66 pages 2-hour read

Raven Kennedy

Glint

Fiction | Novel | Adult | Published in 2021

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Chapters 15-21Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of gender discrimination, pregnancy loss, sexual violence, and emotional abuse.

Chapter 15 Summary

A female soldier leads Auren through the Fourth Kingdom encampment with bird-like grace, taking a twisting route that avoids other soldiers. Auren grows suspicious, fearing she is being led away to be murdered. The woman stops at a tent and has Auren help carry a heavy wine barrel. Relieved she is not being killed, Auren learns they are stealing the barrel back from the left flank soldiers who took it from the woman’s right flank.


After hiding the barrel, the woman pours wine and asks Auren if being gold-touched by Midas was painful. Auren reflects that no one has ever asked about her pain before—people only ask crude questions, treating her as a symbol rather than a person. She remembers Sail, who treated her as a friend. Auren answers that it did not hurt and admits she hates the constant stares.


The woman introduces herself as Lu, short for Talula Gallerin, a captain in the army. She warns Auren never to use her full name. When Auren asks about women serving in the army, Lu reacts defensively, insisting King Ravinger is lucky to have female soldiers and that the Fourth Kingdom is superior for utilizing them. She explains that no soldier would dare abuse the women because Commander Rip would kill them, and the army is a clan where everyone has earned their place. Lu speaks of Rip with evident reverence.


They arrive at the saddles’ tent, where guards address Lu as Captain. Lu sits with the guards to play dice, giving Auren five minutes to visit but warning her not to try anything that would get them both in trouble.

Chapter 16 Summary

Auren enters the tent and confirms all 12 saddles are present. They are arguing about torn clothing, cramped space, and body odor. Mist threatens Gia, a small pixie-like saddle, while Isis, a statuesque saddle, argues with a red-headed woman. When Auren interrupts, they immediately redirect their hostility toward her, calling her Midas’s favored.


Auren asks if everyone is alright and mentions that Hojat, the army mender, said some refused treatment. Noel and others mock her for trusting the enemy. Mist believes the soldiers will soon start sexually assaulting them. Auren sees that all the saddles share this terrified resignation.


One saddle, Polly, tells Auren that unlike her, they lack the protection of being Midas’s favored. Gia explains their guards are kept separate to prevent escape attempts. Auren realizes the saddles’ fear and confinement are causing them to lash out at each other. She asks to speak privately with Rissa, wondering whether Rissa has told anyone her secret about what she did to Captain Fane, the pirate captain who had captured them.

Chapter 17 Summary

Rissa agrees to talk and leads Auren outside. Captain Lu allows them to circle the tent together. Auren asks if Rissa told anyone what she did to Captain Fane. After teasing her, Rissa admits she has not told anyone yet, then deduces that King Midas transferred some power to Auren when he gold-touched her, explaining why he refuses to gold-touch anyone else.


Terrified, Auren begs Rissa to keep the secret. Rissa demands gold in exchange for her silence. When Auren apologizes for what happened with Captain Fane, Rissa dismisses it, saying being ridden is a saddle’s job. Auren insists Rissa deserves love and respect, which makes Rissa laugh. Rissa argues that love and respect do not exist for women like them and that kings only love power. Auren’s belief in Midas’s love splinters as she recalls the gilded cage in the castle where he keeps her.


Rissa reveals her plan: Auren will create new gold for her, which Rissa will trade for coin to buy out her royal saddle contract and gain freedom. She will claim she saved her earnings over her years as a concubine serving other men, who used her services with the king’s permission. Seeing Rissa’s determination, Auren agrees to provide a single payment when they reach the Fifth Kingdom. Rissa tries fishing for more details about Auren’s power. As they return to the tent, Rissa threatens to sell the secret to someone else if Auren breaks her promise.

Chapter 18 Summary

Queen Malina hosts the recently widowed, wealthy Lady Helayna in the atrium, a room Malina now despises. She remembers it fondly as her mother’s garden before Midas gilded all the plants into a metallic tomb. Lady Helayna admires the golden fountain. Malina notices the extension of Auren’s cage into the atrium, recalling her fury when Midas disrespected her mother’s memory by allowing this.


As they leave, Lady Helayna privately pledges her full support for Malina ruling the Sixth Kingdom in Midas’s absence. After Lady Helayna departs, Malina meets with her husband’s advisors: Barthal, Wilcox, and Uwen. She informs them she has secured Lady Helayna’s backing. The advisors express concern about usurping Midas’s authority, but Malina asserts she is now in charge.


