60 pages 2-hour read

Gone Before Goodbye

Fiction | Novel | Adult | Published in 2025

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Chapters 16-21Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, addiction, and death.

Chapter 16 Summary

Reflecting on Porkchop’s warning that Nadia is the reason she is in Dubai, Maggie reviews medical files for two pediatric surgeries she is scheduled to perform as part of her cover: an ear-pinning procedure on a five-year-old girl and a cleft lip and palate repair on a four-year-old boy. The complex surgery reawakens her passion for medicine. She realizes that Porkchop used the word “we” during their call to signal that someone might be listening. She realizes that when Oleg’s people tried to delete the griefbot, Sharon alerted Porkchop, who then visited Dr. Barlow and learned about Nadia.


Maggie’s thoughts turn to Marc’s death and, as she considers the theory that his death was faked, she wonders why his body was mutilated. Using her laptop, she navigates to photojournalist Ray Levine’s website. Ray, who was embedded with Maggie’s unit, took a famous photograph of her and Trace during combat. She finds images from the refugee camp, including one of Marc, taken the day before his murder. After logging in with the credentials Ray provided, she reviews his full archive and discovers 12 photographs that reveal a crucial detail. Crying, she closes the laptop.


Bob knocks on her door and agrees to drive her to the Burj Binghatti, despite his objections. At the exclusive Etoile Adiona nightclub on the 110th floor, Maggie navigates the chaotic dance floor and VIP area to reach the Ecstasy Level. Nadia emerges and embraces her. Maggie aggressively pushes Nadia into a private room, lifts her dress, and confirms that the thigh tattoo is gone. Using the phone provided by Charles Lockwood, she shows Nadia screenshots from Ray’s photos proving that Nadia is Salima, the guide who led Marc and Trace to the TriPoint refugee camp.

Chapter 17 Summary

Nadia confirms that she requested Maggie as her surgeon and reveals that they first met when Maggie treated her as an 11-year-old in Libya. She prefers the name Nadia, saying Salima died at the refugee camp. Nadia reveals that she works with Charles Lockwood and correctly guesses that he sent Maggie to investigate her. 


Nadia admits that her temporary tattoo was designed to psychologically manipulate Maggie. She confirms that the story about selling her kidney to save her family is true, revealing she was recruited at a refugee camp and had the surgery at Apollo Longevity, where WorldCures also operated. After meeting Trace at this club and revealing her identity, she began volunteering for WorldCures missions.


Maggie realizes that the organ harvesting would have driven Marc to become an informant against Oleg Ragoravich. Nadia reveals that during the camp attack, the invaders killed only Marc from the medical staff. She accuses Maggie of selling Marc out and explains her elaborate plan: orchestrating Maggie’s trip to Russia to isolate her and force a confession.


When Maggie says she lost the man she loved, Nadia replies that she did too. Maggie notices a square emerald ring on Nadia’s finger—Trace’s mother’s ring—and realizes that they are engaged. Nadia reveals that Trace vanished five months ago after telling her he was flying to Baltimore to see Maggie. Maggie denies calling or meeting him; her last contact was when she texted him from his apartment and got no reply. Nadia explains that she got close to Oleg to investigate but found no evidence linking him to Marc or Trace. They agree to work together despite mutual distrust.

Chapter 18 Summary

Remembering that Steve Schipner works at Apollo Longevity in Dubai, Maggie calls a former classmate to obtain his number. She arranges to bring Nadia to Apollo Longevity at 10 am the next morning for a post-operative examination. She and Nadia agree to meet at the clinic, parting with a hug as Nadia whispers that she trusts their mutual enemies—Ragoravich, Brovski, and Lockwood—even less than Maggie.


On the crowded main dance floor, someone grabs Maggie’s arm and drags her through the dancers. The man removes his mask, revealing himself as Oleg Ragoravich, his face swollen and bandaged from surgery. Fear fills his eyes as he warns her not to believe Nadia and says “they” are trying to kill him. As he begins to explain that everything is a lie, dancers separate them. Maggie holds his hand, but his grip slackens as his eyes widen. She sees a gloved hand pull a blade from Oleg’s chest.


