55 pages • 1-hour read
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Content Warning: This section includes discussion of graphic violence, sexual content, and suicidal ideation/self-harm.
Sloan takes care of housekeeping over the weekend then goes out to buy groceries, still thinking about Janet Anderson’s disappearance. She meets a friend from high school, Diane. In the course of catching up, Diane mentions the disappearance of Zach Tarrington, who walked away from work leaving his car and his plans to spend time with his son that weekend. Sloan is immediately suspicious and wonders if her three missing persons cases are connected. She feels the urge to investigate and slowly builds a case board in her office. She talks with a detective at the Uniontown police department, O’Hara, and shares her theory that the cases are abductions. O’Hara agrees to keep her informed about the investigation.
Nash envisions more changes to his house and looks forward to spring. He sees a snowman on the lake and thinks again, “[H]e’d made this drastic move […] at the perfect time” (225). He never enjoyed his work in finance as much as he enjoys building things.
He and Theo go to the Cooper home for dinner. Nash notes how much Theo enjoys being around a family. Theo teases Sloan to identify details about Nash the way she profiles others. Nash is charmed when she calls him armed and dangerous.
Sloan discusses her interest in the missing persons cases with Travis and drives to Uniontown to interview Zach’s coworker. She’s convinced these cases are abductions. As she drives, Sloan reflects that she feels a buzz around Nash, but she doesn’t think it’s a good idea to date the brother of her sister’s romantic interest.
While interviewing Zach’s coworker, Sloan receives confirmation that Zach was looking forward to spending the weekend with his young son and gave no indications of sadness or distress. The coworker mentions the van that pulled up beside Zach’s car.
When she returns home, Sloan finds Nash working on her house. They chat, and Sloan suspects he is attracted to her, too. She invites him to stay for dinner to talk through her investigation with her. She tells him upfront they shouldn’t sleep together. As they eat, Sloan tells Nash what she knows about the three cases, and he discusses with her how the abductions might be carried out. They wonder about the woman Zach’s coworker talked to. Impulsively, Sloan kisses Nash, and he kisses her back.
Despite her earlier insistence that it’s a bad idea, Sloan takes Nash into her bedroom, and they have sex. Sloan feels slightly nervous when he sees the scar on her chest. She reminds him she’s not fragile and enjoys the escape into feelings, rather than thoughts. For her, the sexual climax is “bringing back to life what she’d feared had died while the rest of her survived” (246).
Afterward, Nash reflects on how he saw her walking by the lake and admired how she kept going forward. Sloan tells him about her out-of-body experience when her heart stopped beating, how she remembers seeing herself from a distance, and seeing Joel. As she talks about how she was zapped back, she makes a connection: Janet and Zach were brought back to life after an injury as well.
She does some research and finds the same thing happened to Arthur Rigsby, the dentist. Sloan is convinced this is the reason the victims were targeted—this is the motive for the killers. Sloan says, “[T]hey stole that second chance, wiped out all the pain and effort of healing and moving on. Killed the joy and relief of the families at having their loved ones alive” (252).
Nash reflects that while he enjoyed the sex, he also enjoys talking to Sloan. She’s logical, beautiful, and determined.
Theo returns home and confides that he wants to find an engagement ring for Drea. Theo is convinced she is the girl for him. He doesn’t plan to involve his and Nash’s parents in his wedding.
After Clara recovers, Sam gets sick. She is delighted when he recovers enough to make them dinner. They praise each other, then turn to discussing their next target, as they’ve fallen behind in their “work.” Clara has two options, a man and a woman, both of whom were brought back using medical intervention.
Drea wakes Sloan up in the morning to show off her engagement ring. She declares she’s in love and they want to get married in the fall. Sloan is happy for her sister but feels she needs a minute to process, to weigh the pros and cons.
As she talks over the ongoing investigation with Travis, he reminds Sloan that she fits the victim profile of people who received medical interventions after clinical death.
Sloan stops by Nash’s house and is impressed at the sophistication of his kitchen. They discuss Theo and Drea’s engagement. Sloan thinks they shouldn’t continue to sleep together, fearing it will become awkward for the rest of the family. Nash says she’s overthinking things. They talk about the cases, about their house renovations, and their previous romantic partners.
Clara and Sam watch Lori Preston’s shop. A nearby shop is a tattoo parlor, and Clara comments that she doesn’t understand why people would want to mar their bodies. Clara thinks Lori is wasting her stolen life. She says they’ll send Lori to a better place.
March arrives. Sloan talks to Arthur Rigsby’s wife and lover. She notes that Karen Rigsby is still hurt by her husband’s betrayal. Karen feels his infidelity made a mockery of their life and a fool of her. In contrast, Rigsby’s lover has moved on to her next boyfriend and is “neither grieving, angry, nor humiliated” (273), as Sloan notes. She mainly appreciates what her lovers can give her in the way of material comforts or luxuries.
