65 pages • 2-hour read
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Content Warning: This section of the guide references addiction, substance use, disordered eating, mental illness, illness or death, and emotional abuse.
Moore sets her novel against the backdrop of significant socioeconomic disparity, using the contrast between working-class Yonkers and the affluent, fictional suburb of Pells Landing in New York’s Westchester County as a microcosm of wealth disparity in 21st-century America. The Westchester Children’s Association, an organization that works to end child poverty and hunger in the area, asserts that “Despite being one of the wealthiest counties in the nation, Westchester’s prosperity belies the struggles of many families who face daily challenges in securing basic necessities such as housing, food and clothing” (Lake, Allison. “Governor Hochul’s Proposed Expansion of the Empire State Child Credit-A Step in the Right Direction to Permanently End Child Poverty.” Westchester Children’s Association, 10 Jan. 2025). Moore mirrors this divide in her depiction of Kel’s dual existence, juxtaposing the poverty and need of his home life with the affluent privilege that defines the lives of his high school peers.
Moore’s fictional suburb of Pells Landing, with its pristine lawns and top-ranked public school, represents the promise of upward mobility embodied by wealthy, real-world, suburban communities like Rye or Scarsdale—two of the wealthiest suburbs in the United States—both within 25 miles of Yonkers. In 2025, CBS News reported that, according to “a new report identifying the wealthiest suburbs in America […] a pair of communities just outside New York City, [Scarsdale and Rye] are first and second on the list” (Riley, Neal. “New York Is Home to the Country’s 2 Wealthiest Suburbs, Ranking Finds. See Which Towns Made the List.” Cbsnews.com, 22 July 2025). In contrast, Yonkers—one of New York state’s largest population centers also has some of its highest poverty rates (“Economic Security: People Living in Poverty Chart.” westchesterindex.org).
In Moore’s novel, the promise of privilege and resources inherent in the Pells Landing school system captivates Kel’s mother, Charlene. Her reverence for the town—where “The windows are cleaner, the lawns are always green” (90)—drives her to enroll Kel in its high school, believing it will provide him a “new start” (89) and a path away from their life in Yonkers—a dream she herself never fully achieved. Her decision immediately thrusts Kel into the role of an outsider, where his identity is defined by the class divide between Pells Landing and Yonkers. He feels his difference in the clothes he wears and the cars his classmates drive, forcing him to navigate a world where social class dictates belonging. For Charlene, Pells is a symbol of every fulfilled dream, but for Kel, it’s a constant reminder of what he is not, fueling the central conflicts around class, identity, and the characters’ divergent hopes for the future.
Moore’s novel explores the ways severe health conditions—physical, mental, and psychological—impact individuals living with them. Her characters’ struggles with obesity, agoraphobia, lupus, and alcohol dependence allow Moore to examine the real-world comorbidity of these conditions. By setting the novel in the early 2000s, Moore explores Arthur’s agoraphobia in the context of the rise of the Internet and e-commerce—a time when services like online grocery delivery were just becoming mainstream—facilitating his reclusiveness. Arthur notes, “Because I no longer go outside, I have become very good at ordering whatever I need online” (14). His agoraphobia and tendency to self-soothe with food are enabled by a cultural shift that allows him to retreat completely from a world he feels will judge and reject him.
The rise of telecommuting and remote work, especially in the wake of the COVID-19 pandemic, makes it possible for many who suffer from chronic physical conditions or mental health conditions, such as agoraphobia, that make travel outside the home difficult, to support themselves without needing to leave the house. In The Atlantic, journalist Lenika Cruz reflects on the origin of the term agoraphobia “first used in 1871,” also “known as ‘locomotor anxiety’ and ‘street fear’ [because] modern wide boulevards first emerged in Paris in the 1870s and, around the same time, technological breakthroughs such as extended railroad networks and long-distance commercial steamships had just begun to allow for the possibility of higher-speed, long-distance travel” (Cruz, Lenika. “Working from Home Made Me More Anxious.” The Atlantic, 17 Sept. 2014), giving rise to growing anxieties about space and expansion. However, medical research suggests that while advances of the digital age and e-commerce make it possible to live and work without leaving one’s home, that level of isolation actually increases the symptoms of anxiety. Clinical psychologist Dr. Kilianne Kimball notes that “Avoiding anxiety-provoking stimuli tends to both perpetuate our anxiety and erode our self-confidence, thereby worsening our anxiety” (Cruz). In Heft, both Arthur and Charlene’s experiences reflect this idea, as their mental and physical health decline the longer they remain reclusive.
Moore’s novel implicitly links the mental illness and self-imposed isolation of her characters to their personal pain, shame, and childhood trauma. The physical pain and complications that Charlene experiences as a result of her physical illness, lupus, are exacerbated by her depression and alcohol dependence—a connection supported by medical research from the Lupus Foundation of America, which notes the high incidence of depression and substance use among patients. Arthur’s agoraphobia is initially triggered by the shame of appearing before his university’s ethics board. Moore positions his habit of self-soothing negative emotions with food as learned behavior from his mother—a shared way of dealing with the trauma of his father’s disdain and abandonment.



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