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When Alice is five years old, Julia tells her that her father died in a car accident. Although she had previously been content with her life, at this point, Alice begins to take an interest in fathers.
One day when she is in third grade, Alice’s teacher calls a meeting with Julia and informs her that Alice scared the class by giving a very graphic presentation on automobile accidents. Julia realizes Alice has also shown fear of taxis. After talking with her, Julia realizes that this preoccupation stems from her father’s supposed death.
In middle school, Alice has a growth spurt. She also begins investigating her mother’s secrets. During her investigation, she goes through Julia’s closet and discovers photographs of Julia and her family. She marvels at how similar the sisters are. She also sees a photo of Sylvie holding a baby and wonders if it’s her. Alice wants to find out more and allay her fears about her father’s death: “If she had more family in her life, [she] would be safer” (268). That night, she asks her mother why she doesn’t keep in touch with her sisters. Julia replies that she talks to Emeline and Cecelia sometimes but that siblings can grow apart when they grow up. Unsatisfied with this response, Alice calls Rose the next morning. Rose confirms that Julia had a fight with her siblings but refuses to divulge any more details. Fearing that she will cause Julia stress if she continues probing, Alice ceases her investigation.
The siblings remaining in Chicago stay close, and Sylvie and William frequently visit Cecelia and Izzy. William gets a job with the Chicago Bulls, and he and Sylvie build a happy and peaceful life. But as Sylvie spends time with her family, she feels Alice’s absence. She wants to reach out to her, but she can tell that William won’t even let the thought of Alice enter his mind.
Emeline remembers her childhood dream of being a mother, and she and Josie decide to become foster parents for newborns. When Izzy is 10, Emeline and Josie buy the house next door to Cecelia and knock down the fence. They each create spaces for one another in the other’s residence and begin to refer to the shared properties as the super-duplex. Sylvie is now head librarian, and Izzy visits the library often to ask Sylvie about her childhood. After a while, Sylvie gives Izzy her manuscript of their family’s history, which is now over 300 pages. Izzy shares it with Emeline and Cecelia; when they tell Sylvie she could publish it, Sylvie says she just wrote it for their family.
When Alice begins ninth grade, she is 6’1’’. Alice enjoys knowing she probably resembles her father and feels connected to him. After graduating from high school, Alice enrolls in Boston University. On the drive there, Julia encourages her to be happy and sociable and to try new things.
Early in the spring semester, Julia shows up at Alice’s dorm unannounced. When she arrives, Julia confronts her about the photos she has above her desk: pictures taken of Cecelia’s artwork and murals. Alice acknowledges that she knows Cecelia is her aunt. She learned about her from Rose and then researched her. Alice points out that she and Julia are in the murals; their faces are painted across buildings. Julia is moved and stops scolding Alice, and the two go out to eat.
Sylvie begins to suffer from headaches. When she goes to the doctor, the specialist tells her that, at 47 years old, she has a brain tumor and is terminally ill. Even though she is no longer Catholic, Sylvie thinks she is being punished for betraying her sister. She plans on telling William the news that night.
Sylvie has accepted her death but worries deeply that this will affect William’s mental health. She also finds herself longing for Julia. When she tells William, he asks how he can help and immediately knows what Sylvie doesn’t say: that she needs Julia. However, Sylvie says she will never ask Julia for anything.
The next day, bearing the weight of the news, William goes to the Chicago Bulls practice facility. Kent, now divorced and a practicing doctor, meets him there. Kent says that he saw Sylvie’s MRI scans and confirms that the diagnosis is correct. Kent promises to help him through it, but William says he needs time to think.
William walks toward Pilsen, and at Throop Park, he finds an old basketball and begins to dribble, untangling his thoughts in the process. Feeling responsible for the deterioration of Sylvie and Julia’s relationship, he wants Sylvie’s final days to be as happy and whole as possible. With this clarity in his mind, he picks up his phone and calls Julia.