When Wilcox questions her military inquiries, suggesting she is preparing for war, Malina delivers a veiled threat. She quotes her father, King Colier, about preparing for attacks from outsiders and those within, making clear she considers every ally a potential enemy. As her final assertion of power, Malina informs them that all messenger hawk communications are suspended without her direct approval.

Chapter 19 Summary

Auren is sick with fever and headache three days after her deal with Rissa. She has not seen Commander Rip during this time, and her nightly attempts to visit the saddles have been mostly unsuccessful and demoralizing. She also continues searching for messenger hawks.


Rip appears at the carriage door without his armor or spikes. Auren asks if it hurts when he keeps his spikes retracted; he says it does not. When she asks where Midas’s guards are, Rip counters by asking about her friends. He notes her persistent visits to the saddles despite not considering them friends, questioning her motives.


Feeling dizzy, Auren stumbles when exiting the carriage. Rip catches her, but she panics and yells at him not to touch her. His spikes emerge as he notes she is ill and orders her to the tent, saying he will send for the mender.


Inside the tent, Auren collapses on her pallet. She awakens to a hand on her forehead, which she first mistakes for her mother’s touch. Realizing it is Hojat, she panics. Her ribbons instinctively lash out, shoving Hojat violently across the tent. Rip catches him, preventing serious injury. Auren realizes she has revealed that her ribbons can move. She apologizes as Rip observes her silently, explaining that she does not like to be touched and that no one is allowed to touch her.

Chapter 20 Summary

Rip confirms he saw Auren use her ribbons to break her fall from the Red Raids’ ship. When he asks why she hides them, Auren explains she does not need another reason for people to alienate her.


Hojat treats Auren with remedies for her fever, cough, and headache. He gives her dried peonies, a good-luck charm for the sick from his homeland. Touched by the gesture, Auren accepts them. Hojat says several saddles allowed him to treat them after she spoke with them and mentions that one saddle is pregnant and progressing well with no signs of miscarriage.


Hojat confirms the pregnant saddle is Mist. Auren is devastated, realizing the child must be Midas’s. She remembers him telling her repeatedly that he could never risk having a child with her while Queen Malina remained unable to have children. After Hojat leaves, Auren lashes out at Rip, accusing him of orchestrating the revelation to manipulate her.


Rip calmly notes that she ignores Midas’s manipulation. In rage, Auren throws a vial at him, which he easily catches. He says he likes her anger because it reveals the real her and hopes she’s more powerful than Midas. He claims she keeps herself caged mentally as well as physically because she’s afraid. Auren insists she will always choose Midas, but Rip hopes that is not true. He leaves. Alone, Auren tries convincing herself the pain is from illness rather than heartbreak.

Chapter 21 Summary

In a flashback to months after arriving at Highbell Castle, Auren and Midas dine in the formal dining room, which he is progressively turning to gold. Queen Malina unexpectedly joins them for dinner, which is usually Auren’s private time with Midas. Malina makes condescending remarks about Auren’s improved table manners and calls her a gilded orphan.


Midas attempts to redirect the conversation by asking Malina about the room’s transformation. Malina dismisses it coldly. When she announces she is leaving due to an upset stomach, she touches Midas’s shoulder and asks if he is coming to her bed that night. After he agrees, Malina pointedly tells him to enjoy supper with his pet, asserting her dominance.


After Malina leaves, Midas comforts a distraught Auren, affirming his affection from her. He explains he only needs an heir from his wife. Auren sits in his lap as he reassures her she is safe and protected.


Midas walks her upstairs to her bedroom, which contains a large, elaborate gilded birdcage he had specially built for her safety. Inside the cage are all her furnishings. He will expand her cage with a private hallway, giving her safe access to the library and atrium. Auren is overjoyed and thanks him.


Midas locks the cage door and leaves with the only key. Once alone, Auren’s happiness fades as she thinks of him going to Malina’s bed. Leaning against the bars, she reflects that despite having every comfort, she still feels lost the moment the cage door shuts.

