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Agatha Christie is known for writing “golden age” detective fiction novels, a style popular in the 1920s and 1930s. Hallowe’en Party, written in 1969, takes place nearly 40 years after the end of the heyday of this style. Compare the novel to other golden age detective novels you have encountered. What qualities of golden age detective fiction does it possess or not possess? Given this analysis, would you consider this text an example of golden age detective fiction, or does it better align with some other subgenre of detective fiction?
The characters often equate the perceived increase in crimes committed by people with mental health concerns or who experience some form of inappropriate sexual desire with Modernity and Social Decline. Does the novel support this view of modernity? Consider Poirot’s consistent, correct assessment that Joyce’s murder had a straightforward motive when crafting your answer.
How does Christie discredit or reinforce the archetype of childhood innocence in Hallowe’en Party? How does Miranda’s characterization, Joyce’s propensity for lying, and Leopold’s blackmail contribute to the novel’s thematic interest in The Falseness of Childhood Innocence?
How does the setting of Hallowe’en Party contribute to the novel’s thematic interest in The Value of Community Knowledge? What devices does Christie use to emphasize its importance in the plot?
In addition to her creation of Hercule Poirot, Agatha Christie is famous for crafting another accomplished detective, Miss Jane Marple, an elderly woman. How does Christie characterize elderly women in Hallowe’en Party? What does the novel claim about age and gender as informing how people see the world?
Christie positions Desmond and Nicholas as heroes in the end of the novel. How does this conclusion challenge the text’s treatment of young people, fashions of the late 1960s, and stereotypes about adolescent boys? Cite specific examples from the text to support your argument.
Hallowe’en Party references several other Christie texts. Who is the intended audience of this novel? Does the inclusion of these allusions make it less accessible for readers new to Christie’s novels? What impact does familiarity with Christie’s body of work have on reading Hallowe’en Party?
Does the novel suggest that anyone other than Poirot could have solved the case? If so, who and why? If not, what does the novel suggest makes Poirot special? Cite specific examples from the text to support your argument.
Hallowe’en Party is populated by women, children, and unmarried men—all characters represented outside of the context of the traditional, heteronormative, nuclear family. How does this influence the novel’s portrayal of modernity?
Mrs. Oliver is a mystery novelist. What details does the novel offer—directly or indirectly—about the art of writing mystery novels? Cite specific examples from the text to support your argument.



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