On her way home, Sloan runs into Nash at the take-out place, and they decide to have dinner together. Sloan thinks that winter isn’t quite over, but spring is near. Nash comes to her house and sees that she has a dog bowl. He asks if she’s looking for something. Sloan takes exception to this, but they work things out, deciding they’ll continue their relationship but let the other know when interest wanes.
They eat, and Sloan describes her interviews that day. She realizes that Karen Rigsby still loves her husband, which is why his infidelity hurt so much. Sloan reflects that in her line of work, she confronts hard things, but in this case, “Someone’s stolen three lives—that we know of—upended the world of three families. And not for gain” (281).
As they walk together outside, letting the dog roam, Sloan takes Nash’s hand and looks at the stars. She considers his earlier question of what she’s looking for and thinks she might have found it.
These chapters propel the action forward in significant ways. In addition to introducing the romantic connection between Nash and Sloan, which provides a parallel and foil to the other romantic relationships in the novel, Sloan makes an important discovery about the killers’ motives. While the reader already knows that medical intervention is the reason that Clara chooses their targets, seeing Sloan arrive at this realization sets her solidly on the road to solving the case and moves forward the thriller element of the plot. Further, Sloan’s conclusions that the three disappearances are all abductions, and her working out of the means and motives, show her methodical mind in action and close the gap between what the characters know and what the reader knows, thus heightening suspense.
The Rewards of Rebuilding and Renewal begin to pay off in these chapters as both Nash and Sloan, who have been pursuing their separate home improvement projects, have time to enjoy the changes they’ve made to their living situations. For both, the home improvements also echo and underline The Joys of a Calling. In starting his business, Nash has found fulfilling work for the first time in his life. He likes the physical labor, and he appreciates working with solid materials, rather than numbers, which shows his wish to have something more tangible in his life. Sloan, too, finds her home projects unfolding alongside her continuing success in her new position at work, confirming for her the wisdom of making this life change. The improvements in her home, life, and career situation are furthered by the improvement in her romantic life, which is another confirmation that she made the right choice.
The theme of Finding Strength in Family Bonds continues to show in the closeness among the Cooper family, into which Nash and Theo are now accepted, as illustrated during the scene of the family dinner. Nash keeps observing how Theo blossoms in this family venue, not quite willing to admit to himself that he, too, thrives in the loving atmosphere. Theo proves more gregarious than Nash in his unabashed willingness to move forward in his relationship with Drea, taking the step of proposing marriage.
By contrast, Nash and Sloan are more wary, telling themselves their relationship is more based on physical attraction than romantic feelings. This suits both of their guarded natures but also adds suspense as to how the relationship might deepen. Nash appreciates Sloan’s toughness and grit, expressing his admiration of her uniform, especially her Stetson hat, and showing no intimidation over the fact that she carries a gun. He shares that he noticed her vulnerability after her accident but was drawn to her determination to be active and push forward in her own recovery. Nash’s observations suggest that he is ready to know Sloan on an emotional level, not just a physical one.
Sloan’s pursuit of a sexual relationship with Nash becomes personal confirmation of her healing and recovery when she celebrates the ability to experience sexual desire and satisfaction, giving her proof that she’s reclaimed her health and strength. However, sleeping with Nash is an uncharacteristic move in that it shows an impulsive side she doesn’t otherwise exhibit. Those who know her well acknowledge that she is deliberate and strategic in how she thinks things through. Her wish to be close to Nash, however, demonstrates a need that goes deeper than strategy, and which can’t be reasoned away. By the same token, Nash is cautious in how he commits to Sloan, expressing his admiration but keeping his other emotions in reserve. Their mutual guardedness is an indication that these two are a good romantic match, a pairing confirmed in the way that Nash helps Sloan think through and come to new conclusions about the cases she’s investigating, which are now taking over as the primary action of the plot.
While Drea and Theo provide a foil to Nash and Sloan’s more cautious and early relationship, Clara and Sam provide a model of a fully and enthusiastically committed couple, at least on the surface. Their appreciation of one another appears whole-hearted and generous, but is a shallow, macabre parallel to the healthier, deepening bond between the protagonists. Sloan and Nash’s ability to talk to and draw ideas from one another is parodied by Clara and Sam’s pat and repetitive praise of one another, using infantilizing language like “babe” and “doll.” Clara and Sam would seem to be an ideal couple, taking care of one another in illness, planning vacations together, and enthusiastically enjoying sex. However, their shared commitment to destroying other peoples’ lives, and their consumption of the blood of their victims by adding it to their food, suggests their relationship is neither mature nor healthy but rather weak, obsessive, and dangerous.



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