53 pages 1-hour read

Celina Myers

Hollow

Fiction | Novel | Adult | Published in 2021

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Prologue-Chapter 5Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of child death, illness, death, pregnancy loss, and suicidal ideation.

Prologue Summary: “1725”

In the summer of 1725, the village of Black Creek endures an unprecedented heatwave and drought that dries the creek itself. The town priest succumbs to a mental illness, curses God, and warns the villagers of the “End of Days” before dying on September 20 (2). When the heat finally breaks, the villagers face mass starvation from failed crops and dead livestock.


A stranger named Gregor arrives in November. The narrative shifts to Eli Bellamy, a young villager whose mother died when he was three while giving birth to a second child. His withdrawn father, Matthieu, left him to be raised by his maternal aunt, Aggie, who operated a cheese shop.


Years earlier, the wealthy Sutton family had arrived in Black Creek with their daughters, 16-year-old Elenora and eight-year-old Jeanne. Elenora possesses the ability to perceive people as colors. Elenora and Eli notice each other but are too shy to speak until Aunt Aggie forces them together. They marry two summers later.


Tragedy follows. Matthieu dies two months after the wedding. A year later, a spooked horse tramples Jeanne, leaving her comatose. The Sutton parents leave to find a doctor but never return. After Jeanne dies, Elenora waits six weeks for her parents before accepting they are gone. In October, she becomes pregnant but miscarries, becoming emotionally fragile.


In the present, Gregor offers to help repair a fallen wall in exchange for shelter. He tells Eli about a prosperous town 13 days east that escaped the drought, then leaves the next morning after drawing a map. The desperate villagers decide to make the journey. They pack their remaining supplies and set out in a caravan.


During the journey, the villagers begin to die, first experiencing extreme fever then bleeding from the mouth. Eli discovers Gregor’s frozen corpse, realizing the stranger infected them. By the fourth morning, only Eli and Eleanor are still alive. They load as much of their supplies and animals as they can onto one wagon, then continue toward the city.


By dawn the next day, Eli develops the fever. As he weakens—unable to watch him die and knowing she will be next—Elenora walks to a nearby cliff to jump. A haggard elderly woman stops her, complaining that Elenora would land on her property below. The woman examines Eli, identifies the plague, and leads Elenora down a hidden path to a stone cottage where the woman’s son, Alexander, sits sharpening a knife. The woman gives Elenora a cup of warm, metallic-tasting dark liquid to drink, then another cup for Eli.


At the wagon, Alexander helps Elenora pour the dark liquid into Eli’s mouth. He tells her it will cure Eli in three days, then suddenly plunges his knife into Eli’s chest. Elenora tries to flee, but Alexander catches and stabs her as well, saying she will understand when she wakes. He welcomes her to “the Family.”

Chapter 1 Summary

Twenty-four-year-old Mia Adair wakes on a Friday morning. As a child, Mia could see and communicate with spirits, an ability that made her famous as “Case 37” in her mother, Elizabeth’s, bestselling book on parapsychology. Mia’s father, Ben, died in a car accident when she was seven and her sister, Sasha, was three. After his death, Elizabeth became emotionally absent, leaving Mia to care for Sasha. Ben’s spirit never appeared to Mia, frustrating Elizabeth, who desperately wanted to hear from him.


Elizabeth often left the girls at Slow Burn, a local coffee and bookshop, where the owner, Mr. Horvath, began to care for them. Mia eventually worked there. In high school, Mia was rebellious, skipping classes to smoke or hang out with a boy named Dylan. Her psychic abilities faded during puberty, leaving her feeling aimless. Now she works at a chain bookstore and still receives royalties from her mother’s book.


A traumatic memory resurfaces of an incident Mia calls “The Accident.” When Mia was 10, concerned about intruders after her mother explained bad people might climb through windows, she set her father’s antique fox trap beneath her bedroom window. The next morning, she was awakened by screams. Their elderly neighbor and gardener, Mr. Charles, had stepped in the trap and broken his hip in the fall. Too frightened to confess, Mia said nothing as the adults assumed the rusty trap had been there for years. A week later, Mr. Charles died in the hospital. On the morning of the seventh day, his spirit visited Mia’s room, forgiving her and asking her to keep the accident between them.


In the present, Mia looks at herself in the mirror, at peace with her appearance, which resembles her father’s. She wears a necklace that says “Daddy” and her father’s simple silver ring. Downstairs, she finds Sasha, exhausted from law school studies. Mia orders her sister to skip class and sleep, making plans to go out that night. Before leaving for work, Sasha asks Mia to watch for their golden retriever, Cooper, and to report if the “weird girl” comes into the bookstore today.

