Grief Is for People

Sloane Crosley

42 pages 1-hour read

Sloane Crosley

Grief Is for People

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Key Figures

Sloane Crosley

Content Warning: This section of the guide includes discussion of death by suicide.


Crosley, the author and narrator, published this memoir approximately five years after the events within it unfolded. An essayist whose work has been extensively published, she writes nonfiction, including personal essays. She writes straightforwardly, delving into the taboo topic of suicide and presenting ideas about it that some may find controversial or discomforting to consider. Often, she uses humor to cope with the stress of the burglary and the frustration of the grief she experiences over Russell’s death. At other times, the narration is very vulnerable, exposing her own flawed thinking and admitting to her past mistakes or oversights. Crosley is introspective and eager to examine her motivations, especially when they are not easily understood. For instance, she is highly driven to recover the stolen jewelry, not because it is of monetary value but for symbolic reasons—she believes that the jewelry is connected to Russell and will somehow bring him back to life. Crosley admits that this is emotion-based thinking but feels compelled to pursue this goal anyway.


Throughout her struggle through the grief that follows Russell’s death, Crosley is honest about her feelings. At times, she deliberately chooses to ignore the fact of Russell’s death (or pretends that another reality is happening), and at other times, her sadness and hurt are so overwhelming that she longs for the rest of the world to stop and mourn alongside her. In all regards, she is respectful of the other people who enter in to her memoir in a tertiary way, knowing that she can be responsible for only her own actions and reactions. Importantly, Crosley’s narrator maintains a position of humility and uncertainty—she does not profess to have all of the answers to the complex topics that the book explores. Indeed, much of the memoir wrestles with these questions and examines the human condition and her role in it. Similarly, her directness in discussing suicide—including challenging, albeit respectfully, some of the cultural mindsets that condemn it—is a key feature of the writing’s tone. Ultimately, Crosley seeks to honor her friendship with Russell while making meaning from personal trauma.

Russell Perreault

The focus of the memoir is Crosley’s relationship with her friend (and one-time boss) Russell and her reconciling her grief over his death by suicide. Because Russell’s death has already occurred in the “real time” of the book, his characterization must take place indirectly, through Crosley’s memories of him. Importantly, then, the version of Russell presented in the book is one that is filtered through the narrator’s lens.


Russell grew up as a gay man in a conservative household at a time when being gay was not condoned by many people. Though Crosley does not reveal specific details of Russell’s life before moving to New York City, she hints that it was a difficult one in which Russell lacked a sense of belonging. As the narrative unfolds, Russell’s professional persona and personal one become clear. He was deeply passionate about his interests, which included old Hollywood and the glamour of film stars, the theater in all forms, and hunting for one-of-a-kind items amid antique stores and flea markets. His love for his hobbies was larger than life, and Crosley’s descriptions indicate that Russell sought to “convert” everyone around him to loving these things as well, as though he were forever on a mission to convince the world of how right he was.


In his professional life, Russell worked tirelessly, unapologetically defending the authors whose books he promoted. Since his position sometimes placed him amid conflicting camps—author or agent versus the media or another form of the public—Russell consistently looked out for the interests of the publishing house. He could be crass and domineering—traits that eventually caused his words and actions to be construed as sexual harassment.


In both work and friendship, Crosley characterizes Russell as having a bold and direct personality—he did not mince words and was bold and blatant in his interactions with both his friends and his colleagues. His friendship with Crosley showcases his sarcasm and wit, as well as his tendency to often have a pessimistic view of the world. However, it is clear that Russell was a source of guidance, love, and support for Crosley and that their friendship was an unwavering one. Even after Crosley moved on to a new career and issues between Russell and his partner caused Russell to socialize less, the two remained close. Russell’s friendship, then, was a foundational part of Crosley’s life, and his death is all the more troubling to her when it occurs unexpectedly.

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