66 pages • 2-hour read
Raven KennedyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of gender discrimination, sexual violence, and emotional abuse.
In the evening at the army camp, Auren walks through the tents when Keg, the cook, loudly calls her over. Despite standing out in gold against the soldiers’ black uniforms, she joins him at his fire. Soldiers give her space, likely due to rumors about Osrik punishing those who harassed her. Keg chides her for missing meals while she was sick and serves her an extra portion of fish chowder. When another soldier complains, Keg insults him, drawing laughter.
Auren eats quickly. Keg uses the nickname Gildy Locks, revealing he has spoken with Lu. Auren reflects uneasily on her growing camaraderie with Keg, Lu, and Hojat, feeling like a traitor for liking them. She avoids visiting the saddles, nauseated by facing Mist and weary of Rissa’s hopeful stares. Wandering the camp, she feels guilty that Fourth’s army has not proven cruel, complicating her hatred.
Hearing shouting, she follows the noise to an embankment where 200 soldiers surround a crude circle. Bare-chested men fight brutally with swords and fists while the crowd cheers. Osrik oversees with sharp whistles while Hojat treats injuries. When Osrik selects new fighters, Auren is horrified to see him choose the young serving boy, Twig, and pair him against a mustard-haired man. Believing this is cruel entertainment, she enters the circle, placing herself between them.
The mustard-haired soldier, Judd, stops in confusion. Osrik demands to know what Auren is doing. She declares she will not let them pummel a child for entertainment, but Twig warns she should not have entered the circle. Osrik explains that anyone crossing into the fighting circle must fight and remove their shirt.
Auren stands firm, flashing back to her childhood when her “owner,” Zakir, forced her to fight on the streets. Osrik explains this is training, not entertainment—Twig chose to participate to learn self-defense. Embarrassed, Auren confirms this with Twig. She tries to leave, but Osrik blocks her.
Commander Rip’s voice cuts through the chaos, ordering Osrik to stop. The soldiers scatter. Rip tells Twig they will train tomorrow. Only Rip, Osrik, Judd, and Auren remain until Lu arrives. Auren realizes these four are genuinely close friends. Rip declares she must fight before leaving, and he will be her opponent.
Auren refuses, citing a rumor that his nickname is “Rip” because he rips his opponents’ heads off. The four burst into laughter. Judd admits starting that rumor, while Osrik clarifies the nickname’s true origin differs. After Lu mentions Midas’s guards, Auren demands to see them. Rip refuses, but after she defends them, he relents: She can see the guards only after fighting him.
Rip circles Auren while Osrik, Judd, and Lu begin sparring. He removes his coat, jerkin, and tunic. Auren is struck by his intimidating yet beautiful fae appearance, noting the black dots where his spikes retract. Impulsively, she touches the retracted spikes, feeling a sharp tip catch her glove. The moment grows intimate. Rip observes that, unlike her aversion to touch, he does not mind it. When she asks why they call him Rip, he reminds her of their game: She must tell a truth to receive a truth. Unwilling to pay the price, she withdraws the question.
He declares it is time to fight, then attacks without warning. He easily dominates her, trapping her in holds she cannot break while her ribbons tense along her spine. He demands she stop holding back and use her instincts. She protests her ribbons are secret. Rip accuses her of being ashamed and demands she declare what she is.
Auren finally screams that she is fae. Her ribbons erupt, tearing her coat as she hurls Rip across the circle. She attacks with a hardened ribbon, but he blocks it with his spikes, traps her ribbons in his grip, and pulls her against his body. He holds her until her rage subsides and her ribbons go limp. Instead of gloating, Rip smiles softly with pride, telling her she has finally found her fight.
Auren notices Osrik, Judd, and Lu are gone. When she asks why Rip pushed her, he says she needed it. They argue about his hatred for Midas. Rip points out Midas’s hypocrisy—possessing the golden touch yet allowing his kingdom to suffer poverty. Auren cannot counter this.
Rip leads her to see the guards. Walking at the camp’s edge, Auren learns King Ravinger knows about her, deepening her dread. She asks if Rip would kill her on the king’s command; he insists that will not happen. Rip reveals his inner circle, dubbed his “Wrath,” witnessed her confession but will never betray him by exposing her secret. He explains they are his trusted lieutenants who lead regiments and handle sensitive missions. They already know he is fae. When she asks if King Ravinger knows, Rip says truths about the king are not part of their game.
Auren owes him a truth. He asks about her family. She admits they are dead and she does not remember their names. He asks where she is from, and she accuses him of gathering information against Midas. They argue about her loyalty, with Rip questioning what sacrifices Midas has made for her. Rip points to a prisoner cart and stalks off. Auren finds Midas’s guards alive but is devastated that her personal guard, Digby, are not among them, emphasizing her abandonment. She returns to her tent crying.
The perspective shifts to Queen Malina in Highbell Castle with her personal saddle, Jeo. She is irritated that a powerful noblewoman, Franca Tullidge, is traveling and unavailable to meet. Malina needs Tullidge’s private guard for her plans against Midas. Her advisor, Wilcox, enters and clearly disapproves of Jeo’s presence. He delivers a letter bearing a blank red wax seal.
After dismissing Wilcox, Malina recognizes it as being from the Red Raids pirates. Reading the message, she learns the pirates failed to capture Auren because Fourth’s army intercepted the ship and took everyone captive. Malina is ecstatic—this outcome is far better than having Auren with pirates. She decides to send the pirates gold to maintain them as allies.
Malina and Jeo celebrate her victory with sex. She revels in her newfound power, contrasting it with how Midas kept his own harem while she was ignored. She vows to destroy Midas’s public image and make herself the beloved queen.
