58 pages 1-hour read

Here in the Real World

Fiction | Novel | Middle Grade | Published in 2020

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 62-78Chapter Summaries & Analyses


Chapter 62 Summary

Ware and Jolene often enjoy swimming in the pool, and Ware continues to hope he will end up reborn. He creates a coat of arms for himself with a lizard and a movie camera on it, and this inspires Jolene to make one of her own, which has a papaya plant and a pair of arms holding a rake and shovel. When the rain starts, they go under the table again, and Ware tells Jolene he wants to know why she lives with her aunt. Jolene explains that when she was five, her mother moved away and left her with her aunt with little explanation. Walter, the bartender, heard the whole thing. Ware thinks about holding Jolene’s hand again, but before he works up the nerve to do it, the rain stops.

Chapter 63 Summary

Ware thinks about what Jolene said about reality and feels like the way he perceives the world is never as clear as it is for her. He looks down at his legs and notices they’ve become muscular, and the baby fat in his stomach is gone. This makes Ware feel proud and encouraged by the fact that at least some part of him is changing. He decides to go back into the moat and try to be reborn again, yelling out that he wants to be “normal.” Jolene overhears, which mortifies Ware at first, but she gets in the water and offers to dunk him. She adds, however, that he should never ask to be “normal,” because there are things far better than that.

Chapter 64 Summary

Ware goes into the bar and Walter serves him a ginger ale and some bar nuts. Ware thinks about his problem and admits that he’s been lying to himself and others all summer; he doesn’t really want to be someone else after all. He just wants to be okay with who he is. Walter points out that Ware is a good friend to Jolene, and that being a friend is one indication of being okay with oneself. Ware feels bad for Jolene not having her parents around, and Walter worries about her too, so Ware promises to protect her, the way he would any friend. Walter looks at Ware and believes that his life will be one worth talking about.

Chapter 65 Summary

Ware, Jolene, and Ashley stand together in the lot, realizing there is a week left of summer and still no way to save the garden. Ware asks Ashley if she’s helping out for a school project, and Ashley explains that she saw hundreds of geese injured on a wet road in Canada once, and has pledged to protect birds from this fate in the future. Jolene hears this and Ware can tell she’s embarrassed for judging Ashley, but she attempts to make up for it by offering to donate bar nuts to the birds. As Jolene blows her bangs out of her face, Ashley fixes them for her and tells Ware that Jolene is “at a really hard stage right now” (259).

Chapter 66 Summary

A man pulls up to the lot and puts up a new notice indicating that the auction for the lot will take place on September 8. Jolene runs off, too upset to speak, and Ware comes up with a plan to have Ashley take his film to her father. He asks her to come back to the lot later that night. When she leaves, Ware takes it upon himself to use a tablecloth to create flags, and strings them up on the building. He films the ruins in their transformed state, hoping to capture the power of renewal and rebirth.

Chapter 67 Summary

Ware arrives at the lot and finds Jolene destroying her plants. He tries to stop her as she accuses him of giving her false hope with tears in her eyes. Ware desperately wants to comfort Jolene and wipe her tears away, but he knows she would never let him. He tells her that he hopes his film will convince the city to buy the lot, and convert it into a community garden and playground for the rec center. Jolene stares at Ware and calls his idea stupid, believing it will never work out the way he hopes. She thinks the lot will be turned into a strip mall full of people who litter and buy lottery tickets. Ware asks Jolene just to wait a little while longer, and she cries as she leaves, still unconvinced that the situation will turn out well.

Chapter 68 Summary

Ware’s parents are thrilled to finally own their home, and Ware shares in their joy, but worries about Jolene and her garden. Over dinner as they celebrate, all Ware can think about is how much he wished the summer had more time left.

Chapter 69 Summary

Ware finds Jolene at the lot, watering her plants but looking completetly sullen. Ashley shows up and sadly announces that the lot was already purchased, and that it’s going to be converted into a strip mall just as Jolene predicted. Jolene stomps away, and Ware looks around, wishing there was something he could do.

Chapter 70 Summary

Ware asks his parents if he can have the backyard, as they promised to give him something in return for their being so busy all summer, and they agree. He calls Ashley, and invites her to help him move the papaya plants to his backyard.

Chapter 71 Summary

Ware goes into the community center one last time, but one of the staff there mentions seeing his film and asks if he wants to start a film club there. Ware happily agrees, and decides to invite all the kids that he previously noticed seemed to be like him, on the outside of things looking in.

Chapter 72 Summary

Jolene discovers that all her plants are gone from the lot, and instead of trying to explain, Ware decides to lead her to his house and show her what he has done. Jolene doubts him the whole way, but when she sees the backyard and all of her plants there, she is flooded with relief and gratitude. Ware tells Jolene that the yard is her new garden, complete with a sign reading, “The Real World,” because while bad things happen, the real world is also filled with people doing good.

Chapter 73 Summary

Ware’s mother sees the garden in the backyard and admits it isn’t exactly what she was expecting, but she beams when she hears that Ware made a friend over the summer. Jolene tells Ware’s mother that they met at the lot after Ware quit going to the rec center, and hearing this news, Ware’s mother wants to have a private conversation with him.

