59 pages • 1 hour read
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Content Warning: This section of the guide includes discussion of gender discrimination, emotional abuse, animal death, and death.
As they ride through the city, Digby orders Auren to keep her hood up so that no one can see her golden face. People line the streets to see the procession of carriages and gold-armored guards ride through, and as the surroundings grow more dismal, Auren is struck by the city’s poverty. She cannot understand how Midas can allow the people just beyond his castle gates to live in such poor conditions when he has so much gold. Sail shrugs and says that there are areas even worse than this.
They soon reach the outskirts of the city, which are a ruin of stagnation and abject poverty. Horrified to see a group of children huddling around a pile of garbage, Auren drops from her horse to approach them despite Digby’s objections. The children are scared at first, but she reaches into her pockets and starts handing out gold coins. When she finishes, Digby orders her back to the carriage. Her hood fell as she was speaking with the children, and now people have realized who she is.
Ragged, hungry-looking men and women surge toward her, trying to tear at her golden hair and clothes. She and Digby retreat, and she leaps back into the carriage. As the group rides on, the guards fight off the growing crowd. Auren watches with horror from the window, worried that the guards will injure the people crowding the procession. Auren feels immense guilt as they ride out of the city.
Beyond the city, a horrible stench fills the air, and Auren sees a dozen bodies hung on the wall around the city’s borders. The rotting bodies are bloated and falling apart. Sail explains that King Ravinger has been sending these bodies for a week. Though only Fifth Kingdom’s army has officially attacked him, Ravinger clearly knows that Midas orchestrated the incident because he has been sending mutilated soldiers to both the Fourth and Fifth Kingdoms as a grisly message.
Digby orders his men to untie the bodies and bury them in large snow drifts. Later, Digby stoically orders Auren to stay in the carriage next time to avoid being seen by people. Auren is surprised when he says no more than that; she had expected a long, stern lecture. Meanwhile, Sail tells her that he appreciates what she did. He respects the fact that she cared enough to really see and help those children. They stop to make camp for the night. Auren does not know what she is doing or what will happen when she reaches Midas in Fifth Kingdom, but for now, she is simply happy to be outside in the open air.
For seven days, the caravan rides through the icy mountains. Auren often leaves her carriage to ride a horse despite Digby’s objections, and she and Sail become friends. Auren realizes that in addition to her desire to be outside and experience new things, she has been desperate for “this connection with another person. Not an alliance for similar goals, not anything driven by politics or society or even lust. But a simple friendship” (196). As they ride, Sail predicts that a storm is coming. Meanwhile, the other saddles, particularly one named Polly, make cruel comments about Auren and her role as the king’s useless trophy. Stung and trying not to cry, Auren urges her horse away from the carriages.
Sail catches up with Auren and comforts her with friendly banter. That night, the storm that Sail predicted blows in, forcing Auren to retreat to her carriage for safety. Eventually, the carriages become stuck in the ice and snow, and the caravan stops to make camp. Auren offers to help set up the tents, but the guards refuse, reminding her that they are there to serve her, not the other way around.
The storm rages for three days and nights, keeping the caravan stuck in the same place. Everyone grows increasingly miserable. On the fourth day, the storm breaks, and they begin to move again. However, Digby insists that Auren stay in the carriage, and she does so. She dozes off and wakes when the caravan suddenly stops in the dark. She climbs out to find Sail and learn what has happened.
Auren and Sail find the rest of the guards standing atop a hill. As they pass the saddles’ carriage, Rissa leans out to ask Auren to keep them informed on the situation. Startled that Rissa is speaking to her, Auren agrees.
Auren and Sail keep walking, and Sail teases Auren about the time she hit Rissa in the face with a book. Auren, who did not realize that this event was public knowledge among the guards, looks away in embarrassment. They reach the top of the hill, where Digby tells them that the guards have spotted signs of shifting snow that may indicate an imminent avalanche. He sent a scout ahead, but the man has not yet returned.
The guards are uneasy and concerned. Digby decides to take several other guards and scout ahead himself. He orders the rest to stay with the carriages and specifically orders Sail to keep Auren safe at any cost. Auren becomes nervous when Digby leaves. Ever since he saved her from King Fulke, she has increasingly relied on his stoic presence to give her peace of mind.
