51 pages 1-hour read

Hexed

Fiction | Novel | Adult | Published in 2024

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Chapter 45-EpilogueChapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual content, death, graphic violence, and rape.

Chapter 45 Summary: “Venesa”

Scotty chauffeurs Venesa to Enzo’s penthouse. She isn’t thrilled to be in Aria’s former abode, so she texts Fisher. He immediately opens a video chat with her. Venesa hints that things are about to change in a big way and that Fisher should be at the ready.


The penthouse private elevator opens to reveal an interior designer assigned to help Venesa pick out the furniture and décor that appeals to her. Within a matter of hours, the entire contents of the apartment have been whisked away and replaced with Venesa’s selections.


That evening, Bastien and Scotty return with groceries. Scotty makes meatballs for dinner, and Venesa feels at ease: “It’s comfortable, and for the first time in forever, it feels like I have a place. A family. Like I’m home. It doesn’t have to do with blood” (416). The interlude is interrupted when Enzo exits the elevator, grabs Venesa, and heads for the bedroom. He immediately makes love to her.

Chapter 46 Summary: “Enzo”

Enzo is ecstatic. He’s decided that Venesa is the only woman in the world for him. He also feels optimistic about the future of his criminal empire once his father is out of the picture. After Venesa and Enzo finally exit the bedroom, they find that Scotty and Bastien have departed, leaving them some plates of leftovers. The couple is surprised when Carlos arrives in the penthouse elevator. He has some news to share and exposes the secret that Venesa has dreaded confessing to Enzo: She was the person who killed his brother, Giuseppe.

Chapter 47 Summary: “Venesa”

Enzo is incredulous. Carlos explains that Trent arranged the hit three years before Venesa even knew of Enzo’s existence. Carlos gives Enzo an ultimatum: He must kill Venesa, or Carlos will do it himself. Then, he leaves the apartment.


Enzo is reeling from a sense of betrayal as Venesa tries to explain: “Giuseppe…he worked with my uncle […] I guess something went wrong? I don’t know the details. Uncle T just told me what to do, and I did it” (433). Her words do nothing to lessen Enzo’s anger. He doesn’t want to listen and simply leaves. In her despair, Venesa finds that she has now regained the ability to cry.


Venesa removes the shell necklace and leaves it in the penthouse. Then, she goes back to her own hotel room to pack. She tries to call Fisher, but he isn’t picking up. When someone knocks on the door, she assumes it’s Bastien and doesn’t check the peephole. Instead, Enzo’s assistant, Jessica, arrives. She says that she’s always worked for Carlos, not Enzo, and then shoots Venesa with tranquilizer darts.

Chapter 48 Summary: “Enzo”

After leaving the apartment, Enzo goes to his brother’s grave, still trying to process his sense of betrayal. Gio finds him and tries to reason with Enzo by having him imagine himself in Venesa’s place: He would have done the same thing she did. Gio says, “I know life’s too short to hold grudges and hate in our hearts for the people we love” (443). His words are cut short as someone shoots him.


Carlos then points the gun at his son, blaming him for not killing Venesa as he was ordered to do. Enzo finally realizes that his father ordered the hit on Giuseppe, and Carlos doesn’t deny it, remarking, “He was going to do it to me, so I beat him to the punch. You fools think I don’t know you want my empire?” (445).


Carlos backs his son against a tree, but Enzo easily disarms him. However, Carlos says that if Enzo shoots him, he’ll never find out where Venesa is. Enzo dismisses this as another one of his father’s lies and shoots him in the head. He believes he can find Venesa wherever she is.

Chapter 49 Summary: “Venesa”

When Venesa regains consciousness, she finds herself chained to the torture table in the basement of the Lair. Aria and Fisher are both there, and Venesa realizes that Fisher betrayed her because he’s still in love with Aria. Aria reveals that she’s been working for her father and was sent to kill Enzo. When he didn’t die from his injuries, Aria and Trent decided that making him Aria’s husband would appease Carlos and keep Enzo under their thumb.


Aria is now planning to kill Venesa, but the latter thinks of a way to manipulate her cousin. She knows that Aria wants her freedom, which Trent is unlikely to grant because of his possessiveness. Venesa therefore warns her that she will play into Trent’s hands by murdering Venesa, saying, “If you kill me […] He’ll have something to hang over your head. Something that ties you to him, and to this place, forever” (457).

Chapter 50 Summary: “Venesa”

Venesa proposes a deal that will allow Aria to leave Atlantic Cove. Aria, convinced that Enzo loves her, demands that Venesa stay away from Enzo forever. Venesa agrees. At that moment, Bastien arrives, and Venesa explains the plan to overthrow Trent.