While at work, Julia worries about Alice. Her daughter has never dated or shown any interest in dating, nor does she engage in any other normal young adult exploration. The phone rings, disrupting her train of thought, and when she picks up, it is William. He tells Julia that Sylvie is dying and has less than a year to live and that all she wants is her sister; Julia simply says no and ends the call. Despite her efforts to hold it together and go about her routine, grief begins to overwhelm her.
Then, Alice calls. Alice still spends a weekly night with her mother, just as she did as a child. Julia tries to act normal and asks her about her work, and Alice tells her she is copy editing a new adaptation of Little Women and asks Julia if she ever read it. Julia remembers an argument she had with Sylvie about which one of them was Jo. Now she knows that the argument has been resolved: She is Jo because Sylvie, as the first to die, is Beth.
At work, Sylvie thinks about the stories of her family and how childhood memories differ from the adult memories. She marvels at how the biggest changes in her adult life came in pairs: first, Izzy’s birth and Charlie’s death on the same day, and then Alice’s birth and Rose’s departure shortly after. She wonders what family event will accompany her own death.
William comes to pick her up at work so they can go break the news to her younger sisters. On learning that Sylvie is dying, Cecelia cries, and Emeline gets angry, insisting that she was supposed to be the one who died first, like Beth.
Later that evening, Sylvie and William discuss Caroline. He tells her about his injury in high school when he also wished to be gone but says that he felt that way in part because he missed his sister despite having never really known her.
At the end of October, William takes the photo of Caroline from the closet, where he keeps it. Finally, he recognizes the connection between his sister and daughter; he kept Alice out of his mind for fear of losing her and repeating his parents’ mistake. He takes the photograph to Cecelia and asks her to paint his sister.
That afternoon, William goes to Arash’s clinic for the first time since learning of Sylvie’s diagnosis. A few other of his old basketball colleagues are there too, summoned by Kent, and they sit beside William, reminding him that he has a support system in place.
One day in October, Sylvie leaves on her lunch break to buy an ice cream cone. When she returns, she thinks she sees Emeline waiting for her at the front desk, but as she moves closer, she realizes it’s Julia. Julia admits that William told her of Sylvie’s illness. The sisters stare at one another in disbelief, and then they go to Charlie’s favorite bar to talk.
Back in Chicago, Julia vacillates between feeling nostalgia for her life in Pilsen and feeling disrupted because she is outside of her comfort zone in New York. Although she doesn’t understand why, she is no longer angry at Sylvie for marrying William. She tells Sylvie that after William’s call, she could no longer sleep or go about her daily life, so on an impulse, she drove to the airport and flew to Chicago.
Sylvie wonders if their meeting is a hallucination, and Julia says it will become more real to her when she tells the rest of the family. Sylvie disagrees, saying she intends to keep their meeting to herself for a while.
Feeling overcome by how much she missed her sister, Julia catches Sylvie up on her life. She tells her about her concerns regarding Alice. Sylvie then acknowledges that they have yet to touch and playfully pretends that they both might be ghosts or spirits. Julia feels overcome with emotion, knowing that she deeply misses her sister, who feels like an integral part of her. When the sisters part, they know that Julia will return again so they can continue their reunion
Alice waits for her mother at one of their favorite restaurants, feeling grateful for a moment of quiet. As soon as Julia arrives and sits down, she tells Alice she has a series of things to tell her. First, she reveals that Sylvie is dying and that they used to be very close. Then, she reveals that Sylvie is married to Alice’s father, who is not dead as she had claimed when Alice was a child. Feeling shocked and overwhelmed, Alice goes outside and calls Rose. Rose confirms that what Julia has said is the truth, and Alice realizes that this is the information she was missing all throughout her childhood. Alice asks her grandmother why she didn’t tell her, even after she became an adult and began her own life, and when Rose has no good answer, Alice begins to feel herself unravel.
