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J. D. VanceA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
According to Vance, “the existence of [this] book […] is somewhat absurd” (1). He believes that graduating from Yale Law School is his coolest accomplishment and that all else he has achieved is “quite ordinary” but “doesn’t happen to most kids who grow up” as he did (1). Vance gives some background on growing up poor in Ohio and describes his subdemographic: “working-class white Americans of Scots-Irish descent who have no college degree” (3).
Vance notes that Scots-Irish “family structures, religion, and politics, and social lives all remain unchanged compared to the wholesale abandonment of tradition that’s occurred nearly everywhere else” (3). He identifies the positive traits of this demographic, including intense loyalty and dedication to family and country, then the negative ones, with innate xenophobia chief among them.
Vance also describes Appalachia, illustrating how large the region is and how cohesive its culture remains. He identifies Greater Appalachia’s political realignment from Democrat to Republican post-Nixon as redefining American politics. He adds, “it is in Greater Appalachia where the fortunes of working-class whites seem dimmest. From low social mobility to poverty to divorce and drug addiction, my home is a hub of misery” (4).
In Chapter 1, Vance details his early youth at his great-grandmother’s house in Jackson, Kentucky, a town of “about six thousand in the heart of southeastern Kentucky’s coal country” (11). Vance’s grandparents left Kentucky, after World War II, in the late 1940s, and moved to Middletown, Ohio, where Vance would grow up, returning to Jackson every summer up to age 12.
Vance reveals that he was abandoned by his biological father and alludes to his strained relationship with his mother, who is often absent from Vance’s life or a toxic agent in it due to substance abuse. He also offers a partial list of his mother’s boyfriends and husbands and their roles as father figures to Vance.
Vance introduces us to his very large hillbilly family: Uncle Teaberry, who dies when Vance is four; Uncle Pet, who owns a string of successful timber and construction businesses; and Uncle David, a bearded “old rebel” with “long, flowing hair” (15) and a sizable marijuana plant in his backyard. He also offers brief introductions to another of Mamaw’s brothers, Uncle Gary, who owns a roofing business in Indiana, and Mamaw’s two sisters, Betty and Rose.
These family introductions are interspersed with tales of violence extending from protecting family honor. While it was fine for the Blanton clan to fight and gossip among itself, any outsiders who did so were met with swift and often outlandishly violent retribution.
Vance reflects on a recent trip back to Jackson and the poverty and despair he sees there, which is partly due to rampant regional substance abuse. The state has seized control of the public schools, due to their performance, and an obesity crisis further plunges the town, and region, into a state of morbid cynicism.
In referencing a 2000 paper written by a trio of sociologists, Vance says,
hillbillies learn from an early age to deal with uncomfortable truths by avoiding them, or by pretending better truths exist. This tendency might make for psychological resilience, but it also makes it hard for Appalachians to look at themselves honestly (20).
Chapter 2 begins with a closer look at the lives of Vance’s grandparents, Jim Vance and Bonnie Blanton, known through most of the text as, respectively, Papaw and Mamaw, Vance’s nicknames for them. Papaw, born in 1929 and “something of hillbilly royalty” (24), had a distant cousin who married into the famous Hatfield family (of the Hatfield-McCoy feuds) and lived in Jackson until he was 17 years old. He married Mamaw in Jackson in 1947 when they were teenagers. Soon after, they moved to Middletown, Ohio.
Mamaw and Papaw came to be married, Vance tells us, through having an affair, while Papaw was dating another woman. Mamaw, at 13, became pregnant, heavily influencing their decision to depart for Ohio. Their baby died after living for less than a week. Meanwhile, Papaw began his job at Armco, a steel company that “aggressively recruited in eastern Kentucky coal country” (27).
Vance expounds on “two major waves of migration from Appalachia,” (28), due to large corporations, like Armco, offering good pay, steady work, and the desire to move the employee’s extended family with the employee—a key selling point to Appalachians. The first of these migrations occurred as World War I ended; the second was after World War II, in the late 1940s and early 1950s. “In the 1950s,” Vance says, “thirteen of every one hundred Kentucky residents migrated out of the state” (28). Mamaw and Papaw, among many others in Vance’s extended family, were part of this migratory flow.
Vance concludes the chapter by illustrating the cultural differences Appalachian emigrants often faced, when moving north and mixing with Midwesterners, who, generally, were calmer, quieter, less violent, and drank and swore less than their new, hillbilly neighbors.
Vance begins his memoir with sociological data about Appalachians past and present, providing the reader with an understanding of the size of Greater Appalachia, and the sources of its main issues: addiction, poverty, joblessness, and an obesity crisis. At the same time, Vance places himself as a product of this society, differentiating both himself and his community from other white, American communities. “I may be white, but I do not identify with the WASPs of the Northeast” (3).
Vance establishes early on in the memoir that the myriad adverse circumstances endemic to white, working-class culture are not the entire picture. He illustrates this via the story of a coworker at an Ohio tile factory, a place where those who stayed on earned an annual income above the poverty line. The coworker, identified as Bob, is recently employed at the plant, along with his pregnant girlfriend, who does clerical work for the company. Both are consistently late and poor workers. When Bob is let go, he is shocked and angered. This example, Vance says, is in part why he writes about “what goes on in the lives of real people when the industrial economy goes south. It’s about reacting to bad circumstances in the worst way possible. It’s about a culture that increasingly encourages social decay instead of counteracting it” (7). This type of argument—showing individuals rather than institutions as the root of larger social issues—speaks to the theme of Personal Versus Societal Responsibility for the Disenfranchised. In line with his conservative politics, Vance squarely lands on the side of personal responsibility, emphasizing that programs and opportunities mean nothing if people are unwilling or unable to do the work.
This overview of the bleak landscape for contemporary Appalachians is juxtaposed with Vance’s recounting of his great-grandmother, his granduncles, and other members of his extended family. Gun-toting, foul-mouthed, and hyper-loyal to one another, Vance shows how these older generations of family were the first to make privy to him the family code he views as a part of Appalachian society, highlighting the theme of Societal Laws Versus Family Loyalty. Mamaw shoots a man at age 12 and is pregnant a year later. One of her brothers, Uncle Pet, beats a man nearly to death with first his fists and then an electric saw for indirectly insulting his mother by calling Uncle Pet a “son-of-a-bitch” (14).
Stylistically, Vance’s language is straightforward and accessible, a rhetorical style meant to appeal to a broad readership, including working-class Appalachians. The book’s title speaks to the high-low rhetorical styles embodied in the book: “Hillbilly” and “elegy” come from two different worlds: The first is a folk term of endearment turned cultural slur, the second is a genre of Greek poetry meant to reflect on mortality and honor the dead. The dual register marks the book as a product of The Appalachian Diaspora. Vance is an Ivy League-educated lawyer and venture capitalist; in 2016, the year Hillbilly Elegy was published, Vance moved to San Francisco to become a principal (one rank shy of partner) at Peter Thiel’s investment firm, Mithril Capital. Thiel, a cofounder of PayPal, is worth an estimated $9.8 billion. An escapee of Appalachian poverty, Vance inhabits precisely the elite world that he argues alienates and overlooks his people. Therefore, he walks a careful line in his writing, downplaying his connection to the wealthy liberal regions of Silicon Valley and the Northern East Coast though he is a successful insider in both communities. Indeed, later in the memoir, Vance bemoans a peer who uses the word “confabulate,” which speaks to an elitism he views with “primal scorn.” He wants to make it clear to his readers that though he is a “cultural emigrant,” he solidly identifies with and supports Appalachian culture.



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