41 pages 1-hour read

Hitler's Daughter

Fiction | Novel | Middle Grade | Published in 1999

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Storytelling as a Means of Understanding the World

Content Warning: This section of the guide includes discussion of religious discrimination, antisemitism, graphic violence, and emotional abuse.


In Hitler’s Daughter, storytelling is an influential mechanism for confronting difficult realities, examining identity, and understanding the world. The story-within-a-story, told by Anna, begins as a game. She originally introduced “The Game” to help her younger friend, Tracey, feel comfortable when starting school. But this story is different. Her character—Hitler’s daughter, Heidi—becomes the lens through which both characters explore complex moral questions. For Mark especially, Anna’s story is transformative, and Heidi’s transformation mirrors his own. At first, he feels uneasy about this type of story: “It did seem different somehow to make up stuff about a real person. But there was no way he could put his feeling into words” (8). But soon, the story consumes him, and he begins to experience it as though it were real: “Mark settled back on the seat. It always took a while for Anna to settle in to a story. But it was pretty good when she did. She always added details so you sort of saw the story in your mind” (9).


As the story progresses, Anna becomes increasingly involved in the story. Mark notices how effortlessly she describes different aspects of the story and others just appear to her, like naming Hitler “Duffi” without explanation: “I don’t know why she called him Duffi. I don’t even know if it means anything. It was just what she did” (9). Anna tells the story like it’s a movie playing in her mind, even recalling tiny details like “the bright green china jug with the flowers on it” (93), which makes Mark feel like he is experiencing the events firsthand. These are also hints toward Anna having been told this story by someone else, as though it isn’t a fictional story at all but rather the truth.


The author also shows storytelling as a means of asking and pondering deep questions. As the story progresses, Mark begins asking questions no adult in his life can answer. Heidi’s story inspires him to question history, authority, and even himself and his family. Telling the story also affects Anna, who knows that this story is part of her family history. Her tone becomes increasingly emotional and intense, “as though it disturbed her” (101). There are hints throughout that Anna is connected to Heidi: She knows German, seems emotionally affected by what she says, and resists explaining how she knows so much. It creates a unique situation in which Anna’s memory and the act of storytelling become one. Through storytelling, Mark and Anna process injustice, gain empathy for those erased by history, and learn that fiction can reveal emotional and moral truths in ways that facts alone cannot. For Mark, the story changes how he sees the world. For Anna, it becomes a way to carry on her grandmother’s legacy.

The Importance of Questioning

The importance of questioning (the self, others, authority, and history) is central to the story. Mark and Heidi simultaneously uncover unsettling truths that challenge everything they’ve been taught. Mark begins by innocently listening to Anna’s story at the bus stop, but soon, the questions it raises consume him. He struggles to understand how a person like Hitler could have been both a father and a tyrant: “How could she want someone like that to love her? Someone who did such horrible things” (33). This idea of nuance and the gray area between good and evil is a new concept for him, and each day inspires more and more questions.


French further emphasizes Mark’s need to question through his dream, where everyone salutes Hitler, and no one will listen when he tries to say that Hitler is wrong. In real life, he feels isolated just like Heidi. Ben doesn’t care, Bonzo only wants excitement, and Anna grows more somber “as though [the story] disturbed her” (101). At the same time, his questions either irritate or flabbergast the adults in his life. When Mark asks his dad if he would still love him if he killed hundreds of people, he is trying to understand the limits of love and morality. This shows how deeply the story affects him and how personal questioning is key to his growth. Similarly, when Mark tries to speak to his mother about Hitler, she brushes him off, too preoccupied with daily routines to engage in the depth he needs. He imagines a mother who would want to talk about it, who would take his concerns seriously, and who he could trust would do the right thing. Only the bus driver seems to care, but her abrasive nature puts Mark off: “People just don’t THINK, that’s the trouble. They don’t look at the evidence. They just listen to what some twerp has to say on TV and take it like it’s gospel” (68). This uncertainty drives Mark to keep questioning. He reflects, “People should do what they thought was right. But what if what you thought was right, was wrong?” (76). He comes to realize that people might think they are right, but that doesn’t mean they are.


The story also creates parallels between Mark’s questions and Heidi’s realization that her father was doing terrible things. Like Mark, Heidi never questioned what she was taught at first. She thought Jewish people were being “put to work” and took this as fact, and nobody around her contested it. Yet, as she overhears conversations, notices the anxiousness in the adults, and sees the world falling apart, she begins to think for herself. Frau Leib casually mentions Jewish people being taken away and a farmer who tried to hide a Jewish person. Heidi begins to set up a hiding place, even though no one ever comes. She sees herself in the people being rejected as different and cast aside. This small act of rebellion, of doing something even if it seems futile, is her way of questioning the Nazi regime she once believed was well-intentioned. The book makes it clear that questioning is essential in preventing atrocities in the future and discovering the truth about violent history.

Awakening to the Horrors of the World

Hitler’s Daughter explores awakening to the horrors of the world through the stories of Heidi and Mark. Both characters begin their journeys in states of innocence and ignorance, but gradually, they come to face unsettling truths about human nature, good and evil, and morality. This awakening occurs slowly, caused by emotional, physical, and moral realizations that force them to reconsider their perceptions and the nature of the people around them.


Heidi’s journey begins in complete isolation. She is hidden away in the countryside, and she does not attend school or have friends. Her life is restricted to Fraulein Gelber and Frau Mundt, women Hitler hired to raise her in secret. Although she has hunches that something is not right, like the need to stay hidden because of her red birthmark and limp, she still believes her father is good. She holds onto the idea that Hitler loves her and wants to protect her. This illusion begins to break when Frau Leib enters her life. Frau Leib talks constantly and forgets how restricted and young Heidi is. Through her, Heidi hears that the Jewish people have been sent away to work and about a local farmer who hid a Jewish man and was arrested. This is where Heidi starts to wonder if something is horribly wrong. She begins to feel that those persecuted by the Nazis are not so different from her, as both are rejected and seen as unworthy of being part of the world.


Heidi’s physical and emotional awakening continues when she is forced to flee again and ends up in an underground bunker. The contrast between her previous life and this one is stark. Hitler, her own father, rejects her in the bunker and pretends not to know who she is. This ultimate betrayal pushes her to completely let go of the image of her father she once held. She loses her innocence completely as she is thrust into a warzone with no previous knowledge of this type of suffering. Bombs fall overhead, and she sees the destruction firsthand: “With every inch she crawled it seemed she left her old life behind. It was burnt out of her by the shells and smoke and fire” (125). She is caught in an explosion, injured, and rescued by a woman and her son, who give her a chance at a new life.


Parallel to Heidi’s awakening is Mark’s journey. At first, his thoughts are of simple things; he is resentful of the bus stop and curious about whether cows can sneeze. Anna’s storytelling causes him to start asking bigger questions. He asks his teacher, his dad, and even the bus driver about right and wrong, and no one can give him a full answer. He starts to have to rely on his thoughts to solve these issues in whatever way he can: “People should do what they thought was right. But what if what you thought was right, was wrong?” (76). Mark realizes that even “good” people can do bad things if they don’t question authority or think critically. His awakening comes from inside and from Anna’s story.

blurred text
blurred text
blurred text

Unlock every key theme and why it matters

Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.

  • Explore how themes develop throughout the text
  • Connect themes to characters, events, and symbols
  • Support essays and discussions with thematic evidence