54 pages 1-hour read

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Fiction | Short Story Collection | Adult | Published in 2024

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Chapters 4-6Chapter Summaries & Analyses

Chapter 4 Summary: “Rose Mueller vs. Tanya Maw”

Content Warning: This section of the guide includes discussion of graphic violence, child death, gender discrimination, bullying, and sexual content.


The chapter begins with a comparison between hand-clapping games and boxing. Although there are no strict winners in hand-clapping, the girls who play are often competitive in terms of endurance, seeing which of them will last longer as the accompanying chants loop over and over. The last fight of the semifinal round feels this way—an example of the loop that constitutes the tournament.


Tanya Maw was fond of hand-clapping games as a child, but is growing out of them at 17 years old. She is reminded of the way her favorite games felt illicit when she sees her opponent, Rose Mueller, clench her teeth down on her mouth guard.


The judges are non-professional arbiters whom Bob called in to play the part required as a favor. Tanya and Rose’s coaches are old friends who plan to go out to the casinos and get free drinks after the fight is done. As night falls over Reno, hundreds of people follow the same plan, drawn to the casinos by alcoholic slurpees. The walkway along the Truckee River is littered with men who slip passersby calling cards for sex workers.


Rose Mueller came to Reno from Dallas, Texas. Like Tanya, she grew up playing hand-clapping games. In principle, girls learn hand-clapping games from their older sisters or the older sisters of their friends. New games are infectious among girls. In some games, players try to catch one another at the end of the beat, eliminating players until one girl is declared the winner and gets to decide when the next game is played. This is not the case with the Daughters of America Cup, which is planned as soon as the last tournament ends on a two year-cycle.


Rose and Tanya both win one round each. Their precision as fighters makes their movements look exacting to the spectators, as though they are part of one creature. Rose pictures herself as a bush of flowers as she lands a blow on Tanya’s face.


Tanya will become an actor, exercising the intimate art of staring into someone else’s eyes and fitting her face into the lives of her characters. As an elderly person, she will be typecast as a grandmother. Playing grandmothers will suit Tanya because she is brutally honest by nature. One of her most memorable roles will be a comedy in which she will play an old widow who plots to kill her husband.


Rose will die years before Tanya’s acting career takes off. Her life will be defined by her struggle with her suburban Catholic identity. Rose doesn’t oppose the idea of God per se, but feels at odds with religious conformity that causes people to adopt hateful morals. Rose sees a contrast between religion and boxing; in the latter, she is never told what she must do. Tanya wins the third round.


Tanya was taught how to braid her hair by her older sister, who isn’t present at the tournament. They grew up on a ranch in Albuquerque, New Mexico, experiencing several major family events while sitting on the house’s circular kilim rug. One such event was Tanya learning to braid her hair. Another event was her mother’s abandonment of their family. Tanya sees the rug as the first stage of her life, where she learned to “fit her face into the faces of others” (127). The memory of her mother’s disappearance continues to haunt Tanya at the tournament the same way the drowned child haunts Andi. Tanya often thinks about the fact that her mother consciously chose to abandon her and her sister.


Sometime after her older sister left home, Tanya was invited to try boxing, which she saw as a preferable alternative to being home alone with her father. Tanya has come to the tournament on her own, though she wishes that her father had come with her.


Tanya will decide to become an actor a year after the tournament, but she will not break out until she starts getting typecast as a grandmother. At some point during her career, Tanya will be recommended for a role by one of her acting teachers. After being cast, she will learn that she will be playing a mother who decides to abandon her daughters. Unable to refuse the role without losing face, she will wrestle with channeling her mother into the performance, which will destroy her emotionally as she wonders how much of her mother she contains. She will seek emotional support from her sister, who will reassure her that her trauma is in the past. It will be the worst performance of her career. When Tanya dies, she will remember the kilim rug.


At another point during Tanya’s career, an audience member will compliment her on communicating the loss of her sister so well through her performance. Tanya will not correct her, but will thank her for seeing it.


Tanya wins the fourth round and gets an early lead in the fifth. Rachel assesses that Rose’s hits are stronger than Tanya’s, which makes Tanya’s lead confusing. Rose wins the fifth round by landing a leaping left hook on Tanya. In her adult years, Rose will start a weight-loss gym with her husband. While experiencing obesity, she will use the gym to maximize her body’s functionality as she enters middle age. One day, wondering if she can still perform her signature move, Rose will execute the leaping left hook on a gym body bag and surprise herself.


Because of its repetition, the rosary reminds Rose of hand-clapping games. As an adult, Rose will go to mass nearly every day but will remain skeptical of the people around her. She will inexplicably find solace in the familiar chants of the sacrament. In between the rounds of the match, Rose recites rosary prayers and hand-clapping games. During the sixth round, she uses her skill for looking away to misdirect Tanya. Rose wins the round, evening the score. The seventh round also ends in Rose’s favor after she hits Tanya in the ribs and on the head.


Rose was extremely tall for her age when she was in third grade. She was the target of many bullies, though it was unclear to her if it was because of her height or because of her reserved nature. On one occasion, she was locked in a sports equipment shed and waited half a day for someone to free her. Rose loves boxing because it is the only time someone can be with her without having to really know her. She loves Tanya for fighting her.


