54 pages • 1-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of cursing, death by suicide, sexual content, and antigay bias.
Rivalry as a mask for emotional vulnerability runs throughout the novel. Shane and Ilya handle feelings they struggle to acknowledge with rivalry and competition. From the beginning, they use their hostility to avoid emotional vulnerability and authenticity. Sometimes it is public theater, other times private protection. However, the intensity of their rivalry allows them to focus on each other, never admitting what that focus actually means.
Before they even meet, Ilya already sees Shane as a threat: “He had never met Shane Hollander. Never played against him. But he was already determined to destroy him” (22). The reaction goes beyond normal competition. Shane embodies everything Ilya doubts he can access: Approval from the league, fluency in English, and visible family warmth. Ilya converts envy and attraction into open hostility. Rivalry gives him a way to engage with Shane without exposing himself emotionally.
Shane does the same. Outwardly controlled and polite, he reacts strongly to Ilya: “Shane was not easily shaken by anyone. That goddamn smirk threw him off balance every time” (27). Shane tells himself it is just competition. He believes he has finally found someone who matches him. The explanation protects him from facing the attraction he feels, as admitting it would force him to question his sexuality and his carefully maintained public image. Calling it a rivalry is safer than naming feelings he cannot yet define.
Even after their physical relationship begins, rivalry still does the heavy lifting. While kissing, Ilya holds onto his anger: “Ilya hated this guy. He hated his pretty boy face and his perfect goddamned English and his perfect goddamned French and his loving parents and his polite little manners and his million-dollar smile” (74). The hostility keeps them at a distance. By clinging to rivalry, both of them dodge the vulnerability that comes with actually caring.
As their relationship deepens, the rivalry does not disappear; it simply becomes more performative. Publicly, their antagonism sharpens to conceal what happens behind closed doors. Teammates, fans, and reporters see only competition. By putting on this act, they can stare, touch, and provoke each other without drawing suspicion. The performance protects them. One key moment comes when Ilya kisses Shane on the cheek during a game. To viewers, it appears mocking, but for Ilya, it is pure joy at sharing the ice: “But the truth was he simply couldn’t help himself. He had seen an opportunity, and he had taken it” (198). The moment reveals how well the mask works, but also its fragility. Hockey culture expects aggression, but the disguise slips when real affection breaks through.
Over time, the cost of this strategy becomes harder to ignore. While rivalry first allows connection, it slowly shifts to something more damaging, locking them into isolation. The novel makes it clear that rivalry, once useful camouflage, cannot sustain a true relationship. By treating rivalry as both protection and a trap, the novel shows how fear dictates the choices of Shane and Ilya. Rivalry keeps them safe, but it also keeps them apart.
The tension between personal fulfillment and public expectation drives many of Shane and Ilya’s choices in the novel. Both men want honesty, love, and stability, but their careers place them under constant public attention. As star NHL players, they are not seen only as people—fans, media, and the league treat them as symbols. In feeling the pressure to conform to the public’s expectations of them, both men struggle to honor what they truly feel and desire for themselves.
For Shane, public expectation centers on image and control. He is polite, successful, and widely admired. The league presents him as a perfect role model, and Shane works hard to maintain that image. He fears disappointing others and making the wrong choice. This pressure pushes him toward a relationship that looks acceptable rather than one that feels right. His relationship with Rose fits heteronormative public standards and attracts no criticism. Shane wants it to work because it feels normal and safe. When it fails, he realizes he has been choosing what looks correct rather than what makes him happy. Even after Shane accepts that he is gay, public pressure still controls him. He understands his feelings for Ilya, but he worries that acting on them would damage his career and reputation. He hides not because he is unsure, but because he fears the consequences of being honest.
Ilya faces a different kind of pressure. As a Russian player, his public identity is shaped by politics and stereotypes. Fans expect him to be aggressive and reckless, and to conform to a traditional ideal of masculinity. He allows that image to exist because it protects him. Returning to Russia as an openly gay man would also be dangerous, as the antigay prejudice in his family and country make openness unsafe. For Ilya, public expectation is tied to survival. He worries less about approval and more about being trapped in a place where he cannot live freely.
The novel shows several moments when private desire nearly breaks through public control. Shane’s injury and Ilya’s panic reveal how deeply they care. Their use of first names in emotional moments shows cracks in their restraint. Still, they pull back. Even after Scott Hunter comes out publicly, they hesitate. Scott proves that openness is possible. However, his coming out does not remove all risk. The league may accept one openly gay player, but it may not accept a relationship that challenges its rival narrative.
Their charity work and public friendship help Shane and Ilya reshape public perception. They do this without revealing everything at once. They do not completely reject public expectations, but they stop letting those expectations control them. The tension never fully disappears, but what changes is who holds the power: Shane and Ilya choose each other with full awareness of the risks. The novel suggests happiness does not require perfect freedom. Instead, it requires the courage to stop letting public expectations silence private truth.
Both Shane and Ilya strive to keep the different aspects of their lives and selves separate. Each survives by dividing up his life into different areas: Hockey player, rival, private self, lover. The separation helps them cope in a harsh, judgmental world, but it inflicts emotional damage. The novel shows the psychological cost of compartmentalizing identity, as such compartmentalization may offer brief protection, but also breeds isolation, fear, and strain.
Shane experiences this cost via persistent anxiety and constant self-monitoring. Hockey provides definite boundaries and structure, but his personal life does not. He hides his sexuality and his relationship with Ilya because those truths clash with what the league and fans expect from him. The pressure warps how he moves through the world. He obsesses over his clothes, his speech, and how others read him. The strain triggers panic attacks and emotional shutdowns. Though it takes time for Shane to discover who he is, once he learns, he does not feel safe being that person openly. His divided identity keeps him functional, but it denies him peace.
Ilya’s compartmentalization looks different but does similar harm. He constructs a loud, reckless public image that lets him dictate how people perceive him. On the surface, he radiates confidence and indifference. Beneath it, he is profoundly isolated. His family life teaches him that vulnerability invites punishment. His mother’s death, his father’s cruelty, and his brother’s and stepmother’s selfishness reinforce the idea that honesty is a liability. Ilya learns to survive by repressing or minimizing his feelings. Over time, the strategy leaves him lonely and cut off.
Shane and Ilya’s relationship exposes the instability of this system. They care deeply for each other, but both find it hard to communicate. Each assumes silence is safer than truth. Even in private, fear lingers. Ultimately, their hesitations, jealousy, and misunderstandings all stem from the exhaustion of maintaining split identities. When Shane and Ilya finally speak openly, relief is instant. They tell each other they are in love, almost compulsively, as if making up for years of silence. The repetition shows how much they lost by staying quiet. At the cottage, they no longer perform. When Shane invites Ilya into his real bed, the gesture bears meaning. He offers a part he always kept separate. The invitation means trust and a new emotional integration for them both.
The novel never fully resolves this separation of roles, as a degree of public secrecy continues and their careers still impose limits. The shift lies in how Shane and Ilya stop guarding themselves against each other. They choose honesty in their relationship, even as they manage risks outside it. Healing begins when Shane and Ilya let themselves be visible to each other, though they still remain hidden to the world at large.



Unlock every key theme and why it matters
Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.