Auren and Sail return to the carriages. As they approach, they hear a sound that resembles thunder and then spot pinpricks of light in the distance. As the lights spread out and come toward them, a guard yells that it is an avalanche, but Sail realizes that they are being attacked by snow pirates. Everyone panics. Auren has heard of snow pirates; they are a group of bandits who wear white coats and red balaclavas over their faces and call themselves the Red Raids. They have been known to steal merchant shipments but do not usually attack small caravans.
With Auren in her carriage and the saddles in theirs, the guards rush them all into motion. Sail calls out for the guards to protect the king’s favored above all else, filling Auren with guilt. They run, heading for a mountain pass as the pirates chase them. Auren rattles around in the carriage, which suddenly slides down a slope and flips off a small cliff. The carriage crashes upside down, and Auren suffers a blow to the head and loses consciousness.
Auren wakes. Her prehensile ribbons helped her to brace, saving her from serious injury. She crawls out and stands atop the broken carriage. The horses are dead, and she can hear the guards fighting with their attackers in the dark. Suddenly, a pirate grabs her and drags her down. Another pirate approaches, holding Sail as he struggles and yells for them to leave Auren alone. The pirates pull down Auren’s hood and see her gold skin, but they assume that she is wearing paint and do not realize who she is. As the pirates drag Auren and Sail through the snow, Sail apologizes for failing her, and she assures him that their circumstances are not his fault.
The narrative is divided roughly into thirds, with each third containing a different primary conflict, and each section is loosely connected to the others by Auren’s struggle to reconcile the contradiction between her loyalty to Midas and her desire for freedom. While the first section of the novel—Auren’s life in Highbell Castle—establishes the primary aspects of her enslavement, this second section showcases her first journey into the wider world and strips her of her sheltered outlook. With the exception of her mishap in the city, the relative quiet of this section becomes the calm before the metaphorical storm, which hits when the action and danger pick up again in Chapter 24. However, although these interim chapters relay very little action or plot progression, their strategic exposition proves vital to Auren’s character development.
Most importantly, Auren’s journey through the city reveals the depth of the wealth disparity in Sixth Kingdom: a dire social issue of which Auren has been unaware for 10 years, sheltered as she has been within the castle. Although Auren comes from a poverty-stricken background and spent her childhood among bandits and human traffickers, she has been laboring under the false belief that Midas fixed these class problems. Confronted with the harsh realities of his ill-run kingdom, she finally begins to realize that he is not the paragon of compassion, justice, and equality that she believed him to be. Instead, he has allowed the citizens living at the very base of his golden palace to languish in squalor and starvation despite the fact that he can quite literally conjure wealth at will. As Auren considers the gross contradictions between his past promises and the evidence of her eyes, new cracks spread through the foundation of her faith in him.
Her years of indoctrination are further countered when she makes a sincere friend in Sail and begins to understand what a genuine, healthy connection entails. Sail comes from a poor background similar to her own and treats her with understanding and respect, even comforting her and defending her from the jealous sniping and derision of the other saddles. Likewise, Digby offers her a stolid sense of calm and protection, and he and Sail prove to be the only men in the novel who treat Auren with any care or respect at all. In a culture that is ravaged by The Damaging Effects of Patriarchy, Sail and Digby stand as compassionate exceptions to this twisted social norm.
As Auren contemplates these more positive examples of male friendship, she is forced to reexamine her view of Midas’s behavior, and her broadening understanding of the world contributes enormously to her growing sense of self. Thus, although these chapters are more sedate in pace, Kennedy uses this section of the novel to emphasize The Importance of Self-Discovery and Empowerment to Auren’s overall character growth. Upon tasting her first hints of freedom in 10 years, Auren braves frigid weather and physical hardship so that she can ride a horse and stay outside in the open air. Because her preferences contradict both Digby’s wishes for her safety and her status as the king’s favored, her determination to more directly experience the world represents a key moment of defiance. Her friendship with Sail also teaches her to recognize the hallmarks of a relationship built upon genuine affection and reciprocity, providing her with a crucial contrast to the system of manipulation and control that Midas has forced her to endure. However, she also misses the illusion of safety that her cage provided and has not yet managed to rid herself of the illusion that Midas loves her. Thus, her path toward empowerment and reclaimed agency after years of brainwashing and abuse is a nonlinear route full of twisting backtracks and pauses, and this intense internal process will be further complicated with the violent interference of the snow pirates.



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