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Content Warning: This section includes discussion of bullying.
At school, George can’t focus because he is distracted by thoughts of Cosmos and the Universe. Instead of paying attention, he doodles, drawing Cosmos. His teacher, Dr. Reeper—known among the students as “Greeper the Creeper” (59)—notices and throws a balled-up piece of paper at him to get his attention.
Dr. Reeper, who has burn scars on his hands, scolds George and confiscates a phone from someone else. He demands to know what George has been drawing. Upset and caught off-guard, George forgets his promise to keep Cosmos a secret and blurts out that he has been drawing a computer that can show people outer space. Dr. Reeper’s attitude changes; he grows quiet and says, “‘So it does work, after all […] And you’ve seen it. That’s amazing” (62). Then, without explaining, he turns back to the class and assigns everyone one hundred lines as punishment for George’s distraction. The students are angry, and Ringo, the “class bully,” blames George.
When George finishes his lines, he brings them to Dr. Reeper. The teacher questions him further about Cosmos, but George insists that he made the story up. Dr. Reeper ominously tells him to “Be careful.”
George gets ready to walk home while watching his classmates get picked up in cars. At first, he enjoys the walk, but soon Ringo and his group of friends—Tank, Zit, and Whippet—chase after him to get revenge for the punishment Dr. Reeper gave the class. The traffic guard momentarily slows the boys by letting cars pass, but once traffic clears, they continue running after George.
George climbs over a fence and hides in a stranger’s yard. A woman sees him but reacts kindly, pointing him toward the gate. As soon as he leaves, Ringo’s group spots him and resumes the chase. Ringo shouts that he is going to kill George, and George runs as fast as he can toward home.
When he reaches his house, George realizes he has lost his key. He rings the doorbell, but no one answers. Cornered, he braces for the boys to catch him. Suddenly, Annie comes out of her house in a spacesuit. She calls out to Ringo and his friends, warning that she will curse them. Her dramatic entrance startles them, and they back away. Annie tells George to go inside her house.
Inside Annie’s house, George reflects on his bad day. Annie shows him her new spacesuit as well as her old pink one she decorated with ribbons and sequins. George asks why she has a spacesuit, and Cosmos explains that the suits are used to travel safely in space. Annie adds that she often goes on trips with her father, though her mother prefers to stay home.
George doesn’t believe her and accuses her of making it up. Annie begins to cry and insists that she is telling the truth. She tells George to don a spacesuit. Cosmos warns Annie that Eric will be angry, but she ignores the warning and continues preparing. Annie asks George what he would like to see, and he chooses a comet. She tells him again to put on a spacesuit, and she presses “ENTER” on Cosmos’s keyboard.
An educational section in this chapter discusses temperature. It provides average and extreme temperatures on Earth and average temperatures of the Moon, Sun, and space, listed in both Fahrenheit and Celsius.
A beam of light from Cosmos forms a doorway in the middle of the room. George, now dressed in his spacesuit, opens the door, finding the vastness of space before him. Cosmos identifies a bright object nearby as the Sun and explains that a comet will soon be passing through the region. Cosmos warns them to stay back, but Annie pulls George forward and asks the computer to speed up their journey. As they pass through, George hears Cosmos shouting at them to stop, but the sound fades as they cross into space.
An educational section focuses on Pluto. It explains that Pluto was once considered the ninth planet in the Solar System, but was reclassified as a dwarf planet in 2006. The text outlines the three criteria an object must meet to be classified as a planet: It must orbit the Sun, be spherical in shape, and have enough gravity to clear other objects from its orbital path. The section also introduces exoplanets—planets that orbit stars beyond the Solar System—and mentions the Corot space mission, which searches for them.
Outside, Ringo and his friends insist they weren’t frightened by Annie’s appearance in the spacesuit. Ringo orders Zit—the newest member of the group—to ring the doorbell. Before Zit can do so, Dr. Reeper appears, grabbing Ringo by the ear and demanding to know why the boys are loitering in the street.
The boys make up a story, claiming they were trying to return George’s lunchbox. Dr. Reeper asks to see the lunchbox, but they don’t have it. He dismisses them, and once they leave, he looks through the window of Eric’s house. The air turns cold, and he says aloud, “‘At last, Eric, I’ve found you!’” (94).
In Chapters 6 through 10, the novel shifts from domestic tension to broader social and moral conflict. These chapters introduce the story’s primary antagonists—Dr. Reeper and Ringo—who together externalize George’s internal struggles with fear, curiosity, and belonging. Their presence complicates the moral landscape of the story, transforming it from a tale of curiosity and discovery into one of temptation and consequence.
Dr. Reeper’s entrance establishes him immediately as a figure of menace, complicating The Ethical Use of Knowledge and Technology. “There was nothing modern or touchy-feely or cozy about Dr. Reeper” (59) signals a deliberate contrast with the warmth and humor of earlier scenes. His introduction also incorporates sensory detail rather than plain characterization: “There would be a gentle swoosh of thick-soled shoes and a faint smell of old tobacco, and before anyone knew it, Greeper would be bearing down on whatever secret mischief was brewing, rubbing his scarred hands with delight” (60). The image of the “red, scaly, painful-looking burn marks” (60) evokes both mystery, but is also problematic in that it invokes the harmful trope of associating physical differences with villainy. Reeper’s behavior embodies secrecy and control rather than curiosity and openness.
Ringo and his friends operate as a more familiar kind of threat. Their teasing and physical intimidation externalize George’s emotional isolation, giving tangible form to his fear of not fitting in. The school setting and the recognizable “bully” archetype provide an accessible structure that keeps the story grounded as its scientific content grows more complex. This simplicity of structure—clear stakes, visible villains, and direct moral consequences—makes the book’s philosophical and educational content easier for its intended audience to process.
These chapters also deepen the novel’s ideological context, framing science and ethics as a worldview and deepening the text’s engagement with The Importance of Science and Stewardship of the Earth. The story consistently portrays science as a means of understanding rather than control. Eric’s open, generous approach to discovery contrasts with Dr. Reeper’s secretive, self-serving attitude, which suggests that it is important for scientists to take a selfless approach to their work. While it never explicitly addresses religion, it presents a model of understanding the universe through observation, experiment, and logic. For some readers, this framing may be affirming; for others, it might appear to sidestep spiritual or metaphysical explanations. The text makes no judgment about belief—it simply builds its imaginative world around a scientific cosmology. In this way, it normalizes a rationalist worldview as the lens through which moral and natural truths are explored.
George’s emotional and ethical growth becomes a driving force in this section, speaking to The Struggle to Be Understood. When his anger at Dr. Reeper leads him to break his promise to Eric and reveal Cosmos, he commits his first major mistake—“He completely forgot his fear of shame or humiliation […] Unfortunately he also forgot his promise” (61). The scene underscores the central idea that intelligence and curiosity must be balanced with integrity and restraint. George’s impulsiveness shows how emotion can distort moral judgment. George’s actions have consequences, and the rest of the book traces his effort to repair the damage.
George’s cruelty toward Annie reflects this same immaturity on a personal level. When he mocks her for “stupid stories,” his frustration reveals a childlike instinct to lash out when embarrassed or misunderstood. The insult reveals his limited capacity for empathy—a capacity which grows over the course of the novel. This section illustrates how miscommunication and insecurity affect both scientific and emotional learning. As George’s understanding of science deepens, so does his understanding of people, suggesting that interpersonal growth and intellectual growth are often interdependent.



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