50 pages • 1-hour read
Luis Alberto UrreaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material and this section of the guide discuss sexual harassment, war-related trauma, and Post-Traumatic Stress Disorder (PTSD). The source material uses the outdated term “shellshock” to refer to PTSD and also contains offensive and racist language.
Throughout the narrative, Luis Alberto Urrea highlights the differences of Gender Roles in World War II by emphasizing the vastly different tasks undertaken by men and women, and his narrative also works to honor and emphasize the fact that even though women were forbidden from engaging in combat during this time frame, the female volunteers in the war effort endured just as much as the soldiers they were charged with supporting. Also, because the war takes place during the 1940s, Irene and Dorothy are shackled by considerable stereotypes and must endure a range of harassment whenever they enter male-dominated spaces. However, the women’s resilience proves their inner strength and emphasizes the fact that they have every right to serve their country in the same way that men do.
During the women’s training for the Clubmobile service, Captain Miller creates a sense of equality by telling the women, “[Each] one of you people is just as heroic as GI Joe” (25). Miller knows from experience that these women will face the threat of war even as they lack the ability to adequately defend themselves, and she is also fully aware that they will not receive recognition for their bravery in the same way that the men will. However, the mission of the Clubmobile women is “to be big sister, girl next door, mom, or sweetheart to each one of these brave boys” (24-25). Despite their noble calling, however, Irene and Dorothy soon discover that they are not safe from the threat of sexual assault among the soldiers. For example, Irene soon learns to keep her “arms held close to her ribs to block a grope” (283). The Red Cross expects Irene and Dorothy to view the prospect of sexual harassment as a natural hazard of the job; they are discouraged from reporting such incidents because a report of sexual assault could bring down morale. Thus, they are conditioned from the start to place the well-being of the soldiers before their own mental health and physical safety.
Dorothy tries to break free from the restrictive roles for women in war by joining the Gray Ghosts. Since Dorothy struggles with anger over the deaths of her family, as well as the atrocities of war, she searches for a way to express that anger. At first, Dorothy believes that serving with the Red Cross will alleviate some of her frustration. However, since her job as Clubmobile worker is to maintain a cheerful persona for the benefit of the men around her, she realizes that she must find another way to release her pent-up anger. When she meets the Resistance fighter, Colette, Dorothy decides to ask Garcia to teach her to shoot weapons so that she can kill German soldiers. Eventually, Dorothy rejects this attraction to violence as a form of expression and anger management and chooses to fight back by becoming the mother of the baby she rescues. Additionally, her choice to never marry reveals that she values her own independence far more than the idea of bonding with a man, for if she were to do so, the societal expectations of the time would compel her to submit to his judgments and opinions. Therefore, although Dorothy does not take the same path as Colette, she feels encouraged to know that there are women who carve out their own sense of individuality despite the gender roles assigned to them by the patriarchy.
One of the major themes of the novel involves Mental Health Issues and Wartime Trauma. Without any knowledge of how to cope with her PTSD symptoms, Irene pushes forward in her career with the Clubmobile Service because she fears that if she lets herself experience the full scope of her PTSD, she will fall apart. Irene therefore focuses on survival as her top priority, but as she suppresses her emotions and neglects her own mental health, she discovers that survival alone does not necessarily lead to peace.
The first few times that Irene directly experiences the brutality of war, she has flashbacks to her days on the Woodward farm, because the screams of the people around her remind her of the screams of pigs on their way to slaughter. Irene connects the screams of civilians to the pigs from her childhood because she realizes that survival is a primal instinct, and anyone who senses death is no different than the terrified pigs on the farm. After Irene sees the violence and destruction of the bombing of London, she starts to become numb to her own trauma, and her issues are compounded by the fact that she must bear the unwanted burden of many soldiers’ anguished wartime confessions as well. As the women travel with the soldiers, the men tell them about all the wartime actions and traumas that haunt them, and these confessions force Irene and Dorothy to carry “a shell of strangers’ sorrows that [grows] ever thicker” (138). After witnessing the concentration camp and losing Dorothy, Irene experiences survivor’s guilt because she does not feel worthy of living when so many other people have died. Her PTSD symptoms manifest in new ways in the field hospital as she experiences depression and compassion fatigue. On her last day in the hospital, the nurses subject her to the rigors of unfair gender roles by tasking her—a traumatized patient—with comforting the dying burn victims around her. This scene reveals the true extent of her own inner turmoil, for she starts to cry and confesses to the men that she is unable to comfort them, saying, “I’m so sorry . . . I am so ashamed . . . I can’t” (363). Irene has experienced so much pain and listened to so many people talk about their suffering that she no longer has the mental capacity to help one more person. One of the dying men seems to understand this, because he uses his last words to comfort her, saying, “You’re going to be all right. I promise” (364). Although Irene recovers enough at the Woodward farm to function, she does not find true healing until she reunites with Dorothy 50 years later. Despite the many horrors of World War II, Irene finds peace and grace with Dorothy only through forgiving herself for the traumas in her past. Once she forgives herself, Irene understands that she can move beyond mere survival and can begin to truly live again.
The strength of Dorothy and Irene’s friendship grows considerably as they survive many harrowing experiences together throughout the novel. Despite the differences in their personalities, their relationship demonstrates that the power of camaraderie and friendship gives hope to individuals even amidst the destruction of war. Even before these various traumas cement their relationship into something far deeper and more intense than mere friendship, Dorothy and Irene immediately connect over their feminist attitude toward the war. Although they are both afraid of dying, they work hard to prove themselves in this harsh environment. They also solidify their bond when Dorothy tells Irene, “You are my family now” (150), because they realize that in this extreme setting, they only have each other to rely on and must trust each other with their lives. The bond between Dorothy and Irene strengthens even further when they survive the attack on the French town, for although they are technically noncombatants, they suffer the same degree of danger, fear, and trauma that the active-duty soldiers do. As they comfort each other amidst the screams of women and children dying around them, they both know that only mere chance has ensured their own survival. Yet, despite their survivor’s guilt, they feel relieved to be able to see another day. After all these mutual experiences, the only thing that succeeds in breaking Dorothy’s spirit is Swede’s decision to insult Irene. When Irene pulls Dorothy off Swede, Dorothy tells her, “I. Am. So. Sick. Of. Stupid. Men!” (326). Dorothy confesses to Irene later that she “couldn’t let him talk to [Irene] like that” (328). This incident proves that Dorothy values Irene above all else and refuses to let a man treat her poorly, especially after what Irene’s fiancé once did to her.
Dorothy and Irene’s reunion at the end of the novel solidifies their deep love and commitment to each other. Each of them has kept the other alive in their memories, even when they believed each other to be dead. Yet Irene and Dorothy feel rewarded for their perseverance when they finally find each other once again. Even when they reunite, however, their trauma gets the better of them at first because they both feel intense guilt over the realization that they left each other at the scene of the truck accident. However, they choose not to let this lingering guilt keep them from the joy of their friendship. Although they know they have so much to discuss, Irene’s first statement to Dorothy is to tell her that she still has the berets that they bought in Cannes together. These berets represent the joy they found in each other’s friendship in Cannes, and this memory makes them laugh together because they realize that they will experience the joy of their friendship again, even as they work to process their old traumas and sorrows.



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