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Content Warning: This section of the guide includes discussion of graphic violence, physical abuse, and sexual content.
Queen Kaila, ruler of the Third Kingdom, watches in horror as Ranhold Castle is consumed in a flood of molten gold that solidifies and kills. She was supposed to marry King Midas, ruler of the Sixth Kingdom, that day, but her plans were ruined when a member of his harem, Auren, unleashed her gold-touch power, killing the king and ruining Kaila’s plans to extend her rule.
Auren and her lover Slade escape on his timberwing, Argo. Seeing an opportunity, Kaila plans to expand her rule anyway. She thinks, “I may not have gold-touch, and I may not have rot, but words are the most powerful weapon of all, and I will wield them” (14).
As Slade flies Auren to safety, she remains unconscious. Slade was forced to use his rot power because Auren had lost control of her gold-touch and might have killed everyone in Ranhold. Slade put her into a deathlike state to try to save her. Now, if he can’t pull the rot out of her in time, she might die.
In a flashback, Slade recounts his early years as the son of the abusive and overbearing fae, Lord Stanton, known as “The Breaker” (38). Slade feels sorry for his human mother, Elore, who is bullied by her husband. He says, “It’s not her fault that she’s Orean, and I don’t see why it matters anyway. Just like I don’t know why it matters that Ryatt and I are only half fae” (37-38).
Back in the present, Slade battles through a winter storm, trying to get Auren to shelter before she dies. He vows to be “her shelter” (42). They finally reach Slade’s secret stronghold in Fourth Kingdom—Drollard Village.
In a flashback, Slade recalls the day he first discovered his fae powers. When painful spikes protrude through his skin, he is alarmed that he will be a destroyer like his father. His mother comforts him and says, “No, Slade. Not you. You don’t break things. You protect them” (58).
In the present, Slade tries to draw the rot out of Auren, but a sliver of it refuses to go. Auren seems caught in a dreamless sleep, and Slade is at a loss. Lu, Commander of the Right Flank, arrives with Auren’s faithful friend, Digby. Seeing Slade’s despair, Lu reminds him of all the hard cases he helped in the past, including her. When Slade protests that he can’t remove that final sliver of rot from Auren, Lu says, “We’ve all got a little rotten in us, and I wouldn’t change that for anything. It’s how we’ve survived” (72).
In another flashback, Slade recalls his father’s relentless training regimen. While Stanton was initially proud of his son’s new fae power, he is disappointed that the boy isn’t advancing quickly enough to suit his ambition and threatens him. Slade’s mother tells him that strength isn’t defined by dominance and cruelty.
In the present, Slade is still failing to revive Auren when his younger brother Ryatt arrives with the healer, Hojat. When the latter examines Auren, he discovers that the gold ribbons that previously grew from her back were all chopped off by Midas. Slade is sickened at the sight. Hojat advises him that Auren must be allowed to rest undisturbed because her magic is so depleted.
In Fifth Kingdom, Slade’s commander, Osrik, is leading the army back to their own territory. When they stop to rest, he is informed that another of Midas’s harem, or “saddles” as they are called, is seeking to flee under the army’s protection.
Osrik is offended when he realizes the refugee is Rissa, who was once Auren’s friend but blackmailed her. Rissa defends herself by saying she does not “have the privilege of living [her] life on some moral high ground” (96). Despite his irritation with Rissa, Osrik is also attracted to her.
Four days later, Slade is still hoping that Auren will awaken, but she hasn’t stirred. He is helpless but notices that his rot powers are pressuring him for release. Saddling Argo, Slade flies far from the village where he can safely discharge his magic.
Meanwhile, in Fifth Kingdom, Kaila and her loyal brother Manu are attending the state funeral of the royals killed during Auren’s rampage. The siblings have already found a new puppet king who will do their bidding: Hagan Fulke. Everyone sits through a tediously long ceremony while Kaila hatches a plot to extend her influence over two kingdoms. Kaila intends to use her fae power of projecting voices to sway public opinion in her favor.
