53 pages • 1-hour read
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On Monday, everyone gathers at the studio. Buck’s words still ring in Darnell’s ears, and he reflects that he has also always felt that Christianity was really just a tool of oppression.
As he thinks more critically about religion, Harriet tells him that she is ready to get to work. She is brusque and seems irritated, but Moses explains that she is just tired of telling her story. There was an abolitionist circuit back in the day, and formerly enslaved men and women did the bulk of the labor, giving talks in order to raise money for the abolitionist cause. The work was tiring, and Harriet had long grown weary of re-living the worst days of her life. Still, the album is important to her, and she is willing to tell her story again so that they can produce a quality record.
Harriet tells a story about having been hit on the head with a blunt object so hard that she was almost unable to work. It was during this period that she turned to God and developed a strong relationship with her higher power. Darnell reflects that perhaps there is a case for God’s existence after all. Harriet Tubman is the epitome of strength, and if she believes God led her there, maybe he did.
She then tells him the story of her escape to freedom. It had been difficult, and she’d had to follow the stars and travel through rivers so that dogs could not easily track her. When she finally made it North, she realized that her entire family was still enslaved. They also deserved to be free, as did every single enslaved person. She knew that she had work to do and vowed to devote her life to helping others achieve freedom. Darnell is so moved that he begins to weep.
The next day, Darnell arrives at the studio with vegan muffins and coffee to find Harriet on the ground. She is unconscious, and the rest of the band tells him that this happens often, a byproduct of the incident she described in which she was hit on the head. Darnell is worried, but everyone explains that she’ll be fine.
He sits down to chat with Moses, feeling closer to everyone now that they’ve seen him weep. He asks about the Underground Railroad, Harriet, and Moses’s own trip to freedom. Harriet came back after she escaped and led him and the rest of his family members north. She couldn’t take everyone at once, so people had to wait their turn. Darnell asks why his enslavers didn’t figure out what was happening, and he posits that white people mostly saw what they wanted to see. They had the preachers to preach obedience and servitude, keeping everyone in line. They were ignoring the fact that, of course, the enslaved wanted freedom.
Moses recalls that the preachers were often instrumental in helping escapees. Many preachers even chose to remain enslaved so that they could help as many people as possible make their way north. When Harriet returned to free people, she would sing “Swing Low, Sweet Chariot” quietly in the woods, and the preachers, because they were allowed freedom of movement, would go out to her.
Harriet wakes and surprises Darnell by telling him that he himself needs to be freed. Not understanding, he asks what she means. She explains that she has always been in the business of freeing Black folks, and there is something weighing Darnell down. She doesn’t know what it is, but he is not truly free in his heart, and she aims to help him get to the “promised land.”
Darnell has no idea what Harriet means. She tells him that when she has one of her episodes and loses consciousness, the Lord speaks to her and gives her directions. Her relationship with God is at the root of her abolitionist work, and she tells Darnell about the talks she used to give. He asks if speaking about enslavement was difficult, and she admits that at times it was, but it would have been harder to remain silent. She could not have helped the abolitionist movement or worked on the Underground Railroad if she had remained unwilling to confront her past.
She tells him about other abolitionists, including the fiery John Brown, who was one of the first white people to show her the common courtesy of removing his hat when he met her. This was, Darnell learns, unheard of during the 19th century, even after emancipation. Darnell is shocked by this, and Odessa tells him that he wasn’t born during her day and sometimes “it shows.” He knows that he cannot truly understand the experiences of the enslaved, but from everyone’s stories, he is starting to have a better idea of what life was truly like. He knows that all of the freedoms he now enjoys are because of women like Harriet, and he feels humbled. Darnell is filled with a desire to understand Harriet, Odessa, Moses, Quakes, and Buck even more, and he asks to travel to see where they were born.
After some objection from the group, they head south in a rented van. En route, Darnell asks Harriet more about John Brown. Harriet explains that he died fighting for abolition: He was hanged shortly before the Civil War began. They stop for a night at a motel. Harriet pays for the rooms with bills that bear her likeness. She and Darnell share a room, and she talks more about John Brown and Frederick Douglass. Douglass wasn’t popular with African Americans in part because he spoke like a white man, but Harriet argues that such divisions are harmful—African Americans should all support one another.
She also thinks that it’s problematic the way that the American government convinced under-resourced white people that Black Americans were the enemy: Those in power disenfranchised both Black and working-class white people and maintained their power by pitting the two groups against each other. Darnell is moved by her words and how she speaks them. He feels closer and closer to her and is grateful for it.
The next morning, the group leaves the motel. Nervous, Darnell asks everyone to talk about the war. Buck and Moses laugh so hard that the van shakes, and Darnell is confused. He was expecting anger or unwillingness, not laughter. Buck and Moses explain that they have told these stories so many times that they no longer bother them.