Aria isn’t convinced that Venesa has the power to do so until Bastien reveals that the trident painting contained a copy of an irrevocable trust leaving everything to Venesa’s mother and then to Venesa herself. He’s made multiple copies. Aria is still unconvinced, but Bastien offers to show her the proof. As they leave, he mouths the word “cabin” to Venesa. She thinks, “I know what he’s telling me. He’ll take care of Aria, and it’s my job to take care of Fisher. Somehow” (463).


Fisher explains that he does Aria’s bidding because they have a daughter together, and Trent threatened to have the child killed if Fisher didn’t obey. He thinks Aria ran away to New York because she was pregnant. Venesa contradicts this, knowing that Aria wasn’t pregnant on the night she tried to murder Enzo. Fisher’s resolve weakens as Venesa convinces him that Aria lied about having a child. He starts to remove her chains.

Chapter 51 Summary: “Enzo”

Back in New York, Enzo is sitting by Gio’s bedside. Gio was shot through the shoulder but will recover. Enzo tells him that Carlos’s body was left on Giuseppe’s grave. When the story hits the newspapers, all the gangland families will realize that Enzo is now in charge. 


While they talk, Enzo receives a call from Scotty reporting that Venesa has been taken. He immediately tries to reach Bastien to find out what’s going on. The latter texts back that Venesa is being held at the Lair and that Enzo shouldn’t trust Fisher. Enzo immediately boards a plane and races to Venesa’s rescue. When he sees Fisher bending over Venesa’s body, he shoots him dead.


Venesa is irritated because Fisher was in the process of releasing her. She says, “We all make mistakes, and Fisher was…troubled. He did what he thought he needed to do” (475). When Venesa realizes that Enzo has forgiven her and rushed to save her, she starts to cry, and he notices that she has regained the ability to shed tears. They spend a few moments reassuring one another and then move to the next phase of reclaiming Venesa’s inheritance.

Chapter 52 Summary: “Venesa”

Venesa knows that Bastien has taken Aria to his cabin, located three hours inland from the coast. When Enzo and Venesa arrive, they discover that Bastien has locked Aria in a bedroom until Venesa decides what to do with her. She reasons that Aria can be an effective bargaining chip with Trent: “What’s more important to a man like my uncle: his daughter or his power?” (482-83).


Before dealing with Aria, Venesa examines the back of the trident painting. Bastien explains that it contains the irrevocable trust from her grandfather and her mother’s will, leaving everything to her. Trent thought all the copies were destroyed, but these survived. Venesa asks Enzo to pretend he’s in love with Aria to get her to cooperate with their plan, and he agrees: “I back away and watch him walk down the hallway to play the role and convince the princess she’s won her prince” (484).

Chapter 53 Summary: “Venesa”

A few days later, Venesa sets the scene by chaining Aria to the torture table in the basement of the Lair. She then draws a witch’s protection circle on the floor around the table, hoping it will aid her plan. Bastien is to arrive with Trent, who will rush to release his daughter. This will give Venesa time to sneak up and inject him with poison. Aria is cooperating because she believes that she will receive money, Enzo, and her freedom for doing so.


When Trent rushes in, Aria tries to warn him that Venesa is hiding in the corner, effectively breaking the deal. Bastien takes Trent’s gun, but Trent gets hold of Venesa’s. Bastien then shoots Trent in the side. Trent tries to shoot Venesa, but she deflects his aim, and his bullet destroys the glass in her aquarium, releasing her stonefish to the floor. Venesa is furious and kicks Trent several times before injecting him with the deadly venom. She also injected a different concoction into Aria’s neck.


Enzo comes charging through the door only to learn that everything is under control. Trent is dead, and Bastien is relocating Venesa’s stonefish to another tank. Aria’s vocal cords have been paralyzed by the arsenic and lead that Venesa injected. Now, Aria is the one who seems unable to shed tears. Venesa leaves her penniless and alone in the world: “She’ll have to learn how to make it on her own. The way she’s always wanted” (497).

Chapter 54 Summary: “Enzo”

A month later, Venesa reflects on recent events. Bastien is now running the day-to-day operations of Seven Seas Construction for Venesa. He arranged for Trent’s body to be found on his yacht with the murder pinned on Johnston Miller. Venesa held a small memorial service for Fisher and thought she glimpsed Aria hiding in the shadows. 


Later the same evening, Venesa flies back to New York, intending to surprise Enzo in his penthouse. When she arrives, the place appears to be empty until Scotty charges in with a warning. He let Aria into the private elevator, and she is hiding somewhere in the apartment. Venesa runs to the bedroom, where she sees Aria bending over Enzo’s unconscious body with a knife. Venesa flies at her and stabs her cousin in the chest, relieved as she dies: “When she exhales her last breath, her body going lax and her eyes growing dim…I finally feel peace. Because it’s all over. And now Enzo and I can live happily ever after” (501).

