57 pages 1-hour read

Home of the American Circus

Fiction | Novel | Adult | Published in 2025

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Part 2Chapter Summaries & Analyses

Content Warning: This section of the guide contains references to sexual assault, substance use and dependency, and bullying.

Part 2: “Spring”

Part 2, Chapter 30 Summary

Aubrey joins Freya in making repairs to the house. They take saplings growing in the gutters and plant them beyond the deer fence where they might grow. Aubrey says it was Carter who raped her. She doesn’t want to report the bullying as she thinks it will get worse if she gets someone into trouble.

Part 2, Chapter 31 Summary

Aubrey brings over her friend Shray, whom Freya finds highly likeable. Freya makes an Italian soup and recalls how her mother’s parents tried to act wholly American and only spoke Italian at home. The three of them make stars out of old wood scraps, and Freya finds the process of making art therapeutic. Shray reveals that he caught Carter trying to follow Aubrey into the girls’ bathroom, and Freya wonders what she can do to help Aubrey get away from this situation.

Part 2, Chapter 32 Summary

Aubrey insists that Carter isn’t harassing her, and Freya decides not to press. She hangs the three stars they made on the living room wall. Later, Aubrey explains that she didn’t want to have sex with Carter: “I didn’t tell him to stop because I was scared he wouldn’t and that would be worse” (215). Freya knows exactly what she means. They each tell the other they are sorry that happened to them.

Part 2, Chapter 33 Summary

Freya considers her mother’s watch and realizes what it meant for her mother to be a young professional woman in her time. She knew her mother was the driving force behind the success of Step’s insurance business, especially after she encouraged Step to work with Charlie. Freya takes out Vili’s woodworking tools and starts carving designs into her parents’ bedroom furniture. The act of creating makes her happy.

Part 2, Chapter 34 Summary

Every time she visits Hans’s office, Freya is worried that Charlie will spot her. While Freya is filing paperwork one afternoon, a woman with a baby comes by asking for Hans. She leaves the child with Freya. Hans returns to explain that the child is Emmeline, his daughter. Freya doesn’t think Step ever looked at Freya the way Hans looks at Emmeline.


Hans explains that, after his wife left him and his children grew up, he feared the rest of his life would be lonely, so he agreed to a co-parenting arrangement with Mira. Freya wonders if the truth is that no one has their lives all figured out, even those who appear to. Bee joins them at the bar and warns of the winter storm that is approaching.

Part 2, Chapter 35 Summary

Freya drives home and she and Aubrey prepare the house for the storm. They eat leftovers from the restaurant and watch movies, and when the power goes out, Freya makes a fire in the fireplace. She is concerned about keeping Aubrey safe. They get a scare when Jam knocks on the back door, coming to see if they’re okay. The three of them fall asleep in front of the fire.

Part 2, Chapter 36 Summary

Jam decides to leave before Bee arrives the next morning. Freya guesses he still remembers how Bee dated a boy who bullied Jam as a child. Jam says he should just get over it, but Freya asks, “What if we get over all that old shit and then we just deflate?” (238). Bee brings breakfast, and as Freya feeds Lenny, Bee guesses that Aubrey took the rat from school.


After the lights come back on, Bee helps Freya tour the house and yard. They find a leak in the ceiling of her parents’ bedroom. Bee helps Freya go through her parents’ things. Freya keeps her mother’s gold watch. They find old pictures, and Freya is taken aback by a picture of her mother as a girl. She thinks, “That beautiful, happy child is a shock to my system because I assumed she’d always been sad and angry” (243).

Part 2, Chapter 37 Summary

Freya remembers a night when Step forgot to pick her up from Steena’s, and Charlie, who’d been drinking, drove Freya home. He kissed her again, and Freya started to cry. Her mother saw what happened, but instead of coming to Freya’s defense, she blamed Freya. Freya remembers wishing, “I had the kind of mom who would chase down Charlie and tell him not to lay a hand on me ever again” (246). Freya started working at The Aster, got her own car, and could visit Aubrey whenever she wanted. She told herself nothing had ever gone wrong.

