55 pages • 1-hour read
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Content Warning: This section includes discussion of graphic violence.
Nash dresses in a suit for their date and is pleased by how much he and Sloan have to talk about. She tells him how she ran cross-country; he played tennis. Nash tells her, “I have what I want. I was happy enough in New York. I’m happier here” (362). Sloan shares that she, too, is happier in Heron’s Rest than she was in Annapolis. Sloan reflects that her feelings for Nash are deepening; she believes she can trust him, and she’s happy with how her life is progressing.
Clara considers the next target, a man named Terry who was struck by lightning, who is a chef in Heron’s Rest. Clara dreams that Sloan, whom she is convinced is a witch, threatens her. Clara believes she is about to engage in a battle that could cost her her life. She adds blood to their dinner, she tells Sam, to give them strength and clarity. She doesn’t want to tell Sam what she fears. Instead, she proposes that they take Terry and the witch together.
Sloan continues her work, which is to educate and protect, and enjoys the signs of spring. As she shops for flowers, she spots someone watching her and thinks the woman looks familiar. Clara is shaken that Sloan notices her. Sloan takes dinner to Nash’s and reflects that she’s not afraid of falling for him. He shows her the ongoing improvements to his house.
Sloan and Nash have dinner, and Sloan tells him she’s now found seven victims of the abductors. She suspects the killers believe they have a purpose. Nash is upset on Sloan’s behalf that she’s not entirely involved with the other investigators, but Sloan says she likes working on her own. She wants justice for the victims and answers for their families.
They hear the call of an owl and Sloan surmises that the killers are partners, working together and joined in their mission. She reflects, “[I]t’s not murder for them. They’re giving back what was taken, righting a moral wrong” (382).
They walk outside, and Nash talks about the summer that his family rented a cabin from the Coopers. He recalls seeing Sloan clearing up after a meal. They quarrel briefly when Nash insists that he didn’t come back looking for her, saying, “You weren’t part of the plan” (386). He admits he’s in love and doesn’t know what to do about it. Sloan feels the same way and suggests they can figure things out. They kiss and hear the owls calling.
Clara tries to tell herself she can accept being called “home,” but she’s afraid and feels she can’t share her fears with Sam. She wonders what she’ll see when she dies. She records a goodbye message for Sam, telling him he made her feel like a whole woman and asking him to continue the “mission.” Over dinner, Sam reports on a patient at his facility who was, he says, zapped back to life. Clara lays out their strategy and says they will take their victims close together, but they will burn Sloan’s blood because she’s a witch and part demon.
Elsie brings over chairs for Sloan’s porch. She’s glad Sloan has found a home that makes her happy. Elsie is glad, too, that Nash is in love with Sloan. She says, “You and Nash have your feet planted. You’re one-step-at-a-time people” (394), alike just as Theo and Drea are alike. Mother and daughter visit the nursery and Sloan talks with Hallie, a friend of hers who is engaged to Terry. Once again, Sloan sees a woman in a floppy hat watching her.
Drea and Theo show the family the house they are hoping to buy, and they celebrate that evening as the offer is accepted. Dean toasts to their new home, and they all toast to family.
Sloan returns home to find her father and Nash working on her patio. She helps them lay the flagstones. Sam and Clara watch from the woods and plot how to capture Sloan. Dean talks with Nash about his relationship with Sloan and advises him not to screw things up.
Terry Brown closes his kitchen and drives home looking forward to his marriage. He’s glad he survived the lightning strike and has a chance to live a full life. He sees a woman with a van on the side of the road who says she needs help. Terry stops, and Sam grabs him. Terry’s coworker, driving behind, sees Terry’s abandoned car.
Sloan dreams of the mini-mart. She wakes when Detective O’Hara calls. O’Hara reports that Terry was abducted and they discuss what might have happened. Sloan shows O’Hara her case board and suggests the killers’ base might be where the three affected states intersect. O’Hara reminds Sloan that she fits the victim profile and tells her to watch her back. Sloan mentions seeing the couple watching her and O’Hara asks if she would work with a police artist. Sloan agrees; she wants to see this case solved.
Sloan works with the police artist and they come up with a sketch of Clara. Clara and Sam are keeping Terry Brown sedated as their plan is to show Sloan what they do before they kill her. Clara thinks that Terry, too, should “see for himself the difference between good and godly and evil and dark” (418).
Sam looks forward to cutting Terry up. He also looks forward to using the gun Clara gave him. Clara drops Sam off in the woods. He waits while Elsie arranges patio furniture, then breaks into the house. He walks through the place and takes items he wants for himself. He’s spooked when he sees Sloan’s case board and hides at the top of the basement stairs.