Chapter 2 Summary

Mia arrives at the bookstore in her father’s old Honda. She reflects on gossiping with Sasha about quirky regulars like Ace, a biker who buys cat books, and elderly Mrs. Ancaster, who claims to buy fetish magazines for their crosswords.


Recently, a group of strange new customers has been frequenting the store, browsing silently but never buying anything. One woman with blue hair has visited three days a week for two months, buying random books. Once, she asked Mia an odd question about the world ending and introduced herself as Cordelia before quickly leaving.


Cordelia enters with a blonde woman, who approaches the counter with a journal. She introduces herself as Kris and says she and Cordelia are “kind of family” (56). Kris leaves without taking her change. Mia sees tears in Cordelia’s eyes and, concerned, runs outside to return the money, awkwardly telling Cordelia she likes when she visits. Back inside, Mia silences her coworker Shelly’s mockery by threatening to report her for stealing from the register.


The rainy afternoon triggers memories of Slow Burn. Two weeks before Mia’s 18th birthday, she saw Mr. Horvath’s ghost in her doorway. Overcome with dread, she drove to the shop at nearly five o’clock in the morning and found the door unlocked and lights on. Inside, she discovered Mr. Horvath’s body behind the counter. The police chief, aware of her abilities, accepted her explanation. Mr. Horvath’s sons boarded up the shop, which has remained empty for six years. Mia reflects on how it reminds her of “her own stasis” (63).

Chapter 3 Summary

Driving home in heavy rain, Mia notices the black sports car with Cordelia and Kris following her, along with about six other vehicles. A mile from home, Cooper chases a rabbit across the road. Mia swerves to avoid the dog, loses control on the wet pavement, and crashes into a maple tree.


Dazed and bleeding heavily from her head, Mia sees a group of strangers watching from the roadside, including Kris and Cordelia. None move to help, while some are smiling. Mia realizes she is paralyzed and cannot speak or move. As consciousness fades, Cordelia approaches, apologizes, and says they will “talk soon” before injecting a syringe of dark fluid into Mia’s chest. Mia’s vision dims, her final awareness focused on the silver ring on her hand. She accepts death.


A voice declares she is “gone,” while another instructs someone to call emergency services. The group disperses, leaving only Cordelia, Kris, and another woman named Izzy at the scene.

Chapter 4 Summary

Cordelia, Kris, and Izzy remain, planning to pose as passersby who witnessed the accident. A police officer arrives and finds no pulse. Kris employs a mental ability called a Veil, implanting the story that Mia swerved because of a dog and died instantly when she hit the tree, which the officer then repeats.


Cordelia reflects that she is a healer who dislikes causing pain, unlike Kris and Izzy. A flashback reveals that at age six, Cordelia healed a neighbor’s daughter of cancer, an event that drew attention to her abilities and eventually led to her current existence. When the coroner arrives, Kris Veils her, ensuring the death is processed as a routine traffic fatality. The act chills Cordelia, noting how much power Kris has.


Elizabeth arrives screaming for her daughter. She breaks through the police line, but Cordelia intercepts her before she can remove the sheet covering Mia’s body. Cordelia embraces Elizabeth, feeling the overwhelming force of her grief and using her healing power to flood Elizabeth with calming endorphins.


Kris approaches and, with Cordelia’s reluctant consent, uses a Veil on Elizabeth. The Veil commands Elizabeth to “be strong” for Sasha, to believe Mia “is in a better place,” and to “move on” from her grief (76). Kris takes Elizabeth home to ensure she is settled. Kris instructs Cordelia and Izzy to meet her at the morgue, explaining that the initial Veil on the coroner will hold until she can reinforce it later.

Chapter 5 Summary

Cordelia and Izzy follow the coroner’s van to the morgue, where the woman processes Mia’s body and places it in a cold chamber. Kris arrives hours later and confirms that Elizabeth has agreed to a quick funeral. Cordelia reflects on their plan: Mia’s body will not be embalmed, as chemicals would interfere with her transformation.


The next day, the women watch from the parking lot as Elizabeth and Sasha identify Mia’s body at the morgue, then follow the hearse to Riddley Funeral Home. Kris goes with another Family member to sort through Mia’s possessions. She returns announcing the funeral is scheduled for the following afternoon.


On the day of the funeral, members of the Sutton and Bellamy Families arrive in a dozen cars and watch mourners enter. They go inside in pairs, pretending to be acquaintances of Mia’s and offering rehearsed condolences to Elizabeth and Sasha.


Inside, Cordelia approaches Sasha, who recognizes her from the bookstore. Sasha mentions that Mia found Cordelia interesting and says she believes her sister was destined to “make history.” Cordelia sees Elizabeth across the room, heavily medicated and drinking. Luca, a Family member Cordelia considers a brother, warns her not to approach Elizabeth.