Chapter 74 Summary

Ware tells his shocked mother about his summer at the lot with Jolene, and everything he learned and gained from those experiences. He mentions how he learned to make things grow, to see himself as an artist, and to be a hero. Ware also reveals overhearing his mother wish for a “normal” child, and his mother apologizes, admitting she was stressed and didn’t mean it. Ware’s mother asks to see his film, and both his parents sit by his side and watch it together. Afterward, Ware’s mother tells him how lucky she feels to be raising an artist, and Ware goes to bed filled with joy and warmth.

Chapter 75 Summary

Jolene starts coming over every day after school to tend to her plants, and she also starts to bond with Ware’s family. Ware’s mother creates a schedule to keep track of the plants’ growth, and Ware’s father bonds with Jolene over a shared love of sports.

Chapter 76 Summary

Jolene tells Ware that she and him have to work for Walter to pay off the water bill. She also announces that Ashley showed the video to her friends, one of which recognized Wink as an endangered gopher tortoise. That means that it will take weeks, or maybe even months, to ensure his safety and habitat before the lot can be cleared.

Chapter 77 Summary

Two months pass, and then Ashley calls Ware to tell him the cranes are going to fly over that night. Ware tells his parents and then goes to Jolene’s apartment to tell her the good news. A woman with hair like a sunflower opens the door, and Ware realizes how he must have hurt Jolene when he made fun of her aunt months before. He apologizes to her, and she apologies in return.

Chapter 78 Summary

Ware, Jolene, Ware’s parents, Mrs. Stavros, Ashley, Walter, and many others gather at the lot that evening to watch the cranes fly over. Ware brings his camera and films everything, capturing ordinary people and ordinary moments through a unique lens. When the cranes fly over, Ware feels like one of them in a sense, as though everything he hoped for ended up coming true in its own way. He finds the courage to take Jolene’s hand, and she squeezes his in return.

Chapters 62-78 Analysis

In the story's conclusion, Ware completes his emotional and social transformation, emerging as more confident, compassionate, and self-aware. This emphasizes the theme of Seeing the World Clearly. After hearing the painful story of Jolene’s mother abandoning her, Ware wants to hold her hand and tell her that he likes holding her hand. This is an emotionally mature response that shows both empathy and possibly romantic feelings. He also starts to notice his body changing, gaining muscle and stamina from the summer’s hard work. His emotional strength grows alongside his physical body; after converting his backyard into a garden for Jolene, he says it feels like being a hero. Reflecting on his summer at the lot, Ware recognizes everything he’s gained, including new friends, the discovery that he’s an artist, and learning how things grow, both in gardens and in life. These moments of reflection show a maturity that even his parents acknowledge. His mother shows vulnerability during their reconciliation and apologizes for saying she wished she had a “normal kid." After seeing the film Ware created, she tells him she feels lucky to be raising an artist, finally seeing and embracing who he really is. This bring an emotional resolution to Ware’s arc of integrating his personal life and family life so that he can always be his authentic self.


The symbolism of the story expands in the final chapters, tying together the themes of Renewal and Rebirth and Finding One’s Purpose. Ware and Jolene create coats of arms that reflect their identities in symbolic ways; Ware’s lizard and movie camera and Jolene’s papaya plant and gardening tools reflect the journeys each character has taken. Ware’s focus has been on storytelling and rebirth while Jolene’s journey has been one of resilience and connection. Ware’s decision to give Jolene the backyard, naming it “The Real World,” further cements the symbolism of Jolene's garden as a place of purpose and transformation. Ware explains, “Bad stuff happens. But the real world is also all the things we do about the bad stuff. We’re the real world, too” (282). In the novel’s final scene, everyone gathers at the lot to watch the cranes fly overhead, providing a fulfillment of the plot, a symbolic closure, and an affirmation of Ware, Jolene, and Ashley's hard work. As Ware holds Jolene’s hand, he feels like he has wings, suggesting hope for the future and contentment with the present.


The narrative style continues to reflect Ware’s unique internal world, using figurative to reveal how he sees life. The real world is not a fixed or universally agreed-upon place for Ware. In a moment of reflection, he considers Jolene's advice:


Open your eyes. Be a realist, Jolene had said. She always made it sound as if the real world was solid and reliable, the same for everyone. But for him, it seemed more like his feet underwater. The real world could distort itself. Mess around (247).


This simile captures the way Ware experiences ambiguity in his perception, and how reality isn’t always what it appears to be, especially for someone who sees the world through an artistic and imaginative lens.


As the story builds toward its conclusion, the emotional and narrative stakes reach their peak. One of these moments occurs when Jolene catches Ware in the act of asking the moat to “make him normal.” She immediately scoffs at this idea, dunking him and telling him never to ask for that again because he’s “better than that” (250). This scene is both humorous and thematically resonant, as it reaffirms Ware’s value just as he starts to doubt it.


The story resolves its character and plot arcs in the final chapters. Ware feels like he failed when the auction gets an official date, but he finds greater purpose when he gives Jolene his yard. Additionally, a staff member at the community center suggests that Ware start a film club, which he does, inviting the same kids he used to see being left out. This act reflects a fundamental shift, as Ware is no longer just someone who escapes into his own world, but someone who brings others into it. Jolene also finds a kind of belonging, bonding with Ware’s father over sports and his mother over gardening. Though the lot is lost, the relationships it nurtured continue to grow.

blurred text
blurred text
blurred text

Unlock all 58 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs