70 pages 2-hour read

Raven Kennedy

Gold

Fiction | Novel | Adult | Published in 2023

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Chapters 1-9Chapter Summaries & Analyses

Content Warning: This section of the guide contains discussion of graphic violence and death.

Chapter 1 Summary: “Auren”

Auren plummets through a dark void, torn from Slade after the Conflux, or royal trial, when he opened a gap in reality to Annwyn. She feels the rush of wind, flashes of lightning, and scattered stars around her. Above, she sees a jagged rip in the sky where liquid gold bleeds through. One by one, her senses are stripped away. In this sensory deprivation, her grief and fear condense. Time stretches and warps. She wonders if this void is what dying feels like.

Chapter 2 Summary: “Saira Turley”

Saira Turley recounts her journey as one of the early travelers from Seventh Kingdom to the fae realm. She describes it as the bridge to nowhere, which she took to find her father after he was forced to go and never returned. The endless gray path mirrored her grief over losing both parents.


Exhaustion nearly killed her, but she kept walking, afraid of falling off the bridge. When the path finally ended, she fell through the ground, then crashed through clouds in an amethyst sky. She landed gently, triggering a shockwave that caused glowing blue flowers to burst from the soil around her. Saira realized she had arrived somewhere new—not Orea. She saw people with pointed ears staring at her. Over time, they would call her the broken-winged bird.

Chapter 3 Summary: “Auren”

Auren’s senses return one by one, each accompanied by a childhood memory from Annwyn: tasting sugarcane, smelling her mother’s floral perfume, feeling her father’s hand, hearing a boy call her name, and finally seeing the rip far above her. As the opening begins to close, fear grips her.


She hears Slade’s voice in her mind, promising he will find her. When the rip seals completely, her fear transforms into resolve. The gold in the void gathers around her body, and the stars pulse with golden light. In a dreamlike sequence, she is brought to earth, entering Annwyn. Breathing the new air awakens her fae nature. As she nears the ground, her ribbons—which Midas cut off in Gleam—grow from her back, returned.

Chapter 4 Summary: “Auren”

Auren lands gently in a field of glowing blue flowers, creating a circle of gilt blooms around her with her gold-touch. She discovers with overwhelming joy that her 24 golden ribbons have returned to her back, though she soon realizes she cannot move them—they hang limp and immobile. She resolves to be grateful regardless, noting they feel stronger, just as she has become.


When she stands, pain from her severely burned feet—which were injured in the Conflux—makes her cry out. Exhaustion overwhelms her. Nearby, she sees two dozen people watching her with awe and fear, murmuring about her golden appearance and her fall from the sky like the broken-winged bird. An old woman with wispy hair approaches and calls her Lyäri Ulvêre. The woman tells Auren she is home and speaks her name. Shocked that this stranger knows who she is, Auren collapses.

Chapter 5 Summary: “Slade”

Two weeks after the Conflux, Slade flies toward Third Kingdom on a timberwing (large, mountable bird) named Crest, enraged over Auren being ripped from him. He carries a piece of her severed ribbon in his pocket. Drollard Village and everyone in it, including his mother, vanished when the rip there imploded as he created one to save Auren. Slade has tried and failed to open another rip every day since. He holds Queen Kaila responsible for instigating the Conflux and Auren’s kidnapping.


At Gallenreef Castle, Slade roars for Kaila to face him. An advisor named Sonnil appears with guards and refuses to bring the queen out. Slade unleashes his rot, which spreads across the sand and cracks the castle steps. When archers fire at him, Slade catches and dodges their arrows while his rot kills them instantly. Sonnil orders an attack, but Slade’s rot chokes the guards before they can act.


Queen Kaila’s brother, Manu Ioana, emerges and admits Kaila is in Sixth Kingdom. Slade chokes Manu while his rot kills more guards and begins destroying the castle. Instead of killing Manu, Slade announces he will kidnap him, taking the person most important to Kaila in revenge for Auren. He knocks Manu unconscious and carries him away. As they depart, Manu’s husband, Keon, is crushed by the collapsing castle doors. Slade flies off on Crest, leaving the rotted castle and corpses behind, determined to continue his vengeance.