Luca and Cordelia observe that the two Families are keeping to opposite sides of the room. At the casket, Luca notes that Mia’s body is already healing from the transformation. Sasha joins them and explains that Mia wanted to wear her Daddy necklace at the funeral to make people uncomfortable, and that Sasha secretly placed it on her in the casket against their mother’s wishes.


During the service, Sasha delivers a eulogy describing Mia as someone who dreamed big but was too “afraid of making the wrong choice” (88), urging others to live their dreams for Mia. Elizabeth closes the casket lid, kisses it, and leaves with Sasha. After the other mourners depart, Family members dressed as cremation employees enter to retrieve Mia’s body as she prepares to awaken into her new existence.

Prologue-Chapter 5 Analysis

The Prologue provides in-universe historical context for the events of the novel, laying the foundation for its tragic and exploitative plotline surrounding mythical vampires. The 1725 account of Eli and Elenora’s suffering mirrors the impending fate of the contemporary protagonist, Mia. Both narratives begin with a sense of inescapable decline: a drought and famine for Eli and Elenora, a psychological and spiritual stagnation for Mia. Gregor’s deception, luring the desperate villagers toward a nonexistent sanctuary only to infect them with a plague, foreshadows the predatory nature of the vampire Families who will later orchestrate Mia’s death. Thea and Alexander’s arrival offers a cure that is actually a violation; they exploit Elenora’s desperation to turn her and Eli into vampires without their consent. Alexander’s final words, “Welcome to the Family” (33), ironically juxtapose the ruthlessness of his actions, using a word tied to belonging for his act of violent induction. This structural parallel frames Mia’s eventual turning as the continuation of a historical pattern, where the supernatural world preys on human vulnerability.


Mia Adair is introduced as a character defined by The Enduring Legacy of Unresolved Trauma. Her psychic “Gift,” once a source of fame and connection, has faded, leaving her in a state of aimless inertia that her sister’s eulogy later articulates as being “afraid of making the wrong choice, so instead she didn’t make any” (88). This stasis is rooted in a series of unprocessed traumas: the death of her father, the subsequent emotional abandonment by her mother, and the profound guilt from the accident involving Mr. Charles. The memory of Mr. Charles’s death, her last significant paranormal encounter, marks a turning point where her unique ability becomes intertwined with pain and secrecy, contributing to its recession. Her deep attachment to her father’s possessions, his car and his ring, are physical manifestations of her inability to move beyond the past, tethering her to her grief.


These opening chapters build an atmosphere of paranoia and predestination, reinforcing the theme of Reclaiming Agency in a World of Exploitation. From the beginning, characters are subjected to the gaze of others. Elenora and Eli watch each other from afar before their forced introduction, an innocent prelude to the more sinister observation that follows. In the present, Mia is unknowingly watched for months by the vampire Families. Cordelia’s visits, although viewed mostly innocently by Mia, are eventually revealed to be efforts to surveille her for the Family. This constant watching culminates in the spectacle of Mia’s death, where a crowd of strangers stands by and observes, some even smiling, as she dies. The Families’ presence at her funeral, watching the mourners from a line of cars, further cements their role as detached manipulators who view human life and grief as elements in a strategic plan. This recurring act of watching strips Mia of her autonomy long before her physical death, reducing her from a person to a target.


Setting is used to explore Mia’s internal state and her relationship to the world. The open window in Mia’s bedroom metaphorically represents her yearning for connection to the unknown and a latent desire for escape from her mundane life. Her mother’s insistence on closing it represents the opposing forces of control and fear of the outside world. This space becomes a site of trauma when the fox trap set beneath it leads to Mr. Charles’s death, forcing Mia further into her home and herself out of guilt and consequence. Likewise, the bookstore evolves from a place of refuge to one of impending doom. Slow Burn, the shop owned by her surrogate father, Mr. Horvath, represents a lost sanctuary, its boarded-up facade mirroring Mia’s own stagnation. The sterile chain bookstore where she currently works is the stage for Cordelia’s unsettling visits, culminating in the pointed question, “If everything ended today, would you be okay with that?” (54). The question is a direct challenge to Mia’s inertia, serving as an ominous warning before her world is irrevocably shattered.


The significant shift in narrative perspective following Mia’s death in Chapter 3 exposes the mechanics of manipulation central to the vampire world. By moving the point of view from Mia to her killers, Cordelia and Kris, the narrative demystifies the “accident” and reveals its calculated nature. This shift allows for the introduction of the Veil, a form of mind control that allows the vampires to exploit and control humans. It shows how the Families not only take lives but also rewrite reality to conceal their actions and manage the emotional fallout. The shifting point of view provides the reader with an inside look at the operations of this predatory society, establishing the complex internal politics and moral ambiguities, such as Cordelia’s conflicted role as a healer who participates in violence, that will shape Mia’s new existence.

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