Darnell settles back and listens to the tale of Harriet’s time during the Civil War. She served as a consultant and scout for the Union army, cooked, and worked as a washerwoman. She noted her willingness to help the army’s cause, but also the fact that it was difficult for Black women to get work in the North, let alone those who could not read or write. Darnell learns that Odessa also cannot read and write, but that Buck, Moses, and Quakes can. Harriet seems to indicate that she would have liked the opportunity to learn, but Odessa does not seem to mind. In general, literacy seems less important to the group than other issues.
Darnell also learns that Lincoln was not quite the hero he is portrayed as in history books. Unlike true abolitionists, he did not have the best interests of African Americans at heart. In fact, he floated the idea of sending the formerly enslaved back to Africa or even South America. For Lincoln, the war was about keeping the country together more than it was a humanitarian project to end enslavement. They visit several sites meaningful to Harriet, including Brodess farm, where she was enslaved, and she becomes misty-eyed.
While Harriet has a quiet moment, the others continue to talk about Black history. Darnell reflects on how little Americans are actually taught about Black history and vows to learn more. During a stop, he takes a breather to think about everything he’s learned, and Buck approaches him. They have a quiet exchange during which Darnell asks Buck to refrain from telling Harriet about his criticism of religion, and Buck quietly insinuates that it isn’t his views on Christianity Darnell wants to hide, but his sexuality. In a state of panic, Darnell resolves to leave the group. Harriet stops him by drawing her pistol. She tells him that she knows when someone is preparing to run, and she cannot let him get away without first helping him get free.
Darnell chose to introduce Harriet first, and his backstory will not fully come to light until Part 2, but he plays a larger role during these chapters, and his characterization comes into better focus. Darnell’s career stalled long ago, but it is evident to Harriet that something beyond his professional troubles is holding him back. She uses the metaphor for freedom with Darnell, asserting that he is not, at least in the metaphorical sense, truly free.
Although his character is obviously struggling as the novel begins, he demonstrates his capacity for reflection and evolution during these chapters. He opens up to various members of the group, but more importantly, he continues to listen to them, learning more about The Erasure of Black History. He is further struck by the vast gulf that exists between him and a group of people who represent historical African Americans to whom he has always felt connected. They are, he posits, a part of his history. Nevertheless, he continues to be moved by how little of their experiences he can truly understand. He espouses the post-racial-reckoning maxim of “I understand that I will never understand.” This is important, as it places this novel squarely within a post-2020 discursive space and reflects the racial sea change that happened during the beginning of the 2020s.
Darnell’s attitude towards history, listening, empathy, and holding space for others is very much the product of a contemporary understanding of the lasting impact of enslavement and white supremacy in the United States. The exact model the author provides through the character of Darnell would have been different in a novel written prior to 2020, and the author’s position within this new landscape of racial discourse has been noted in both the critical and popular responses to the novel.
Harriet and the others also explain the problematic aspects of the abolitionist movement to Darnell. He learns that within the abolitionist movement, Black activists did the bulk of the labor but were not often fairly compensated. Women like Harriet were forced to tell and re-tell their stories in order to raise awareness and funds, and Moses notes how exhausting the work became. What Moses and Harriet describe during these scenes demonstrates the presence of racism even within social justice movements: The stated goal of abolitionism was Black liberation, but within the movement, Black activists were actually oppressed.
This kind of inequality, Darnell reflects, is not typically included in history books. Here, too, the author provides information about the erasure of important history: Abolitionism is portrayed in a positive light so that its white activists can be seen as heroes rather than as the flawed individuals that they were. This kind of whitewashing effectively prevents meaningful critique of problematic aspects of abolitionism and perpetuates the falsehood that social justice movements are always without conflict or controversy.
Abraham Lincoln’s story is another important moment of engagement with history’s erasure. Harriet and the group explain that Lincoln was not the hero of abolitionism that history remembers him to be. His interest in emancipation was secondary. For Lincoln, the Civil War’s true purpose was keeping the country together. Freeing the enslaved men and women of the South was ancillary. This kind of representation is important, as it reframes history in a more honest way. The author wants to start difficult conversations about the many ways that racism permeates society: Lincoln, like the abolitionist movement, was more complex than the history books represent him as having been. This depiction is important because it adds nuance to dialogue about race and racism in America. Even “allies” are not above critique, and the author wants to show history through a more nuanced lens.
The author’s depiction of both abolitionism and Abraham Lincoln also speaks to their interest in Hip-Hop and the Power of Storytelling. History books, Darnell notes, are largely written by white writers. Using Black art forms like hip-hop to “re-write” history in a more realistic manner allows African Americans to reclaim their stories, to present a less-reductive version of the fight for Black liberation in the United States. Harriet’s songs represent her experiences and are not written with an eye towards white comfort. Rather than whitewashing the racism in the abolitionist movement, she intends to present the movement as it was, allowing her listeners to see it as both a space of liberation and one marked by racism.



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