Chapter 6 Summary: “Queen Malina”

Queen Malina is imprisoned in a tower of the ruined Cauval Castle in Seventh Kingdom, watching a fae army march from the newly restored Bridge of Lemuria. She examines the frost-rimmed cuts on her palms from a blood ritual. In flashback, she recalls being tricked by fae twins into willingly giving her blood, which they used to restore the bridge. The promised restoration of the castle was an illusion—it remains a ruin. The ritual gave her uncontrollable ice magic that manifests as snow from her palms.


An assassin appears in her room and uses shadow magic. He accuses her of betraying her world for the promise of power. When he grabs her throat, his touch is warm against her cold skin. He lists her rejections and failures, including his murder of her lover Jeo. Malina demands he use his shadow magic to sneak her out so she can warn her people in Highbell of the fae invasion. He does not believe her motives are genuine. He tells her to prove she wants to escape for the right reasons, then vanishes.

Chapter 7 Summary: “Auren”

Auren wakes to Estelia, a fledgling healer, blowing healing breath on her burned feet, easing the pain. Auren realizes she is among fae. The old woman Nenet returns and confirms Auren is in the town of Geisel in Annwyn. Nenet says the people of Geisel remember the story of the lost gilded girl—the Lyäri Ulvêre—because of the local legend of Saira Turley, the original broken-winged bird who fell into this very field. Auren corrects her, recalling from the popular folktale that Saira walked a bridge, but Nenet insists Auren fell in the same place. Nenet compares Auren’s arrival to Saira’s, calling her the new broken-winged bird. When Auren asks how they know her, Nenet reveals that Auren is the Turleys’ last-birthed heir.

Chapter 8 Summary: “Auren”

Auren reels from learning she is a Turley heir and initially denies it. Nenet insists it is true, noting the battle on the night Auren vanished. She sings a verse about a battle in Bryol where the gilded girl Turley disappeared. Auren recognizes Bryol as her home and remembers terrifying fragments of the battle—fire, screaming, and destruction. When she asks about her family, Nenet’s expression confirms they are dead. Auren grieves the finality of her orphanhood and realizes that without Slade, she feels completely untethered.


She falls asleep missing him. When she wakes in the evening, clean clothes and washing water have been left for her. She dresses, feeling the comforting weight of her returned ribbons. Driven by the need to find Slade, she leaves the attic and makes her way to the kitchen, where she finds Estelia, Nenet, and a man named Thursil, Nenet’s grandson. She observes their affectionate relationship, which makes her miss Slade even more. Auren tells them she needs to return to the field where she landed. Estelia warns that she cannot.

Chapter 9 Summary: “Auren”

Auren demands to know why she cannot go to the field. Estelia warns it is not safe, triggering Auren’s trauma about being caged in Highbell. Estelia explains that while Geisel is full of Turley loyalists, Auren’s dramatic arrival may have been seen by others, which would be dangerous. The ruling Carrick monarchy views any living Turley as a threat and has spread hatred against the bloodline. The Carricks also broke the Bridge of Lemuria to Seventh Kingdom, causing the land to die and magic to fade from fae bloodlines. Thursil and Nenet believe Auren’s parents were purposefully killed as part of a Carrick scheme. They warn that if her identity is discovered, she will be killed.


Despite the danger, Auren insists she must go to the field to find Slade. Nenet agrees to sneak her there in a covered cart before dawn. Estelia reluctantly consents but makes Auren eat first. While the others arrange transportation with a part-Orean associate named Keff, Estelia and Auren bond over missing the men they love. Estelia explains that magic is now rare in Annwyn, and her healing ability must remain secret. Estelia gives Auren a cloak for disguise, and Nenet prepares to take her to the field.

