70 pages 2-hour read

Raven Kennedy

Gold

Fiction | Novel | Adult | Published in 2023

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Chapters 19-27Chapter Summaries & Analyses

Content Warning: This section of the guide contains discussion of graphic violence, illness, and death.

Chapter 19 Summary: “Auren”

In Geisel, Auren uses her gold magic as a whip to stop a Stone Sword from executing Thursil. Auren reveals herself, and Nenet announces she is the Lyāri Ulvēre. Auren disarms the lead guard and surrounds him with molten gold. She then knocks the attacking soldiers away with hardened streams of gold while the crowd cheers. A brutal fight ensues, with Auren and the guard trading blows using their respective magics.


During the chaos, someone in the crowd stabs Nenet in the stomach. The attacker is revealed to be Keff, their former driver. Enraged, Auren kills him by forcing gold down his throat. The lead guard then takes Estelia hostage, with Thursil unconscious nearby. Wick arrives on horseback, offering himself as a rebel leader, but the guard rejects this and demands Auren’s surrender. Auren loses control. Her magic, now threaded with black-veined rot, floods the street, drowning and killing all the Stone Swords.


The destructive wave spreads dangerously, reminding Auren of her past loss of control in Carnith when killing Midas. She regains command by screaming for it to stop. The crowd now stares at her in fear rather than awe.


Nenet dies in Auren’s arms, absolving her of fault and telling her to remember she is a Turley. Grief-stricken but determined to prove she controls her magic, Auren carefully spreads the gold across the street into a beautiful gilt pavement with black marble swirls. She creates gold for the people and gilds their rebel sigils. Auren tells Wick she is going with him.

Chapter 20 Summary: “Slade"

Slade infiltrates Fifth Kingdom and rots their entire supply of dewdrops, including all seeds, making future production nearly impossible. He briefly encounters the new king of Ranhold, a terrified puppet ruler for Queen Kaila. A worker informs him that one final caravan of dew has already been sent to Breakwater Port.


Flying on Crest over the Barrens, Slade spots a Red Raids land ship intercepting the caravan. The snow pirates steal the shipment. The Red Raids are on his revenge list for attacking Auren when Slade first rescued her. He follows their vessel to a hidden cove. The location features a protective arch and three anchored sea ships.


After nightfall, Slade transforms into his Rip form and enters the pirates’ main cave. When he demands the dew shipment, a pirate refuses. Slade kills him and battles the others, using his arm spikes to slaughter several men. The survivors submit in terror.


Slade promotes a wary pirate named Scab to captain and orders him to return all kidnapped “saddles” to their homes, threatening death if the trafficking continues. He learns the dew was bound for Second Kingdom and that the former quartermaster under Captain Fane, now called Captain Quarter, frequents a place called the Orb in Breakwater. Before departing, Slade rots the dew shipment.

Chapter 21 Summary: “Slade”

At Breakwater Port, Slade locates the Orb Arch, a gambling hall. After threatening a dealer, he is led to hidden fighting pits beneath the establishment. He spots Captain Quarter, who now calls himself Quarry, and confronts him about stealing horses from the caravan raid, particularly Auren’s horse, Crisp.


When Quarter denies the theft, Slade breaks his nose and beats him until he confesses to selling the animals to ice pickers at Berg Sheets. Slade orders him to retrieve and deliver all the horses to Fourth Kingdom. Quarter reveals he possesses minor magic that lets him predict gambling outcomes. As Quarter departs, Slade secretly leaves rot in the man’s lung that will gradually kill him.


Slade’s attention shifts to the main fighting pit, where handlers are forcing magical beasts to fight. Both animals show signs of severe abuse and starvation. When a handler laughs while branding one with a hot poker, Slade leaps into the pit and attacks him. Guards rush Slade, but he brawls with them all. He deliberately takes hits, using the pain as an emotional outlet. The timberwing and fire claw help him kill the guards.


Enraged by the cheering crowd, Slade transforms into his Rot form and disintegrates the pit fence. He discovers an underground chamber holding dozens of caged animals in horrific conditions. He frees them all.


Exhausted, Slade reflects on his completed revenge list and faces the fact that Auren is in another world; he has no way to reach her, and he fears he will lose his mind from their separation before he can reopen a rip.

Chapter 22 Summary: “Queen Malina”

Queen Malina and the assassin travel by shadow-leaping, one of his powers, as they follow the fae army toward Highbell. The method is nauseating for Malina and exhausting for him. Each night, he digs snow burrows for them to rest in. During one stop, they argue her being spoiled queen. The heated exchange becomes physically charged when he leans into her space, threatening to finish killing her.


The intimate tension escalates when he grabs the back of her neck. Malina finds it thrilling rather than frightening. He releases her, then relieves himself nearby, sparking another argument. When she insists on stopping at a village ahead, he refuses, making suggestive remarks that fluster her. He declares the fae invasion is her fault, forcing her to face consequences.


They continue traveling until exhaustion forces them to stop near the village. When she pulls back his hood, revealing his stippled skin with patches of light and dark, he is bitter about his appearance. However, they admit they like looking at each other.


