees around him resemble his own. Through this ceremony, Citizen realizes that he is but one of many who share the trauma of enslavement, racialized violence, and oppression. When Citizen arrives at the City of Bones, he finds that Garret Brown is its gatekeeper, and it is then that he admits his guilt and frees himself from his spiritual anguish. By admitting the truth of his actions, he is able to be absolved of his crime and become a fully integrated member of his community. Aunt Ester has told him that he must live truthfully, and now he is finally able to do so, in community with others.
Solly carries a piece of the chain that bound his ankle during his years of enslavement as a lucky piece. He gives the link to Citizen for luck on his own journey. Solly explains that, to him, the chain symbolizes his own inner strength: It was not able to hold him, and in breaking it, he found freedom. He then used his freedom to help free other Black people, first by ferrying them north on the Underground Railroad and later through his advocacy, and even arson, at the tin mill. The chain link symbolizes the strength and resiliency of the formerly enslaved, and the ultimate weakness of the system of enslavement.
Aunt Ester still has her bill of sale from her years as an enslaved woman. It is this piece of paper that she uses to fashion the Gem of the Ocean, the “magic” ship that takes Citizen to the City of Bones. She shows her bill of sale to Caesar when he comes with an arrest warrant during Act II, using it to illustrate the fact that not all laws are ethical: Her bill of sale was once a legal document, but that didn’t make it “right.” Likewise, Caesar’s practices, although legal, are not just. The bill of sale thus symbolizes the gap between laws and justice, and alludes to the history of systemic racism endured by Black people.



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