Epilogue Summary

It is now August and time to celebrate Venesa’s birthday again. Enzo brings her blindfolded to the Atlantic Cove boardwalk. He paid the city to close the entire pier for a private party. Scotty handled the decorations, decking the Sea Wheel with daisies, rose crystals, and white candles. Enzo gets down on one knee and proposes, offering Venesa a ring: “There’s a marquise diamond in the center, surrounded by rainbow moonstone set in a black platinum band” (505). Venesa agrees to marry Enzo, and they declare their love for one another.


Then, Enzo shows Venesa her present. Two people are tethered to the back wall of the water gun booth. One is Rusty, who raped Venesa in high school. The other is Jessica, Enzo’s traitorous former assistant. Enzo had Bastien supply Venesa’s favorite torture potions, which she happily accepts: “She runs her hands over them. ‘You brought me a gift.’ I smile, happiness suffusing every piece of me. ‘Happy birthday, piccola sirena. Now…go make a memory’” (526).

Chapter 45-Epilogue Analysis

The revelation that Venesa killed Giuseppe brings the theme of Love Versus Duty to a crisis by pitting Enzo’s loyalty to his brother against his love for Venesa. It also invokes the conventions of the romance genre, one of which is a “third act breakup”—a conflict that tests the couple’s relationship so that it can emerge stronger in the denouement. This is the case with Hexed, where the conflict is relatively short-lived, underscoring the main couple’s determination to put The Effects of Toxic Family Legacies behind them.


The rest of the novel thus focuses largely on resolving the protagonists’ external conflicts with family and friends. In doing so, it repeatedly alludes to the largely heroic Disney characters on which these figures are based, only to underscore that in the world of the novel, Venesa and Enzo can trust no one but each other. In the movie, for instance, Flounder remains a true friend of Ariel, while the novel shows Venesa’s best friend capable of turning her over to her enemies. Aria, too, evokes but also contrasts with her film counterpart. Like Ariel in the movie, Aria longs for freedom and an escape from her family home, and Venesa parallels Ursula in offering to provide the means of escape. The novel even echoes precise lines of dialogue related to this bargain. In the novel, Aria doesn’t wish to see her father harmed, to which Venesa replies, “Life’s full of hard choices” (459). In the movie, Ursula dismisses Ariel’s objections by saying, “Life’s full of tough choices, isn’t it?” Such allusions merely underscore Aria’s villainy; where Ursula makes her offer in the context of Ariel’s desire to be with Eric, Venesa plays to Aria’s weaknesses to prevent Aria from murdering her. Moreover, where Ariel in the film would never seek revenge, Aria isn’t above trying to kill Enzo for rejecting her. 


However, the flipside of casting Aria as the villain is not to redeem Venesa fully. Once again, allusions to the movie underscore the point. When Venesa confronts Trent and is about to poison Aria, he offers himself up as a substitute. Venesa replies, “Well, then make me a bargain” (493). In a parallel scene from the movie, Ursula says to King Triton, “I was always a girl with an eye for a bargain.” This segment subverts the fairy tale archetype of hero and villain by making the villainous “witch” more sympathetic than the “king,” but Venesa uses tactics similar to Ursula’s to gain her ends. Similarly, Venesa injects Aria with a potion to paralyze her vocal cords, evoking the terms of Ursula’s bargain with Ariel. Again, the dialogue between Venesa and Aria closely matches the exchange when Ursula reminds Ariel, “You’ll have your looks. Your pretty face. And don’t underestimate the importance of body language.” Venesa says practically the same thing to the mute Aria, remarking, “It’s all in the body language, honey,” (489). Later, she adds, “You still have your…looks. […] That pretty face of yours should get you far” (497). Besides highlighting Venesa’s capacity for cruelty, the reference challenges the gender roles portrayed in the movie: Ariel can and does achieve her goal—capturing the prince’s attention—with her looks alone, but Aria’s ambition is to be a singer, which is now impossible.


The conclusion, too, challenges the source material by completely upending the standard definition of happily ever after. Venesa references the cliché with which fairy tales traditionally close shortly after killing Aria, reflecting, “[N]ow Enzo and I can live happily ever after” (501). The message is hammered home one last time in the Epilogue as Venesa prepares to torture and murder her last two remaining enemies to celebrate her birthday. Rounding off its exploration of The Unrealistic Nature of Fairy Tales, Hexed celebrates the misunderstood villains of traditional folklore and gives them their own violent version of a happy ending.

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