Chapters 15-21 Analysis

These chapters introduce Captain Lu and Rissa as character foils who challenge Auren’s passive worldview and catalyze her journey toward The Importance of Abandoning Shame in Reclaiming Agency. Lu embodies a form of female power Auren has never encountered. As a respected captain, Lu’s authority is derived from competence and her army’s meritocratic structure, where soldiers have “earned their place” (140), whether they’re a man or a woman. This ethos directly contradicts the ornamental and subservient role Auren has been conditioned to accept. Rissa, conversely, represents a hardened pragmatism born from the same system that subjugates Auren. Her decision to blackmail Auren for gold is not presented as simple villainy but as a desperate survival tactic. Rissa’s assertion that secrets have a price forces Auren to confront the transactional reality of her world, a reality she has obscured with the fantasy of Midas’s love. Together, Lu and Rissa dismantle the singular narrative Midas has crafted for Auren, presenting alternative paths for women: one as a warrior who earns respect and another as a survivor who commodifies her own trauma to escape it.


The symbolism of the cage and gilding is explored with deepening complexity, revealing Dismantling Internalized Abuse and Controlling Behavior. The flashback in Chapter 21 is significant, exposing more background of Auren’s imprisonment. After Queen Malina’s humiliation of her, Midas comforts Auren not by defending her honor but by promising to expand her cage, linking her safety directly to more elaborate forms of confinement. Auren’s initial joy gives way to a profound sense of isolation, culminating in the question, “So why, when that cage door shuts, do I still feel lost?” (217). This sentiment echoes in the present when Rip observes that Auren is still psychologically imprisoned. The internal conflict is further contextualized by Queen Malina’s perspective in Chapter 18; she views the gilded atrium—part of Auren’s cage extension—not as a beautiful sanctuary but as a tomb desecrating her family’s history. Through Malina, the narrative exposes the inherent violence of Midas’s gilding: what he frames as beautification is an act of erasure, killing life to create a static, controlled, and valuable object. This dual perspective critiques systems that equate female worth with ornamentation and containment, illustrating how manipulators can convince victims to embrace their own prisons.


Auren’s ribbons emerge as a potent symbol of her repressed fae identity and burgeoning power. Their involuntary movements represent a primal instinct for self-preservation that she has been conditioned to suppress. When Hojat’s touch triggers a traumatic memory in Chapter 19, her ribbons shove him away. This is an unconscious act of boundary-setting from a character who has been systematically stripped of all personal boundaries. Her explanation reveals the traumatizing objectification that underpins her self-effacement when she tells Rip, “I don’t need another reason for people to gawk and pluck at me” (191). The ribbons are the physical manifestation of her true, powerful self—a self Midas has forced into hiding. Rip’s calm curiosity, rather than fear or fetishization, positions him as the first person to see this power as an integral part of her being, not a dangerous or profitable anomaly. This symbolism aligns with literary tropes where a woman’s hidden, seemingly monstrous attributes are the true source of her authentic power, which patriarchal forces seek to control or erase.


The narrative structurally juxtaposes Queen Malina’s calculated political maneuvers with Auren’s raw, emotional awakenings, creating a parallel exploration of female power. Chapter 18 details Malina’s strategy, showing her securing alliances, intimidating advisors, and seizing control of state communications to usurp her husband’s authority. Malina’s deliberate and overtly political actions are bracketed by Auren’s experiences of vulnerability: her blackmail by Rissa, her illness, her instinctive violence, and her devastation upon learning of Mist’s pregnancy. Auren’s moments of asserting power are reactive and personal, while Malina’s are proactive and systemic. This structural contrast highlights two distinct paths to agency available to women in this world. Malina, a queen by birth, reclaims her inherited power through traditional political means. Auren, who has no social standing, must discover an internal, magical power she has been taught to fear. This juxtaposition demonstrates that power is not monolithic; it is contextual and manifests differently based on social position, personal history, and available resources.


The impact of secrets and truths permeates these chapters, functioning as a form of currency that dictates both political power and personal survival. Rissa’s blackmail of Auren is predicated on the idea that secrets have a tangible value that can be exchanged for freedom. In Highbell, Queen Malina’s decisive consolidation of power involves seizing control of messenger hawks, demonstrating that the control of information is synonymous with the control of the kingdom. Simultaneously, Commander Rip weaponizes truth to dismantle the psychological prison Midas has built around Auren. He allows Hojat to reveal the secret of Mist’s pregnancy, a calculated disclosure designed to shatter Auren’s illusions about her relationship with Midas. His strategic questions and observations force her to confront truths she has intentionally buried about her own captivity. In this world, knowledge is leverage, and characters gain or lose advantage based on what they know, what they conceal, and what they choose to reveal, underscoring the novel’s exploration of manipulation and control.

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