Hang the Moon

Jeannette Walls

62 pages 2-hour read

Jeannette Walls

Hang the Moon

Fiction | Novel | Adult | Published in 2023

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Background

Socio-Historical Context: The Prohibition Era

The Prohibition Era was a significant period in American history that had a profound impact on the social, cultural, and economic landscape of the country. This era, which lasted from 1920 to 1933, was marked by the nationwide ban on the production, sale, and distribution of alcoholic beverages. This ban was enforced through the 18th Amendment to the United States Constitution and was intended to address various social and moral concerns prevalent at the time. Supporters of Prohibition believed that banning alcohol would lead to a reduction in crime, poverty, and other social issues associated with alcohol consumption.


In Hang the Moon, Prohibition affects the characters’ motivations, relationships, and experiences. The illicit nature of alcohol consumption, the emergence of underground economies, and the tension between personal freedoms and societal regulations contribute to the complexity of the characters’ lives. Through Sallie Kincaid’s character, the novel also explores the negative impacts of the Prohibition Era on common people, who believed prohibition laws were made by out-of-touch politicians:


Big old ugly word that means you ain’t allowed to do something. A bunch of numbskulls in Richmond and Washington who think they’re smarter than everyone else pro-hib-it-ing other people from doing what they got to do to keep their families from starving to death. Seems downright un-American to me (243).


The prohibition of alcohol had varying effects on families and relationships. It also led to shifts in family dynamics and social interactions, which are evident in the novel. Family tensions, such as those between Sallie and Mary, are influenced by the era’s moral debates and personal choices surrounding alcohol consumption. The ban on alcohol production and sales resulted in economic turmoil. People seized the opportunity to profit from the illegal alcohol trade. As Rawley points out, “pass a law like Prohibition and you’re all but begging men to break it” (193). All operations related to alcohol and whiskey went underground, which is evident in the novel when Sallie and the boys, called “rumrunners” (303), secretly trade whiskey to Roanoke. The characters’ involvement in the illegal alcohol trade and the challenges legal businesses face allude to the era’s blurred lines between legal and illegal activities. For example, Sallie realizes that “legal and illegal and right and wrong don’t always line up” (219).


The Prohibition Era led to debates about personal freedom, morality, and the effectiveness of government regulation in the United States. The era coincides with the Great Depression, which began after the stock market crash of 1929 and brough the “Roaring 20s” to an end. As a result, class and socioeconomic status became points of tension. Walls observes that sometimes the “so-called law is nothing but the haves telling the have-nots to stay in their place” (219). In the novel, Caywood streets and houses become “empty” and “deserted” (160), mimicking the real-life fate of small towns that the laws affected. Prohibition officers “ranged over the county, banging on doors, waving guns, flashing badges, cuffing people, shoving and punching anyone who resisted or back-talked or even questioned them” (163). They treated “human beings like animals” (165) and herded them around “like livestocks at branding time” (162). These events resonate with the broader conversations surrounding individual rights and government control during the era.

King Henry VIII and the Tudor Dynasty

Hang the Moon is set in Prohibition-era Virginia and centers around a bootlegging aristocracy, but Jeannette Walls grounds her narrative in the real-life aristocracy of the Tudor family, particularly King Henry VIII and his wives and children. King Henry VIII ruled England from 1509 until 1547 and is an infamous historical figure. His reign is marked by his separation of the Church of England from the Catholic Church in order to facilitate the annulment of his marriage to his first wife, Catherine of Aragon. Henry’s maneuvering, which saw him married to six women in succession, was driven by his desire to secure a male heir for the throne. The patriarch of Walls’s novel, Henry Edward “Duke” Kincaid, hews closely to Henry’s preoccupation with an heir to take over his bootlegging business, and the women he marries and the children they produce align with Henry’s history to create a contemporary portrait of dynasty.


Henry married his first wife, Catherine of Aragon, in 1509, but the couple had trouble conceiving; Catherine gave birth to a stillborn daughter and a son who died when he was only several weeks old before giving birth to Mary Tudor in 1516. Concerned with the need for a male heir, Henry sought an annulment of their marriage in 1533, an act that required the extraordinary step of separating the Church of England from the Catholic Church, and married Anne Boleyn the same year.


Shortly after their marriage, Anne gave birth to Elizabeth I, her only child, in 1533. Elizabeth’s birth was followed by three pregnancy losses, and after only three years of marriage, Henry VIII had Anne arrested for adultery and treason. He executed her in 1536, by which time he was already courting his next wife, Jane Seymour. Henry married Jane Seymour in 1536, just a few weeks after Anne’s execution. Jane gave birth to Henry’s only legitimate son, Edward VI, in 1537, but she died within weeks of the birth as a result of complications. Notably, upon his death, Henry was buried with Jane, who is speculated to be his favorite due to her ability to bear him a male heir.


Walls’s characters, and the Kincaid family tree align very closely with this period of Tudor history: Duke’s wives, Belle, Annie, and Jane, follow the trajectory of Henry’s wives, Catherine, Anne, and Jane. Further, their children, Mary, Sallie, and Eddie, correspond to Henry’s heirs, Mary, Elizabeth, and Edward. Their complex characterization and power dynamic reflects the complex Tudor history, even down to the details surrounding Mary’s preoccupation with religion that parallel those of Mary Tudor, who was known as “Bloody Mary” for her unforgiving religious attitudes.


Walls’s historical novel is in conversation with numerous other works that have explored King Henry VIII’s tumultuous rule and his ruthless approach to his family and dynasty. Hilary Mantel’s fictional Wolf Hall trilogy (Wolf Hall, Bringing Up the Bodies, The Mirror and the Light) is a significant recent contribution to the topic, as is Phillipa Gregory’s The Other Boleyn Girl, but the fascination with King Henry VIII’s legacy has been a feature of literature since Shakespeare’s Henry VIII.

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