Malina decides to walk to the village alone. He follows, making a path through the deep snow. As they approach the gate, he smells blood. She enters to find the entire village has been slaughtered, their bodies hanging on laundry lines.


Malina realizes Loth Pruinn, the fae who posed as a merchant and brought her to Seventh Kingdom, provided the fae with intelligence about Sixth Kingdom’s settlements that guides them through villages to slaughter. Ice forms and falls from her scarred palms as she breaks down, confessing that the assassin was right about her failures. He explains that magic responds to emotions, telling her to use her feelings rather than repress them. He hands her a dagger, saying it is time to help her people. Together, they begin cutting down all the bodies.

Chapter 23 Summary: “Queen Malina”

Malina cuts down the final body, hesitating when she sees it is a pregnant woman. The assassin gently takes the blistered dagger from her hand. They gather provisions from the empty homes, and together, they burn the entire village as a funeral pyre.


After a sleepless night in a snow burrow, they continue toward Highbell. He becomes exhausted much sooner than usual, stopping at the base of the mountain housing the capital. When Malina pulls back his hood, she sees the strain on his face. He reveals his name is Dommik and challenges her, pointing out his vulnerability and suggesting she could kill him.


She draws his dagger partway from its sheath. The moment becomes sexually charged, but she quickly sheathes the weapon, shaken by the thought that he might actually want to die. He places his hands on her hips, the heat of his touch arousing her.


He moves to kiss her, but Malina panics and turns away, stammering that she is still married in the eyes of the gods. Dommik becomes angry and makes a series of explicit, taunting remarks. He touches her suggestively, then he abruptly releases her and walks away. Left breathless and flustered, Malina smiles.

Chapter 24 Summary: “Osrik”

Osrik returns from training to find Rissa thrashing with fever, her stab wound severely infected despite weeks of constant care. Hojat tells him to prepare for her death. He storms out and encounters Polly, the saddle Rissa helped while she recovered from dew addiction. After initial hostility, Osrik allows Polly to visit Rissa.


Taking needle and thread, Osrik descends to the dungeons to see Manu Ioana, Kaila’s brother. Manu’s wound is healing despite squalid conditions, while Rissa deteriorates under medical care. Enraged, Osrik re-stitches Manu’s wound in a way that causes deliberate pain and bleeding.


Manu expresses genuine regret for Rissa’s injuries and explains his background. Born without magic and rejected by his family for marrying a man, he found acceptance only from his sister Kaila. He vowed blind loyalty to her, which led him to kidnap Auren. When Osrik says turning a blind eye for loyalty is unforgivable, Manu admits he would make the same choice again for his sister.


The torture brings Osrik no satisfaction, and he suddenly stops, leaving Manu’s wound half-finished. As he departs, Manu suggests it would be easier if they did not care about anyone, and Osrik agrees. Caring for his Yellow Bell, as he calls Rissa, torments him.

Chapter 25 Summary: “Auren”

A week after leaving Geisel, Auren and the growing Vulmin army hide in a misty forest while a large Stone Sword force passes nearby. After the soldiers leave, the group retrieves their horses. Ludogar, Wick’s right-hand man, expresses concern to Wick that all these forces seem headed toward the capital, Lydia.


They arrive at a safe house already full of rebels. Wick instructs Auren to wear her hood. Inside, he announces they have a sign from the goddesses and has Auren reveal herself. The room gasps at her golden skin. Wick presents her return as proof that it is time to mobilize openly against the monarchy. Inspired, all the Vulmin pledge to join the fight.


Later, Auren furiously confronts Wick outside for using her as a prop without consent. They argue about trust and respect. He apologizes and reveals his full plan: gather all Vulmin forces and march on the capital to challenge King Carrick. He passionately pleads for her help, explaining how the monarchy oppresses and kills dissenters.


Moved by his sincerity, Auren agrees to help unite the Vulmin but makes clear her priority is finding the person she seeks (Slade), and she may not stay for the final battle. They shake hands, sealing their truce with mutual understanding.

Chapter 26 Summary: “Slade”

Slade returns to Brackhill Castle and is immediately confronted by Digby, Auren’s personal guard, who demands to know where Auren is. When Slade admits she is gone, Digby punches him in the jaw. Slade accepts the blow, believing he deserves it. His brother Ryatt stops Digby from continuing the attack.


Later, Ryatt finds Slade at the timberwings’ hunting ground on Banded Mountain, where he has spent three days trying and failing to access his rip-making power. Ryatt is alarmed by Slade’s exhausted state and obsessive behavior. Slade reveals his separation from Auren is causing a mass of black rot to consume his heart.


He explains that when Auren went through the rip, it felt like something was scooped from his chest. He believes she is using the piece of his rot magic that remained embedded in her gold, and their forced separation is killing him. The rot is affecting his magic, and he sometimes feels twinges as if he can sense her. He cannot live without her.


When Slade tries again to force a rip open, he nearly collapses from the strain. Ryatt drags him back to the castle, forcing him to eat. Ryatt urges him to rest for several days, suggesting his depleted magic needs time to replenish. Slade fears he cannot create a rip alone, as his first successful attempt may have involved his father’s magic. They worry that Slade’s mother and the Drollard villagers were pulled back through the closed rip to their original location.


