51 pages • 1-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death, graphic violence, sexual content, substance use, physical abuse, abuse, emotional abuse, and bullying.
The story opens with a man tied to a chair in a penthouse suite in the Marino Hotel in Manhattan. A woman, who he assumes is the sex worker he hired, leans over him. Instead of the bondage sex that he expected, he’s about to be murdered by the top hit woman of the Kingston crime family—Venesa Andersen. Venesa has laced his drink with strychnine because she dabbles in witchcraft and prefers to kill using poisons. As he convulses, she stabs him in the throat for good measure.
Two years after the murder, Venesa arrives at a seedy section of the Hudson River while tracking her cousin, Aria Kingston. Both women are now 23, but Aria is the spoiled only child of South Carolina tycoon-gangster, Trent Kingston. Venesa works for her uncle and has been ordered to find Aria. The latter came to New York to pursue a singing career six years earlier, and she isn’t pleased to see Venesa. As the two argue, they realize that a man is lying on the rocks next to the water. He has been stabbed in the side and is unconscious.
Venesa feels an urge to help him even though Aria wants to leave him to die. However, Venesa convinces her cousin that saving a dying stranger will bring her publicity. Venesa packs the wound and revives the man briefly using one of her potions, speaking directly to him at one point: “And then, although I’ll never be able to explain why, I lean down and whisper in his ear, ‘Don’t die. Don’t let them win’” (16). She leaves, but Aria, attracted by the young man’s good looks and the prospect of publicity, stays with him until help arrives.
The story picks up a year later from the viewpoint of the young man found on the rocks: Enzo Martino, who is the 29-year-old son of New York’s top crime boss, Carlos Marino. During the preceding year, Aria, who he believes saved his life, became a singer in one of his clubs. He began dating her and proposed marriage, the union pushed for by Trent Kingston and Enzo’s father.
The couple is now on their way to South Carolina, where Trent is throwing an engagement party for them. This will be Enzo’s first encounter with the Kingston family of Atlantic Cove. As they are about to enter the mansion, Enzo gets a call. While he stands on the porch to take it, he sees a woman watching him from across the yard. He feels an instant attraction toward her. She flirts but won’t tell him her name.
Shortly after this encounter, Venesa’s uncle calls her to his office. He thinks that she botched her latest hit, but she explains that leaving the victim alive with permanent brain damage will send a message to the family’s enemies.
Venesa switches her attention to an heirloom painting on the wall. It depicts seven empty chairs at the bottom of the sea with a trident between them. The picture symbolizes the lost kingdoms of Atlantis, which the ancestors of the Kingston clan supposedly ruled. Venesa’s dead mother inherited the picture, but it now hangs in her uncle’s office. Trent informs Venesa about the Marino-Kingston alliance and cautions her to behave herself. He wants everything to run smoothly and sends her to the kitchen to check on the food.
Shortly after Enzo and Aria enter Trent’s office, Venesa returns, and Enzo feels drawn toward her once again. He finally learns her name and senses the antagonism between her and Aria, who leaves to wait in the dining room because Trent wants to talk business. To Enzo’s surprise, Venesa remains for the meeting: She is obviously a trusted member of Trent’s inner circle.
Enzo learns that his dead brother, Giuseppe, was working on a deal with Trent to build a Marino Hotel in Atlantic Cove. Enzo never liked working the real estate side of his family’s business, but Trent urges him to go ahead with Giuseppe’s plans. After initially resisting, Enzo proposes that Venesa give him a tour of Atlantic Cove to convince him that a hotel would be a good investment. She warily agrees and leaves the room, but Enzo can’t stop thinking about her: “I follow, heading back to the woman I’m about to marry. But my thoughts are filled with [Venesa], and the realization that I can’t get her out of my mind makes me sick to my stomach” (51).
That night at dinner, Venesa remembers middle school, including Aria’s mean-spirited behavior when Venesa came to live with the Kingstons after her mother’s death. She was a poor girl at an upscale prep school, and nobody befriended her except the local drug dealer, Fisher Engle.
Back in the present, the family manages to get through an uncomfortable meal. Enzo learns that Venesa’s first name is Yrsa. Her father was from Denmark, and he used to beat her mother. Enzo also finds out that Venesa runs a dive restaurant called the Lair for her uncle.
Fisher, whom Venesa calls “Gup,” arrives at the house, breaking the tension. Fisher is infatuated with Aria, but he is still Venesa’s best friend and an employee of Trent’s. Not knowing their relationship, Enzo appears jealous of their easy camaraderie. Venesa abruptly leaves the party with Fisher.
Later that night, Enzo thinks gloomily of his pending marriage and his father’s growing mental health struggles. Carlos is becoming paranoid and fears that he is being watched. Enzo is constantly on guard, trying to appease his volatile parent.
The next morning, Enzo meets his gofer, Cousin Scotty, at a local bed and breakfast. While there, he learns some gossip about Venesa from the owner, who tells him, “Speaking about that girl is none of my business. She could use a good church, though, always walking around doing her witchy spells and wearing all those crystals. Girl needs Jesus, if you ask me” (72).