Someone body-slams Maggie, and she watches Oleg’s body being carried away by the crowd. She fights to follow and is slapped hard by an attacker. After ripping off his mask, she recognizes him as CinderBlock. She leaps onto his back and chokes him, but someone punches her twice in the kidney. Incapacitated, she falls to the floor. Trampled by the crowd, she screams for help that no one hears as the party continues.

Chapter 19 Summary

At Vipers for Bikers, Sharon asks Porkchop if he knows what a griefbot is. He does—a friend told him about them after Marc died. Sharon reveals that she created a sophisticated AI griefbot of Marc for Maggie, explaining the intensive two-month process to gather and code Marc’s data. The technology is not commercially viable due to the time required.


Porkchop says the dead are dead, and one should live with grief, not seek false comfort. Sharon defends her creation, explaining that after Maggie spent three weeks in Tunisia investigating Marc’s death, she became addicted to pills and lost her medical license. The griefbot was meant to help.


Sharon points out everyone has crutches, gesturing to Marc’s 1996 Honda Blackbird motorcycle on display in the bar—Porkchop’s own form of comfort. Porkchop realizes that the griefbot is why Maggie entertains the idea that Marc might be alive. He calls it a delusion but immediately regrets his harshness. Sharon notes that someone is giving Maggie false hope, which is cruel.


As Porkchop stares at his son’s motorcycle, the unbearable pain of Marc’s murder overwhelms him. He reflects that he has been lying to everyone, including Maggie, to deal with his own grief.

Chapter 20 Summary

Maggie reports the death at the nightclub to the police, who dismiss her concerns and send her home. Bob drives Maggie back to her hotel room. She recounts her encounter with a dismissive police detective with a large mustache who questioned her story and her reasons for being in Dubai. Fearing that she would reveal her unlicensed surgical work, Maggie stopped cooperating.


In the car, Bob reveals that he knows Charles Lockwood and criticizes Maggie for reporting the crime. He informs her that her scheduled pediatric surgeries are canceled because she is now on the police radar. Performing surgery without proper UAE licensing is prohibited, even for licensed foreign surgeons, which Maggie is not. As long as she does not operate, no laws have been broken, but the moment she does, there will be serious consequences. Bob plans to arrange her departure within hours.


Maggie refuses to leave, stating she has a 10 am meeting at Apollo Longevity. In her room, she calls Charles Lockwood to report Oleg’s apparent murder. Lockwood speculates Ivan Brovski is moving against his boss, but Maggie notes that the timing makes no sense—why wait until after the surgery to act?


After showering, Maggie examines her injuries, finding painful kidney bruises but no serious damage. Unable to sleep, she considers abandoning her quest but resolves that she has no choice except to see things through.

Chapter 21 Summary

At Apollo Longevity, Steve Schipner professionally examines Nadia and praises Maggie’s surgical work. Earlier, Maggie told Nadia about Oleg’s stabbing. Nadia revealed that she tracked Ivan Brovski’s phone to Dubai airport and identified CinderBlock as Akim. While Maggie distracts Steve with questions about treatments like EBOO therapy, Nadia attempts to access the exam room computer using Trace’s login.


Steve reveals a disturbing aspect of his work: Some wealthy clients have him surgically alter their lovers to increase their value for human trafficking. He documents these cases in case DNA evidence is needed later. Maggie asks to see the old WorldCures offices, formerly located on the abandoned lower level of the building. In the former operating room, Maggie recalls performing the failed experimental THUMPR7 artificial heart surgery, which, combined with her mother’s decline in health, led her to leave WorldCures.


Steve receives an alert and asks if Trace sent Maggie. Two security guards emerge from the elevator holding a zip-tied Nadia. Steve takes them into a private room and cuts her restraints. He reveals that five months ago, Trace broke into the facility, stole research, and flew to Washington, prompting an interrogation by security chief Malik. Maggie realizes that the stolen research is likely in Trace’s safe deposit boxes.


Steve shows Maggie CCTV footage of the detective with the large mustache at reception. Nadia shows her a news alert confirming that Oleg Ragoravich has been found dead. Nadia pretends she is still zip-tied as they approach the guard. Using surprise, Maggie strikes the guard’s throat while Nadia grabs his gun and holds him at gunpoint. They zip-tie the guard, and Nadia pretends to take Steve hostage to provide him cover. They escape in the elevator as the guard shouts for help.