Unable to rest, Slade suggests they spar to take the edge off his anguish. Ryatt agrees, hoping to exhaust him into finally sleeping.

Chapter 27 Summary: “Auren”

Days later, the Vulmin army arrives at another safe house. Their numbers have grown so large that many must sleep outside. A female fae named Emonie approaches Auren and offers to take her to a hidden bathhouse. Auren agrees.


As they bathe, Emonie offers condolences for Nenet’s death. She explains she grew up in the rebellion because her parents were Vulmin. Noticing Auren’s sadness, Emonie asks about it. Auren admits she misses someone she is searching for. She reveals they can see each other’s auras.


After bathing, Emonie gives Auren clean clothes. Auren uses her gold magic to create a comb, impressing Emonie with her increasing control. On the walk back, Emonie forages for useful plants and berries.


At the house, they claim sleeping spots on the floor. Emonie obtains pillows and blankets by telling others the Lyāri needs them. Auren thanks Emonie for treating her like a person rather than a symbol. They settle in for the night. Auren is happy to have a friend.

Chapters 19-27 Analysis

Auren’s character development is tested during the battle in Geisel, which reframes her relationship with her own magic. The event forces a confrontation with the trauma of Carnith, where her uncontrolled power resulted in mass death. In Geisel, the fusion of her gold with Slade’s rot creates a seductive pull toward destruction that she indulges before consciously reining in her power. This act of mastery demonstrates growth from the decade she spent as a prisoner of her own abilities. Her subsequent decision to pave the street in a gilt memorial is a symbolic moment of The Reclamation of Bodily and Emotional Autonomy. Rather than allowing her magic to be a source of shame, she transforms its destructive potential into a deliberate act of creation and remembrance. This choice signifies her acceptance of her power’s dual nature and her capacity to control it. Her decision to join the Vulmin is therefore not a submission to their cause, but an autonomous strategy to protect innocents while directing her own path.


Her decision to overcome the rage of her past abuse and use her magic to protect, not exact revenge, directly contrasts Slade’s arc. In these chapters, his story examines the theme of Distinguishing Justice From Vengeance. His actions are a personalized retribution for the specific traumas inflicted upon Auren. He dismantles the systems that harmed her: rotting the dew supply that drugged her and forcing the Red Raids to cease trafficking. His liberation of the abused animals in the Breakwater fighting pits serves as a parallel to Auren’s history of captivity. His fight in the pit, where he deliberately allows himself to be hit, functions as a form of self-flagellation, a physical manifestation of his guilt over failing to protect her. The revelation that their separation causes a mass of rot to consume his heart, literally “rotting [him] from the inside out” (359), transforms their emotional bond into a life-threatening condition, raising the stakes of his quest from a mission of vengeance to one of survival.


The parallel narrative of Queen Malina offers a foil to Auren’s journey, exploring similar themes of power and autonomy from a position of privilege. Initially defined by her royal status, Malina is stripped of her identity and forced to confront the consequences of her ambition. The discovery of the slaughtered village shatters her self-perception, forcing her to accept responsibility for the fae invasion. Her dynamic with the assassin Dommik becomes a catalyst for this transformation. His provocations and physical dominance challenge the decorum of her royal life with her own repressed desires. Dommik’s advice to use her emotions rather than suppress them directly instructs her on how to control the ice magic that is a manifestation of her internal state. This journey of self-confrontation mirrors Auren’s path toward mastering her power, though Malina must first deconstruct a lifetime of entitlement to begin her reclamation of agency.


The narrative’s multi-perspective structure creates thematic resonance across separate storylines. By cutting between Auren’s search in one realm, Slade’s destructive actions in another, and Malina’s flight, the text explores its central themes from multiple angles. While Auren seeks a way back to Slade, he believes she is lost forever, and their shared connection through the rot becomes a key narrative device linking their emotional and physical journeys. Osrik’s chapter further develops the theme of helpless devotion, as his torment over Rissa’s decline mirrors Slade’s agony. Manu Ioana’s confession of blind loyalty to his sister provides a counterpoint, presenting a form of allegiance devoid of the moral complexity that defines the central characters’ relationships. This structural choice elevates the stakes beyond individual character arcs, connecting them to larger concerns of political collapse and impending war.


The text also interrogates the theme of Propaganda as an Instrument of Power and Control through Wick’s manipulation of Auren’s identity. At a rebel safe house, he stages her reveal, transforming her from an individual into the Lyāri Ulvēre, a living symbol to galvanize the rebellion. Her identity is co-opted without her consent, making her a tool for his political agenda. Auren’s subsequent confrontation with him underscores the tension between her personal autonomy and her public role. She pushes back against being used, stating, “I was clear that I had no interest in being a symbol or being used, but that’s exactly what you made me feel like tonight” (343). Her agreement to help unite the Vulmin is then made on her own terms, demonstrating her ability to navigate the demands of her newfound status while retaining control of her own purpose. This negotiation highlights the power and danger of symbols in political movements, where personal identity can be subsumed by a larger cause.

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