Before she will open the gym with her husband, Rose will work as an accountant. She will then theorize that children who have been bullied become telepathic as adults. She will subscribe to this theory from personal experience. During her fight with Tanya, she can tell that Tanya’s mind is elsewhere. As the eighth round begins, Tanya is distracted by a vision of her older sister sitting on the rug in the corner of the gym. She can see that something within Rose is fragile.


Rose is at the tournament with her father, who made time from his work as a contractor to attend. Rose’s father is proud of her, considering the challenges she went through in the school where she was bullied. He is as sure of his love as he is sure of his faith. Although he transferred Rose into public school after the shed incident, he continued to bring his family to the same parish where the shed was located for Sunday mass.


Rose wins the last round and the match overall. Tanya thinks she can hear clapping until she shakes Rose’s hand. Everything becomes silent. Everyone leaves the gym for the night.

Chapter 5 Summary: “Night”

Out-of-towners visit Reno for its nightclubs. They go out in special clothes and turn blue in the light of the nightclubs. None of them has the aspirations that the Daughters of America Cup contenders do. Artemis, however, longs to be in a nightclub, dancing until she can feel fluid. The rest of the girls sleep. Eventually, Artemis joins them with dreams of victory.

Chapter 6 Summary: “Deep Night”

The stars dim in the artificial light of Reno. The male administrators of the Daughters of America Cup—the judges, the coaches, the referee, and the magazine reporter—all convene at Caesars Silver Legacy Resort and Casino for drinks. They discuss the day’s matches, either claiming the wins for themselves or blaming the losses on the fighters. Kate Heffer’s coach boorishly courts the magazine reporter, thinking he can somehow influence the administrators to hold a future tournament in Seattle, Washington. The only person who declined the invitation to go out is the local newspaper journalist.


Rachel’s grandmother watches the sun rise. She is the only person awake and not at a casino. Looking at Rachel, she recalls the day Rachel’s mother was born. She attributes Rachel’s dramatic behavior to the relative simplicity of her birth—an alien from outer space can’t be stranger than a girl like Rachel. Before going back to sleep, Rachel’s grandmother examines the tournament brochure to look at the bracket.

Chapters 4-6 Analysis

The semifinal round of the tournament closes with a bout almost tangential to the narrative since Rose Mueller and Tanya Maw are characterized as extremely proficient boxers. Their precision and skill make them appear as though their movements are choreographed: “there is a collaboration in the way that they stand” (119). The distinction between them is only clear when they separate between rounds and at the end of the match. In the previous matches, each fighter set herself apart through her physicality. But the evenly matched Rose and Tanya are set apart by the vastly different lives; homogeneity of performance in the ring means Self-Definition on One’s Own Terms has to come from each young woman’s relationship with the world.


Like Andi, haunted by the drowned boy, Tanya is also oppressed by memories—in her case, by her mother’s abandonment, which is symbolically represented by the kilim rug that Tanya keeps seeing throughout the fight. The narrative directly compares the two young women, indicating that both will continue to be affected by these traumas long after the tournament, as these experiences have been more viscerally absorbed into their identities than the boxing: “These disappeared people are part of these boxers. Like viruses, they are stored in their bodies, in the spaces between the vertebrae in their spines” (128). Tanya’s acting career will be a double-edged sword; she will be a successful actor because she’ll finally be able to “fit her face into the faces of others” (127) purposefully, but her greatest failure will be attempting to embody her mother for a role at the cost of her own emotional well-being.


In contrast, Rose is not at the tournament “punching [her] way through a dead person” (128)—for her, boxing has been a way of overcoming the damage of bullying at her old school. However, it is her success in the ring that will eventually haunt Rose, illustrating the impact of Small Glories in the Grand Scheme of Life. Following her retirement from boxing, Rose will be retain the muscle memory of the sport, even when no longer immersed in the regimen of training: Decades later, she will still be able to perform her signature move, the leaping left hook. This moment will remind Rose how inextricable boxing is from her identity, even if her athletic career ends up forming just a small portion of her life. 


Chapter 4 introduces the symbol of the hand-clapping game, a physical challenge that parallels the endeavor of boxing. The hand-clapping game is meant to remind the reader how important games are to girlhood. Its ritualism binds them to their older sisters, which resonates with the world discus motif previously introduced in the novel. 


The socially acceptable mild violence of the hand-clapping game is contrasted with the much more aggressive physicality of boxing. While both are framed as games that girls can play, it is only in boxing that the girls’ bodies become the cost of entertainment. While the girls commit themselves to the demands of their sport, they are deprived of the rewards that their participation should afford them, showcasing Gendered Exploitation in Women’s Sports. Instead, the people who enjoy those rewards are men who demonstrate minimal commitment: Coaches who skip championship bouts in favor of non-competitive men’s events, who treat coming as an opportunity to visit casinos, and who do not even really root for the young women they are training—“[t]he coaches of victorious fighters borrow their fighters’ glory […] The coaches whose girl boxers lost complain […] nobody ever listens to them.” (151-52). It is revealed that while each girl must pay $200 to be part of the league, the winner of the Cup receives only $100 in prize money; the rest of the administration fees goes to Bob and others like him. Coaches are shown to have no significant impact on whether a boxer wins or loses. Instead, the girls are left to their own devices to reckon with both the physical and emotional labor of boxing. 


It becomes fitting that the last fight of the day sees the most ideally matched boxers compete with one another. As Rose privately acknowledges, she loves Tanya for keeping her company in a world that seems driven to let her face life alone. Their encounters in the ring drive a bond stronger than the league for which they fight.

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