68 pages 2-hour read

Raven Kennedy

Gleam

Fiction | Novel | Adult | Published in 2021

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Chapters 25-32Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, physical abuse, emotional abuse, child abuse, sexual violence and/or harassment, and sexual content.

Chapter 25 Summary: “Auren”

In the royal library, Slade notices a faded bruise on Auren’s cheek despite the dim lighting. When Slade gently touches the mark and demands to know who hurt her, Auren remains silent, but he deduces King Midas is responsible.


Upon her unspoken confirmation, Slade loses control. His eyes turn completely black, spikes rip through his shirt sleeves, and his form flickers between human and fae as rot magic pulses from him. Initially frightened, Auren understands his anger. Her ribbons respond by forming a protective cocoon around them both. She places her hand on his chest, and her touch immediately calms him. She cares for him, though past betrayals make her doubt the connection.


Slade asks about Midas pinching her at the dinner table, which Auren downplays. She vows Midas will never touch her again. Frustrated, Slade reveals the main reason he has not killed Midas is because he believes Auren would hate him for it. He challenges her to ask him to do it, promising he would act instantly regardless of consequences. When Auren cannot, Slade is disappointed. He announces he will return to Fourth Kingdom the day after the ball.


Auren confesses she is trying to leave Midas and disappear. She admits her internal conflict and calls herself pathetic for being unable to end him. Slade disagrees and reassures her that she will succeed when the time comes. He kisses her temple and vanishes into the shadows.

Chapter 26 Summary: “Slade”

Immediately after leaving the library, an enraged Slade is met by Osrik, a member of his Wrath who is upset to learn that Midas struck Auren. Slade repeats that he cannot kill Midas due to political repercussions and because Auren is not ready. He notes that Lu, another member of his Wrath, is watching the prince but has observed no threats yet.


Slade and Osrik encounter Midas, who invites them into the ballroom. There, Slade observes extensive gilding and realizes Midas has exhausted Auren’s power for a mere display of wealth. Midas’s royal saddles enter, accompanied by an old, robed attendant named Odo. Midas offers them to Slade, who refuses in disgust.


Midas reveals he knows about Deadwell and the unsanctioned village, Drollard, within Slade’s newly acquired territory. Despite them never being on official maps or paying taxes, he allows Slade to keep the land, as agreed, without punishment. In exchange, Midas demands that Rip—not knowing Slade is Rip—stay away from Auren, promising his people will leave Drollard once the commander departs Ranhold.


Outside, Slade decides his army will leave in two days, skipping the ball entirely. He will personally eliminate the spies Midas sent to Drollard. Conflicted about abandoning Auren, Slade heads into the woods alone to release his volatile rot magic.

Chapter 27 Summary: “Auren”

The next day, Auren wakes after a sleepless night consumed by thoughts of Slade. Using her ribbons as ropes, she climbs from her balcony down to an abandoned guest room on a lower floor. She navigates the castle halls until she reaches the snowflake-adorned door of Slade’s royal quarters.


Someone else disguised in Slade’s fae form answers, and Auren mentally dubs him Fake Rip. He lets her inside to wait. She explores the sitting room, then enters Slade’s bedroom.


In his dressing room, Auren discovers a feathered coat and remembers throwing it in Slade’s face when he first revealed himself. The realization that he kept it overwhelms her. Returning to the bedroom, she impulsively leans down to smell his pillow. She accidentally turns the pillow gold.


Her sentient ribbons begin playfully rolling around in Slade’s bedsheets. As she tries to retrieve them, Slade returns and catches her, amused.

Chapter 28 Summary: “Auren”

Mortified at being caught, Auren tries to explain herself. Slade reveals he is angry, but not with her. Auren tells him she wanted to explain her past: At age five, she was stolen from Annwyn during a war, smuggled into Orea, and sold to a man in Derfort who forced her into sex work as a child. She did not escape until she was 15.


She explains that when Midas found her, she was broken and had never known kindness from a man. She believed his possessiveness was love because she had no basis for comparison. Now she recognizes his treatment as another form of abuse, buried beneath his obsession with gold and himself. Auren tells Slade he is the first person ever to see her as a human being. She declares she is done holding back and tells him she wants him.

Chapter 29 Summary: “Auren”

Slade’s initial silence makes Auren feel rejected, and she tries to leave. He stops her, admitting he has wanted her since they first met and was planning to leave the next day to respect her choices. But now that she has chosen him, he wants all of her. Auren agrees she wants all of him in return.


Slade determines they have about half an hour until sunset, when he can finally touch her without being turned to gold. He teases that she is in love with him, but she denies this. He asks Auren to undress for him so he can watch without touching. He pins her against the wall without making skin contact and promises to do more come nightfall.