Chapters 1-9 Analysis

These opening chapters establish a tripartite narrative structure that mirrors the characters’ physical and emotional separation and captures the expanded scope of conflict across Orea. The alternating perspectives of Auren, Slade, and Malina create parallel yet distinct arcs of introspection. Auren’s narrative focuses on an internal, sensory void—a space of grief and memory that contrasts with Slade’s externalized, destructive rampage across Orea. While Auren experiences an internal, metaphysical exploration into her past and her emotional journey, Slade physically travels Orea, exacting revenge to compensate for his powerlessness to open another rip. Malina’s storyline provides a third axis of conflict, blending her guilt against an uncontrollable magic with the external threat of a fae invasion. This structural choice isolates each protagonist, emphasizing their individual struggles while weaving their fates together through the shared catalyst of the Conflux. Saira Turley’s brief, mythological interlude complements this structure, framing Auren’s arrival as a cyclical, legendary event.


The introduction of Annwyn’s political landscape explores the theme of Propaganda as an Instrument of Power and Control. Through the exposition of Nenet, Estelia, and Thursil, the text reveals how the ruling Carrick monarchy has systematically manipulated history to maintain its authority. By vilifying the Turley bloodline and concealing the true consequences of breaking the Bridge of Lemuria, the Carricks have manufactured a social order built on lies. This long-term control has created a deeply divided society of loyalists and monarchists, placing Auren in immediate peril. Slade’s actions offer a stark counterpoint to this method of control. He eschews subtle propaganda in favor of overt messaging. His rotting of Gallenreef Castle is a deliberate demonstration of his power and the consequences of defiance. Whereas the Carricks control through narrative, Slade controls through terror, establishing two opposing forms of power that shape the conflicts to come.


Slade’s arc foregrounds the theme of Distinguishing Justice From Vengeance. His quest is explicitly framed as retribution, born from the agony of Auren’s abduction and the loss of his mother. His motive is devoid of any pretense of justice; he seeks to inflict reciprocal suffering on Queen Kaila by targeting her brother, Manu. His rage is not sanitized, instead depicted as a “fathomless, sinister thing” that fuels his rot (30). Slade rejects the option of simply killing Manu, stating, “[d]eath isn’t enough. I want you and your sister to suffer” (39). This declaration solidifies his path as one of pure vengeance, prioritizing personal agony over any form of systemic correction. The collateral damage—the deaths of guards and the crushing of Manu’s husband—is presented as inconsequential to his goal, highlighting the destructive nature of vengeance when wielded as a response to personal trauma.


Simultaneously, Auren’s story initiates an exploration of The Reclamation of Bodily and Emotional Autonomy. Her journey begins with a total loss of control as she falls through a void, a state of sensory deprivation that symbolizes her powerlessness. This fall culminates in the restoration of her golden ribbons—a representation of her power and agency that were severed by Midas before his death. While she cannot yet move them, their return signifies a first step in reclaiming her physical identity. This nascent autonomy is immediately tested when she is warned to hide for her own safety. Her response, a firm rejection of confinement, becomes her mission statement: “I’ll never allow anyone to keep me trapped again, no matter the reason” (78). This assertion is a direct repudiation of her life as Midas’s caged treasure and establishes a clear motivation for her character arc. Malina’s imprisonment and her struggle with an uncontrollable ice magic serve as a thematic parallel, presenting another woman fighting to regain command over her body and destiny.


Falling, flying, and bridges provide a symbolic framework for the characters’ transitions between worlds and states of being. Auren’s initial plummet through the rip is a loss of control, but it is reframed by Slade’s voice urging her to “[f]ly,” transforming a passive fall into an act of will. This motif is echoed in the myth of Saira Turley, the original “broken-winged bird” who also fell into Annwyn (8). The bridge itself—specifically the Bridge of Lemuria—represents connection, severance, and consequence. Its historical destruction by the Carricks caused Annwyn to decay, and its magical restoration unleashes a fae invasion, directly reflecting the fractured relationship between the realms. Auren’s own passage through a violent, temporary rip rather than a permanent bridge suggests her journey will be a more chaotic and disruptive force than Saira’s. However, when paralleled with the Bridge of Lemuria’s reconstruction, her arrival foreshadows the potential restoration of Annwyn and the reconnection of the fae and Oreans.

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