Sloan orders pizza and invites Nash to her house. When she enters the house, she knows someone has been in it by the disarranged items. She sees a woman in a van drive up and recognizes Clara as the ER nurse at the hospital. Clara pretends she’s lost. Sloan turns just as Sam rushes her; she fires her gun. Clara attacks Sloan. Sloan fires again, then throws Clara off.
Nash rushes into the house. Sloan retrieves Sam’s gun and restrains Clara, who is howling over Sam’s body. Sloan can see he is dead. Sloan demands to know where they are keeping Terry Brown. Clara calls Sloan a witch and insists their mission is “holy.”
Travis arrives to help and reports that Terry has been recovered alive. Officers read Clara her rights and take her away. The response team praises Sloan for her toughness. Sloan takes a moment to settle down while Nash waits.
Sloan is upset that she killed a man. Nash reminds her she can lean on him, saying, “Even tough women know how to lean” (431). Sloan relates what happened and reports what the police found at Clara and Sam’s place. Sloan reminds herself that she did what she had to do and she’ll get through this incident.
Nash says he wants Sloan to move in with him and, in time, get married. Sloan tells him she’ll say yes. She thinks, “She’d been given a second chance at life. She’d been given love and a promise of a future. And she wouldn’t waste any of it” (435).
Sloan and Nash’s first formal date is a turning point in their relationship, as both realize that their connection is unfolding in terms of a conventional romantic relationship, reflecting The Rewards of Rebuilding and Renewal. The shared details about their pasts and the challenges they’ve overcome deepen their emotional bond, just as their similarities in temperament and character connect them, as Elsie observes. Falling in love heightens the stakes of what Sloan stands to lose if Clara and Sam are successful in abducting her. The scene when they hear the owls allows Sloan to make a further surmise about the killers being romantic partners, but the mated owls also provide a symbol that foreshadows what Nash and Sloan are growing into. These romantic interludes provide a quiet narrative moment that contrasts with the higher tension and suspense when Clara and Sam spring their trap.
While Sloan and Nash are growing together, the novel shows Clara and Sam growing further apart as Clara is unwilling to confide her fears. She senses that Sam is not as committed to the “mission” as she is and creates the video encouraging him to continue the “work” if something happens to her. The reader has been told that Sam is more thrilled by the killing and has simply been using Clara’s reasoning as a justification for violence. Clara’s secret concerns set up the ironic payoff of the final confrontation, in which it is Sam, not she, who dies.
While Clara is stalking Sloan, Sloan’s talent for observation, established earlier, comes to her aid, deepening The Joys of a Calling as she moves toward intercepting the killers. Suspense builds as Sloan notes the familiarity of the woman watching her but isn’t able to make an identification. Her confidence grows when she works with the police artist, building up to the moment of realization when Sloan sees Clara in her driveway with the van.
The confrontation highlights the parallels between the two women, foils and antagonists to one another. Sloan’s mission is to protect, educate, and preserve, while Clara’s mission is to take away. Both have partners to come to their aid, but Nash’s goal is to protect Sloan while Sam’s is to attack. Clara’s furnishing Sam with a gun not only encourages his pleasure at the thought of violence but also provides a parallel to the incident in the mini-mart. When she sees Sam coming at her, Sloan is essentially living that moment again, just as she has in her nightmares.
This time, however—almost as if the nightmares, or her earlier injury, were preparation—Sloan is able to defend herself. Shooting Sam and fighting off Clara allow her to rewrite that moment when she was a victim. This time, instead of Joel needing to resuscitate her, Sloan is able to use Nash’s assistance to secure the scene and restrain Clara. The price is taking a human life, and Sloan realizes the gravity of the incident once she is able to reflect on what happened. She talks things through with Nash the way she’s walked him through the other steps in her investigation, cementing their emotional bond. She also realizes that she’s done nothing less than what she’s been trained to do, which is why she carries a weapon—her actions were to protect, not to harm.
Significantly, this attack, and her defense, happen in Sloan’s house. This is familiar ground, unlike the mini-mart, where she was caught off-guard. Her house also represents the strength and knowledge that Sloan has rebuilt since her injury and long recovery. She is not only resilient, but also stronger and wiser, more seasoned in her job and aware of the people she is up against. Sloan’s disabling and capture of the killers wraps up the thriller plot with a triumphant ending and, as she hopes, provides a sense of closure for the families of the abducted persons, as well as justice for their murders.
While the thriller plot wraps up with the climax and resolution, the denouement of the Epilogue resolves the romantic subplot. The house-hunting of Joel and Sari, then Theo and Drea, has foreshadowed the movement of Nash and Sloan toward this same future. Their similarities in taste have already anticipated their harmony as a couple. The images of spring and rebirth, and of animals finding their mates, confirm this step of union and new growth. Sloan’s concluding reflection about what she plans to do with her new life echoes the novel’s theme about making the most of second chances, rewriting the initial violence and injury with a happy ending and a new beginning for the protagonists.



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