Chapter 30 Summary: “Auren”

Slade sits in a chair by the fire, waiting until the sun has fully set. Auren reflects that she would rather risk making mistakes than live with the regret of not taking this chance. She slowly undresses for him as he watches.


As dusk falls, Slade stands and begins undressing, removing his shirt to reveal the intricate power markings beneath his pale skin. Auren tells him he is beautiful, unafraid. When the sun sets, Auren confirms her gold-touch power is dormant. Slade kisses her.

Chapter 31 Summary: “Slade”

Slade and Auren kiss fiercely, and he carries her to the bed. They have sex, and afterward, as they lie tangled together, Slade reflects on how close he came to losing her. He vows never to let her down. Auren asks if they can do it again, and Slade agrees.

Chapter 32 Summary: “Auren”

Before dawn, Auren lies awake on Slade’s chest, savoring their shared intimacy. As dawn arrives, she dresses and tries to leave quietly. Slade awakens and stops her, teasing. In the sitting room, she finds Slade’s body double eating breakfast. The double jokes about her night with Slade until Slade enters and smacks his helmet, demanding an apology.


Slade and his double have a tense, coded exchange about an urgent matter requiring Slade’s attention, but Slade insists it can wait. After sending the double to the balcony, Slade asks Auren if she has regrets. She assures him she does not.


As Auren prepares to leave, Slade deliberately stalls her, encouraging her to eat more breakfast. Amused, Auren insists on leaving. Slade relents but invites her to visit the army camp that night, arranging for Lu to sneak her out through her balcony. Auren agrees.

Chapters 25-32 Analysis

This section marks a pivotal moment in Auren’s development, as she chooses to prioritize her own desires over what others want from her. The theme of The Reclamation of Intimacy and Consent is realized when Auren confesses her past to Slade. By articulating her trauma—from being stolen from Annwyn to her exploitation in Derfort—she reclaims her own narrative, which Midas had overwritten with a story of rescue and possession. This verbal act establishes a foundation of emotional vulnerability and mutual understanding that precedes physical intimacy. She reframes her history not as a series of relationships but as a sequence of transactions, declaring, “All my life, men have had me, but I have never had a man” (439). In choosing Slade, she participates in a relationship of her own making for the first time. Their intimacy is therefore the physical manifestation of her psychological liberation.


Slade’s characterization is deepened through the exploration of his dual identity and the volatile nature of his power. His uncontrolled reaction to learning Midas abused Auren—where spikes rip from his arms and his form flickers—is a physical manifestation of his internal conflict between the untamed power of Rip, the fae commander, and the calculated control of King Ravinger. Auren’s touch is the only thing that grounds him, establishing their connection as a stabilizing force that transcends politics. In contrast to this loss of control, his use of a body double, or “Fake Rip,” demonstrates a more calculated application of Deception as a Tool of Power and Control. This deception serves a protective function, shielding his vulnerabilities and true movements, whereas Midas’s machinations are designed to isolate and control Auren. The distinction positions Slade not as a morally pure hero, but as a figure whose ambiguous methods are aligned with Auren’s safety and autonomy.


The power dynamics between Slade and Midas crystallize into a tense negotiation that underscores The Illusory Safety of Imprisonment and Isolation. Midas’s discovery of Drollard Village provides him with leverage, transforming a territorial dispute into a threat against something Slade personally values. In this exchange, Auren becomes a political bargaining chip, explicitly linked to the disputed land when Midas states, “Deadwell is yours? Well, Auren is mine” (410). This language reduces her to property, equating her to a parcel of land to be traded. Midas’s demand that Slade’s commander stay away from her stems not from jealousy but from a desire to maintain absolute control over his most valuable asset. This confrontation reveals that Auren’s safety within Ranhold is entirely conditional, dependent on her utility to Midas.


The narrative employs sensory details of touch and scent to build an intimacy that is instinctual and possessive, yet consensual. In Auren’s exploration of Slade’s quarters, she is drawn to his scent on the pillow, a primal act of connection that precedes physical contact. This contrasts sharply with the sterile, visual value Midas places on her. Slade’s fae nature reciprocates this connection through his desire to have his “scent all over” Auren after they sleep together (493), a form of claiming that is territorial but that he explains and she finds endearing. Her sentient ribbons, a barometer for her emotions, also participate in this shift. Previously defensive, they become playful in Slade’s bed as extensions of her burgeoning desire. During sex, the ribbons anchor her to the bedposts, signifying that her innate power is now fully integrated with her consensual desires, rather than being a weaponized tool of defense or a commodity for Midas.

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