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Content Warning: The source material discusses graphic violence in war in this section of the novel.
Hannah recalls the last Thanksgiving she spent with Nathan. Caleb, Alice, and Margaret were there, and although they felt Virgie’s absence, it was a special time filled with good food and fellowship with family. Shortly after, Nathan became sick, though he said he was “wearing out,” his deterioration hinted at something worse. The doctor diagnosed him with terminal cancer, and Nathan refused treatment, preferring to die on his terms at home. For a while, Nathan continued with his work, and Danny assisted when needed, but never too much, allowing Nathan the dignity to work until he could no longer do so. Margaret visited often, as well as the Catletts and Lyda. Andy and Lyda were there with Hannah when Nathan died in the spring. Mattie was too busy to arrive until just before the funeral and left immediately afterward. The surviving members of the Port William membership gathered to mourn Nathan, “one of the old good ones” (177). After sending Caleb, Alice, and Margaret home, Hannah was alone in the house and finally gave in to her grief, crying until she felt Nathan’s presence fill the empty home.
In the present, it is nearly the year 2000, and Hannah still buys Virgie a Christmas present every year. The house is empty unless Andy and Flora are visiting. Hannah has learned to love the silence, although she does enjoy talking to Andy, who is a good listener. Although she’s sometimes overwhelmed by the grief of those she has lost, Hannah realizes that she can summon them in her mind and that their love is eternal.
Nathan, nor any of the men from Port William who survived, talked about the war after coming home. They kept the stories inside them to protect their families from what they had endured and not taint the peace and beauty of Port William with the horrors of war. After Nathan’s death, Hannah began studying the Battle of Okinawa to understand what Nathan had experienced. She read about the history of Okinawa, a farming community much like theirs before the war. In reading about the hellish conditions and horrific ways men died, Hannah came to understand what Port William and the farm meant to Nathan and that “Our life in our place had been a benediction to him, but he had seen it always within a circle of fire that might have closed upon it” (186). The only time Hannah saw the effects of the war on Nathan was when he had nightmares and reached out for her to ensure he was safe and home.
Kelly Crowley, a young real estate developer and a family friend, visits Hannah and asks if she plans to move to Louisville to live with Margaret. Hannah has known Kelly since he was a child, and she has been expecting this visit, knowing the value of her land. Hannah explains that she plans to stay at the farm and is considering placing the land in a trust to ensure it becomes a wildlife management area after her passing. Kelly is charming and graciously ends the visit but leaves his business card. Hannah puts on a brave face while Kelly is there, but after he is gone, fear over what will happen to the place after her death overcomes her. She walks the property to calm herself but is reminded that Port William has changed and will continue changing, and there’s nothing she can do to stop it. She realizes she is “living in two places: the place as it was and the place as it is” (192) as the memory of those gone fills her mind, while she worries about the future.
In 2001, Virgie returns to the farm, exhausted and thin. Hannah doesn’t ask any questions, and Virgie doesn’t offer any explanations of where he’s been. He only says that he wants to live there and become a farmer. Hannah feeds him and the next day asks Danny to put him to work. Hannah isn’t sure what will come of it all, but she hopes that Margaret will return and she and “Virge,” as Danny has taken to calling him, will farm the Feltner place. Time and experience have taught her to hold onto hope loosely, and for now, she is grateful Virgie is home.
Hannah sees Nathan in the field walking toward her, and she anticipates how it will feel for him to hold her once again.
Nathan’s death marks the end of a lifelong partnership, prompting Hannah to reflect on the meaning of their shared life. Nathan’s choice to die at home reflects a view of death as a quiet, natural part of the life cycle, sad yet filled with grace and gratitude. His gentle passing symbolizes that death, while painful, is an inevitable part of life, and a life lived well can also end well. For Hannah, Nathan’s death is not the end of love but the beginning of a new kind of relationship defined by memory and solitude. With Nathan’s passing, Hannah loses the person with whom she built a life on the farm, a family, and found a place in Port William. His absence leaves a profound stillness and silence in their home, reiterating The Power of Memory and Storytelling in keeping the legacy of lost loved ones alive. Hannah’s stories about Nathan represent a sacred preservation of memory and a way to honor the dead. Hannah’s perspective emphasizes that love doesn’t die with the person but lives on in memory, in the land they tended together, and in the lives they touched. Nathan may be gone physically, but he remains a central presence in the rhythm of her days and in the legacy they built together.
Hannah’s quest to learn about Nathan’s time in the war is revealing to her. Nathan’s lifelong silence about his experiences reflects the reality of many veterans, especially those from rural communities who carry their trauma silently, integrating it into their lives rather than externalizing it. Hannah’s research unearths the visceral experience of fear, destruction, and dehumanization that many soldiers experienced. The violence of war contrasts with the gentleness of the life that he built with Hannah. Okinawa was the farthest Nathan would ever be, both geographically and spiritually, from Port William, and the displacement, destruction, and alienation he experienced represented the opposite of what he pursued after returning home. Nathan’s return to Kentucky, to farming and family, is a deliberate turning away from the violence of war and a reclamation of the values that ground him. Okinawa becomes another lens through which she views Nathan, expanding her understanding of the inner pain he carried. It allows her to understand his quietness and see him as a man who has survived profound darkness and chosen to live in light.
After Nathan’s death, Hannah feels not only a personal loss but also a cultural one, as the Rural and Agrarian Values they lived by are threatened by modernity, the absence of their children and grandchildren, and the disconnection of the world around them. Nathan’s death symbolizes the end of an era and the steadfast commitment to farming and place he represented—a kind of life, Hannah believes, is growing increasingly rare. Kelly Crawley’s veiled offer to buy Hannah’s land reveals that he sees it as an asset, something with financial value, but not sacred—a perspective antithetical to everything the land represents to Hannah and Nathan. For them, their land is not just soil, but a place where love and legacy became the fertile ground for their marriage, family, and community membership to flourish and grow. For them, Port William isn’t something that can be bought piece by piece, it’s something that must be earned through relationships and shared life. Kelly’s gesture illustrates Hannah’s perspective on the emptiness of a culture that prioritizes money and profit over relationships and interdependence.
Berry contrasts Kelly’s visit with Virgie’s return to the farm in the novel’s resolution, underscoring The Significance of Place and Belonging. While Kelly’s visit is transactional, Virgie returns home not to buy or claim but to be present, learn from, and embrace the land that made him—both a spiritual and physical return. Virgie’s decision to work the land signals a possible future, however uncertain, for the legacy that Hannah and Nathan planted there. His return sows a seed of hope that not all who leave are gone forever. By returning to the land, he becomes a vessel through which Hannah and Nathan’s memories can be carried on. He enters the membership by apprenticing with Danny and learning about his family legacy through the story of its people. By telling Hannah a tale about Burley, a beloved figure in the membership, Virgie takes his place in the circle of memory and belonging—a passing of the torch in which Virgie becomes a storyteller, taking up Hannah’s mantel. Something has been planted in Virgie and taken root, and Hannah can now die knowing that their legacy lives on inside their grandson.



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