When Slade returns to his stronghold, he learns that Auren’s gold has begun seeping from her body even though she is still unconscious. No one is sure when it might harden and destroy those nearby. Slade bundles Auren up and carries her outside through a raging snowstorm. He finds a mountain cave where they can shelter just as Auren begins to stir. To Slade’s alarm, she isn’t acting like herself. She then begins to attack him.
Auren is still caught in the fury of her rampage at Ranhold Castle as she tries to destroy Slade, but he is able to dodge her attack. Rage turns to guilt and self-hatred when Auren belatedly realizes the destruction she caused. She pleads with Slade to punish her through sex. While the two do, in fact, have sex, Slade refuses to use their intimacy as a form of punishment instead of pleasure. Gradually, Auren returns to herself, still regretting her actions. She worries she is a “monster,” but Slade assures her she has become “A fae” (148).
The first segment of the novel focuses on getting readers up to speed on preceding events in the series. It begins right at the point where Gleam left off, with Auren’s rampage at Ranhold Castle. Consequently, events and characters from previous books are frequently referenced. Aside from the exposition required to tie Glow to earlier books, this segment primarily focuses on the theme of The Corrupting Influence of Power. The problem of misused power is embodied in the actions of two characters—one from Orea, and one from Annwyn.
The first chapter of the book is told from the perspective of one of the novel’s villains, Queen Kaila. Though human, she possesses the power to capture voices. Always manipulative and scheming to gain more power, she ponders how to use the massacre at Ranhold Castle to her advantage. Her meditation on Auren’s use of gold-touch leads her to conclude that the former royal “saddle” stole Midas’s power, with Kaila believing that Auren might try to steal magical powers from her as well. Kaila reveals her obsession with the acquisition of power, whether magical or political, and her ruthlessness in obtaining more of it: “I need to figure out how I can weave things to my own advantage. Because if Lady Auren tried to steal what is mine, I will ruin her” (12, emphasis added). Kaila does not think about what is best for the kingdoms, or about what an impartial investigation into the deaths at Ranhold would look like. Instead, she thinks only in terms of personal “advantage” and “ruin[ing]” anyone, like Auren, who might stand in her way, thereby attempting to use the tragedy to her own advantage. Thus, while Kaila desires more power, her thoughts reveal that she will not wield it selflessly or responsibly.
In Annwyn, Slade’s flashbacks to his childhood reveal another character who is equally determined to expand his powers by exploiting others. Slade’s father, Stanton, pushes his son to the brink when he discovers the boy developing the power of rot at the early age of eight. Instead of considering his son’s well-being, Stanton is determined to use Slade’s power merely to enhance his own: “You’re my son, and you will learn to make me proud.’ Or else. That’s the unspoken threat” (77, emphasis added). Slade here draws attention to how Stanton’s idea of Slade being a good son is entirely dependent on his unquestioning obedience and conforming to whatever Stanton desires. Stanton in the past storyline, like Kaila in the present, cares only for his own power and self-aggrandizement, with both characters forever greedy for seizing even more power by any means.
Just as the novel foregrounds the terror tactics of characters obsessed with gaining more power, it examines The Struggle for Personal Agency of those who become the targets of people like Kaila and Stanton. Just as Stanton struggles to break free of the legacy of his father’s abuse, Auren now has to recover from the long years of abuse and confinement she endured at Midas’s hands. To rescue Auren from the vengeance of the survivors at Ranhold, Slade infuses her with rot and flies her to safety. When he tries to extract it to bring her back to consciousness, a sliver of rot refuses to obey him and retract itself. Similarly, when Auren does revive, she is horrified by the damage her gold-touch did, and begins to fear and regret her power. While both Slade and Auren possess formidable magic, it doesn’t entirely obey either of them in this segment, symbolizing how neither character is yet in control of themselves or their destinies.



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