Chapters 16-21 Analysis

These chapters juxtapose different forms of technology to explore the theme of Technology and the Elusive Nature of Truth. Maggie’s use of Ray Levine’s online photo archive represents technology as a tool for uncovering objective facts; the digital photographs provide indisputable evidence of Nadia’s identity as Salima, cutting through layers of deception. In contrast, Chapter 19 introduces Sharon’s griefbot, a technology designed not to reveal truth but to construct a comforting falsehood. Porkchop’s critique of the AI as a source of “false comfort” positions it as an impediment to genuine grieving. He dismisses it as a “delusion […] a fullon lie” (249), arguing that the finality of death must be lived with, not digitally simulated. This structural parallel—placing Maggie’s fact-finding alongside a debate over the ethics of artificial comfort—frames a central tension: whether technology brings humanity closer to truth or provides sophisticated new ways to evade it. The conflict is embodied in Porkchop, who condemns the griefbot’s deceit while admitting he has been lying to everyone to manage his own pain.


The motif of surgical alteration and disguise is deployed to examine the malleability and commodification of identity, and the examples range from the psychological to the physical. Nadia’s temporary tattoo is a psychological disguise intended to manipulate Maggie. This escalates with Oleg Ragoravich, whose facial reconstruction is a tool for shedding his public identity. A more extreme manifestation appears at Apollo Longevity, where Steve Schipner reveals his role in surgically altering women for human trafficking. Here, surgical alteration becomes a method of erasing one identity to create another, transforming a person into a marketable asset. This practice connects directly to the theme of The Corruption of Idealism, as the medical principle of healing is perverted into an instrument of exploitation. The body is treated as a text that can be rewritten for nefarious purposes, reinforcing the instability of identity in a world governed by power and profit.


Maggie’s character development is sharpened through the theme of The Allure of Danger. Her brief engagement with the scheduled pediatric surgeries in Dubai reawakens her professional identity and a longing for the meaningful work she has lost. Her “fingers subconsciously moving in sync with her thoughts” as she plans the cleft palate repair illustrate a deep-seated connection to the healing arts that represents a path back to her life (210). However, this path is continually blocked by the violent underworld she has entered. Her subsequent actions—the physical confrontation with Oleg, the chokehold on CinderBlock, and the calculated attack on the guard at Apollo Longevity—reveal a competence in violence and a return to her military days. The narrative highlights the “undeniable thrum in her blood” (270), suggesting that this dangerous world, while forced upon her, also appeals to a part of her forged in combat. 


The settings of the Etoile Adiona nightclub and the Apollo Longevity clinic function as microcosms of the novel’s corrupted world. The nightclub is a space of sensory overload and moral ambiguity, where a violent stabbing can occur on a crowded dance floor and be immediately swallowed by the music and collective hedonism. It is a place where violence is easily ignored or seen as just part of the spectacle. Apollo Longevity presents a different kind of corruption, hidden beneath a veneer of sterile professionalism and cutting-edge technology. The clinic’s offerings, such as EBOO therapy that removes nameless “toxins,” represent the commercialization of wellness, while its secret involvement in human trafficking exposes a more sinister purpose. Maggie’s memory of the failed THUMPR7 surgery on Kabir Abargil in the clinic’s basement solidifies this setting as a nexus for WorldCures’s failings. The experimental surgery marks the point where the organization’s idealism degenerated into reckless ambition, foreshadowing the larger criminal enterprise surrounding it.


The narrative structure, particularly the insertion of Chapter 19 and the interaction between Sharon and Porkchop, creates a deliberate break in pacing that deepens the novel’s psychological stakes. By cutting away from the thriller plot in Dubai to a quiet, emotionally charged conversation in a New York biker bar, the narrative momentarily shifts its focus from external to internal deception. While Maggie navigates a world of overt lies and physical threats, the reader is given insight into the more subtle, grief-fueled falsehoods that define Porkchop and Sharon. This juxtaposition establishes dramatic irony; Maggie believes her allies are straightforward, yet the audience understands that they are also operating under layers of concealment. This structural choice reinforces the idea that the external conspiracy is mirrored by an internal landscape of secrets and unresolved pain, suggesting that the search for truth is as much an emotional and psychological quest as it is a physical one.

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