That night, Auren lies awake wrestling with conflicting loyalties. Ever since Rip took her from the Red Raids, she has expected cruelty but has instead been treated with dignity. She admits aloud that perhaps she cannot fully trust Midas either. Leaving her tent, she walks through the snowy camp beside a frozen lake and decides to visit the saddles.
The guards allow her to approach, but Polly emerges and blocks her path, announcing none of the saddles want to see her. Polly accuses Auren of being a traitor and Commander Rip’s “whore,” citing rumors that Auren stays in his tent nightly. Polly shoves her, and the guards intervene. Auren walks away, shamed and angry. Polly’s accusation fuels her determination to prove her loyalty. Searching the camp, she hears a hawk’s screech and follows the sound. Near the horses, she discovers a small black carriage and finds the army’s messenger hawks inside.
Auren sees four hawks in the carriage along with a desk equipped with parchment, ink, and quills. She hastily writes a message warning Midas that Fourth’s army has captured her and is marching on him, signing it “Your Precious.” As she prepares to send it, two soldiers approach. Despite the risk, she inserts the rolled message into a hawk’s southbound leg vial. The hawk launches through an open ceiling window and flies away. The soldiers hear the bird but dismiss it as hunting. They notice the unlatched door, causing Auren to panic, but they simply close it and leave.
Back at her tent, Auren initially feels victorious for proving her loyalty, but the triumph quickly sours into regret. As she undresses in darkness, Rip’s voice startles her from across the tent. He rises and stands before her, placing his hand on her neck without squeezing. He murmurs that he was not supposed to find her on the pirate ship, then he leans in and gently kisses her. Pulling back, he tells her they will arrive in Fifth Kingdom soon, adding that she will be pleased to see her king, so soon after sending her message. Rip leaves, and Auren stands reeling with the knowledge that he knows what she did yet still kissed her.
The fight circle sequence instigates Auren’s transformation, forcing a shift from passive victimhood to active agency. Until this point, Auren’s actions have been primarily reactive, driven by survival instincts or loyalty to Midas. Her intervention in the fight circle, though based on a misunderstanding, is her first proactive choice to protect another. However, it is Rip’s subsequent provocation that catalyzes her development. He refuses to accept her learned helplessness and correctly identifying that her power is suppressed not by inability but by shame. Her climactic scream that she is fae is more than a confession; it is a reclamation of the identity Midas taught her to conceal. This outburst, culminating in a physical assault on Rip, marks the first time she consciously wields her ribbons as an extension of her own will, rather than as a desperate, instinctual defense. Rip’s praise that she has “finally found [her] fight” confirms the scene’s significance as an internal victory over the conditioning that imprisoned her (257), advancing the theme of The Importance of Abandoning Shame in Reclaiming Agency.
This section redefines the symbolism of Auren’s ribbons, transforming them from a mark of shame into an emblem of power. Midas’s influence conditioned Auren to view her prehensile golden ribbons as a secret to be hidden, a vulnerability that necessitates his protection. Rip directly confronts this perception, asserting that she considers them a weakness when they are a strength. When Auren’s fury erupts, her ribbons tear through her coat, a garment associated with her gilded, captive persona. This physical act symbolizes the destruction of the fragile, decorative identity Midas imposed upon her. Rip’s subsequent domination of the fight, trapping her ribbons and pulling her close, is not merely a display of superior strength but an act of forced intimacy with her own power. This symbolic metamorphosis is central to the narrative, as her acceptance of the ribbons as an innate part of herself—rather than a monstrous secret—is an essential step toward dismantling the psychological bars of Dismantling Internalized Abuse and Controlling Behavior.
The narrative structure juxtaposes Auren’s internal struggle for power with Queen Malina’s external, political machinations, creating a multifaceted exploration of female autonomy. The emotionally raw sequence of Auren’s fight and subsequent grief is immediately followed by a chapter from Malina’s perspective. Upon learning of Auren’s capture, Malina is ecstatic, viewing it as a strategic victory. Her celebration is one of calculated power, demonstrated through political plotting and sexual dominance over her saddle, Jeo. Where Auren’s power is innate and magical, requiring a painful journey of self-acceptance, Malina’s is social and strategic, wielded through alliances, manipulation, and the reclamation of royal symbols. However, while Malina plots to gain power and control, utilizing her superior connections and wealth, Auren seeks only to find safety and what she imagines to be freedom, even though her life with Midas has made those two concepts antithetical.
Auren’s profound internal conflict is fueled by the unexpected community she discovers within the Fourth Kingdom’s army. Her easy camaraderie with Keg, Lu, and Hojat complicates her ability to view the army as a faceless enemy, making her feel like a traitor for liking them. This budding sense of belonging makes the other saddles’ rejection all the more painful. Polly’s accusation that Auren is Rip’s “whore” attacks her identity at its core, equating her newfound dignity with sexual transaction and betrayal. This shaming prompts a desperate, reactionary act of loyalty—sending the hawk message to Midas—which she immediately regrets. The act is not a reaffirmation of her devotion but a panicked attempt to prove her old identity in the face of a confusing new one.
This conflict illuminates the importance of secrets and contrasts Midas’s control through concealment with the army’s potential for community built on shared vulnerability. Rip’s inner circle, his Wrath, functions on a foundation of mutual trust, where the secret of his fae identity binds them in chosen loyalty. This model stands in stark opposition to Midas’s relationship with Auren, which is predicated on his control over her secrets and her resulting dependence. Consequently, Auren’s act of betrayal is met with a subversive response from Rip. Instead of punishment, he offers an intimate kiss, revealing he knew of her actions all along. This gesture destabilizes her understanding of loyalty and consequence, demonstrating a relationship model that can withstand complexity, unlike the fragile, conditional safety Midas provides.



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