Cecelia texts William an address to a playground in North Lawndale. When William arrives, he sees the mural of Caroline. As William scans the mural, depicting the faces of children lined up for a school photo, he realizes with shock that Cecelia has painted one of them as Alice, forcing him to look at her. As he stares at the two girls he shut out of his life, he says, “I’m sorry.” He recognizes this area as the place where he thought he saw Charlie before trying to die by suicide and wonders if Charlie’s spirit lingers on near his family.
During Julia’s second visit, the two sisters are walking down the sidewalk when Julia shares with Sylvie that she told Alice the truth and now Alice is angry with her. They pass an old movie theater, and Sylvie suggests they go inside and see a movie. During the movie, Sylvie reaches out and takes Julia’s hand. In this moment, she feels time collapse, as if all of the memories she shared with her sister are piled on top of one another.
After a shopping trip, Cecelia drives Sylvie and Emeline past the park with the mural of Caroline and Alice. As they slow down near the park, Sylvie sees William sitting on a bench, staring at the mural. For the first time since her diagnosis, Sylvie feels that William might be okay after her death and that some of the closed doors in his heart are finally opening.
As Alice grows up, the impact of her mother’s lies and secrets become clearer. Despite having never known her father, Alice is deeply preoccupied with his supposed death, and her investigation into her family's history is an example of the ways in which individuals grapple with loss and try to make sense of it. Like William, Alice shuts off part of herself, subconsciously fearing more pain and loss in her life. As a result, she grows into a repressed, controlled adult and is unable to open herself up to the pleasures of youth or intimacy.
Alice longs for the sense of belonging that comes with being secure in one’s family identity. However, Julia continues to share very little about her and her family’s past, and Alice is forced to search on her own. Her discovery of Cecelia’s murals adds one piece to the puzzle and gives her an opportunity to ask Julia about the family she has kept at a distance.
Meanwhile, the Padavanos remaining in Chicago stay close, their lives as intertwined as ever. This is symbolically represented by the super-duplex, Cecelia and Emeline’s shared properties. Their homes are not traditional in that they share space, with the sisters and Izzy coming and going as though the homes were one unit. This space reflects the way the twins see their lives, that neither is possible without the other. Just as the super-duplex is one unit, the twins are one unit, each living as a half of the other.
Sylvie’s diagnosis marks a turning point in the novel; her illness forces her and her loved ones to confront death once more and find ways to bridge their differences. As the first of the sisters to die, Sylvie symbolically becomes Beth March in the minds of her sisters. In Little Women, Beth’s death has a strong effect on the sisters, especially Jo, who realizes she needs to be more considerate of others’ feelings. Sylvie’s diagnosis has the same effect on Julia, as Julia realizes it is time for her to be honest with her daughter and reconcile with Sylvie.
Hello Beautiful departs from Little Women in its depiction of Sylvie and William. In Little Women, Beth is not married when she dies, while Sylvie has a husband who depends on her for emotional support. Everyone is fearful that the news of her illness will trigger William’s depression, but William allows himself to rely on his support system outside of Sylvie so that he can fully support Sylvie in her finals months. This shows character growth for William; in his first marriage, he relied on Julia’s guidance and kept his feelings and secrets hidden. Now, in his ongoing journey of mental wellness, he has learned to be open with others and support them.
Sylvie’s diagnosis prompts William to finally make peace with his past. Up until this point, he’s lived in avoidance of his past, even refusing to look at images that spark painful memories: “There were paintings of Alice in Cecelia’s house, and Sylvie watched William avert his eyes from each one as he walked down the halls, an obstacle course so ingrained that he wasn’t even aware he was running it” (273). When he takes his photo of Caroline out of the closet, he begins to understand the cyclical nature of alienation and how he did the same thing to Alice that his parents did to him. By finally accepting his past and the way it has affected his present, William begins to open his heart up to reconciliation with Alice.



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