Enzo has a phone conversation with his father, who urges him to pursue the hotel deal in Atlantic Cove. After this call, Enzo arranges to have Venesa meet him and show him the sights around town.
That morning, Venesa finishes dying her hair platinum blond in her studio apartment above the Lair. She is aggravated when Trent calls and tells her to meet Enzo: Trent wants Venesa to push for the hotel deal.
Venesa takes the bus to the boardwalk, where Enzo meets her. The location brings back bittersweet memories of her neglectful mother and brutal father. Venesa explains that on her birthday, her mother would bring her to the boardwalk and allow her to pick out a present.
Enzo offers to buy her a seashell necklace so that she’ll have positive memories of their visit, too. Deeming this inappropriate, Venesa suggests buying Enzo a present instead. To please her, he agrees. Venesa thinks, “If it will make you happy. I don’t know if anyone has ever said those words to me. It’s dangerous how much I like the way it feels” (93).
Venesa selects a tourist T-shirt for Enzo, which he buys. Then, they stop for lunch at a local restaurant. Enzo senses that his attraction to Venesa is mutual, which makes him feel less guilty about Aria. Even though both he and Venesa are guarded by nature, they soon develop an easy rapport, which worries Enzo: “Comfort with someone is a red flag, in my experience, especially with someone I’ve only just met” (97).
Venesa asks how Enzo met Aria, pretending that she herself wasn’t there the night he was stabbed. Enzo says that he was grateful for Aria’s help and still has no idea who tried to kill him. When Venesa tries to delve deeper into his life story, he deflects her questions and asks to go to the Lair.
The first segment of the novel introduces the characters and establishes the worlds they inhabit. The chapters unfold in counterpoint, with Venesa’s point of view alternating with Enzo’s. The only significant time gaps occur within the first few chapters, and the narrative unfolds chronologically, creating brisk pacing and a tight focus on the novel’s central romance.
The novel quickly establishes that despite their seemingly different backgrounds, Venesa and Enzo share an understanding rooted in The Effects of Toxic Family Legacies. Venesa’s early years were fraught with trauma, including abuse, death, and bullying. Yet despite her unpleasant experiences growing up in her uncle’s home, Venesa still seeks Trent’s approval and is willing to do anything he asks to stay in his good graces. Indeed, it becomes obvious that Venesa fears her uncle as much as she seeks his approval, implying that her devotion to him is itself rooted in trauma. She says, “You don’t disobey Trent Kingston and live to tell the tale. Being his niece has its advantages, but even the people who love you have their limits, and sometimes I wonder if one day I’ll break through his unintentionally” (35-36). For Venesa, family loyalty is a survival mechanism—an attempt to protect herself from the neglect, cruelty, and loss that have shaped her life.
Enzo is walking the same tightrope in trying to appease his volatile father. The effort leaves him distracted and exhausted, as he freely admits: “The past few years, I’ve been spending so much time trying to protect our family, I barely have time to breathe. But if I don’t do it, we’re toast” (67). His marriage to Aria is yet another effort to keep Carlos happy, but Enzo realizes the toll that this constant attempt to placate a paranoid and irrational man will eventually take. When he projects what his future will be like, his tone is despairing: “I ignored how uncomfortable it made me feel. And eventually, things you ignore grow roots too strong, their weeds all but impossible to dig out. I’ve already accepted that this boredom—this monotony—is going to be the rest of my life” (99). Enzo here frames himself as largely passive, responding to events outside of his control, but as Venesa recognizes, he too has tremendous capacity for violence: “Despite Enzo looking like a proper gentleman, I know he’s the monster that goes bump in the night, just like me. Energy attracts energy, so when two people have a similar vibration, it’s easy to feel” (63-64). Besides foreshadowing Enzo’s later actions, this passage underscores that the characters’ flexible morality, rooted in past experience, creates a kinship between them.
Venesa and Enzo’s ambivalence toward their respective families lays the groundwork for the theme of Love Versus Duty. For each protagonist, their growing attraction conflicts with familial obligations, yet Venesa and Enzo can’t seem to help themselves. In this segment, the symbol of the seashell necklace makes its first appearance, revealing the bond of trust that has begun to form. That trust is particularly significant in the context of the characters’ traumatic pasts; Venesa and Enzo have learned to trust no one, but their relationship increasingly emerges as an exception to the rule, implying that it is healthier than their familial bonds.
The instant attraction between Venesa and Enzo is one of the few straightforward nods to the novel’s inspiration. In most other ways, the novel subverts The Little Mermaid even as it invokes it. Venesa’s intervention to save Enzo’s life mirrors a similar scene in the film where the mermaid Ariel saves Prince Eric from a shipwreck; his cloudy memories of the event lay the groundwork for later confusion between Ariel and Vanessa. Hexed’s plot unfolds similarly, but with the critical difference that it is not the Ariel figure, Aria, who saves Enzo. Though Aria is apparently virtuous in the sense that she plays no role in her family’s criminal dealings, she is selfish and cruel, as evidenced by her wish to leave Enzo to die. This blurring of moral binaries is key to the theme of The Unrealistic Nature of Fairy Tales.



Unlock all 51 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.