Part 2, Chapter 38 Summary

Eddie helps Freya find and patch the leak in the roof. He reveals that he married Lexi Doyle, a girl in their grade, but is getting a divorce. Freya reflects, “the fact that Eddie tried means he had an idea of what he wanted and reached for it, which is so much more than I can say for myself” (250). After Eddie leaves, Freya sees a deer trapped in the deer fence, trying to jump back over. She guides the deer out of the yard.

Part 2, Chapter 39 Summary

Freya walks to Jam’s house and finds him playing piano while water covers the basement floors. He tells Freya he’s ruined, and she thinks, “I’m afraid he might be” (254). He says there’s a crack in the soundboard of the piano. Freya helps him remove the water but is frustrated by Jam’s seeming apathy. She gives him a bath, and he apologizes, saying, “I don’t know how to be me in the world” (256). The next morning, he plays a tune he composed, and the melody makes Freya think of stars.

Part 2, Chapter 40 Summary

Aubrey pulls Step’s backpacking gear out of the basement to dry it. Step had plans to hike the Appalachian Trail, which Freya never knew about. Freya is profoundly surprised that her timid father would have planned and prepared for such an undertaking. Aubrey says she thought about hiking the trail before Freya returned. Aubrey likes to read Step’s notebook, where he kept plans and records.

Part 2, Chapter 41 Summary

Shorty helps move Jam’s piano to Freya’s house. Jam begins to tune the piano, and Freya is glad to see he is still attached to it: “It makes me feel like Jam is still existing in the world, trying to connect” (264). Freya finds her rowboat and rows out onto the lake, enjoying the experience. That night, as she, Aubrey, and Jam eat dinner while Jam plays, Freya looks at their reflection in the window and thinks, “we look so happy” (265).


An excerpt on Old Bet at the end of the chapter reflects on the conflicting stories about her death.

Part 2 Analysis

Building on the small foundations laid in Part 1, Freya continues to embrace Forging Community and Family Ties. The scenes of Freya fixing her house represent the larger ways she is attempting to repair and renew her relationship with Aubrey. Several scenes of domesticity with Freya and Aubrey, and sometimes Bee or Jam, show how Freya seeks connection with others and hopes to provide a safe home for Aubrey. She encounters a setback when the ice storm—an external reflection of the emotional storms the protagonists are weathering, creating a moment of pathetic fallacy—reveals a leak in the roof. This discovery at first makes Freya doubt her ability to be a proper guardian or caretaker, but Bee reminds her that very often, damage can be mitigated, if not fixed. The wish to recover drives Freya to endeavors that build and create, both in her woodworking and in forging stronger ties with those around her.


The emotional movements of this section are largely an examination of the ways characters deal with the things that hurt them and wrestle with The Importance of Interrupting Cycles of Abuse. Freya escaped to Maine to avoid escalating sexual assault from her brother-in-law, Charlie. Step dreamed about escape from his own toxic marriage in his plan to hike the Appalachian Trail, which Aubrey also considers doing. Jam escapes into substance use, and his vulnerabilities and wounds provide a mirror for Freya’s. Jam’s difficulties in confronting and processing his difficult emotions allow Freya to recognize how her own strategies might cause harm to herself or others. The scene with her rowboat, which is broken and leaking but still functional, shows her a kind of balance that can be healthy: She can enjoy a temporary escape into solitude or nature, and return with a new commitment to her obligations and connections.


Part of the process of emotional repair and rebuilding, for Freya, is coming to terms with the complicated people her parents were. Her dread of entering her parents’ room represents her wish to avoid confronting painful memories, but with Bee’s help, she finds the process of cleaning her parents’ room a kind of emotional therapy. She realizes how much she can let go of, literally. As an adult woman herself, Freya comprehends the ambitions her mother might have harbored when she was a young, professional woman working in a career that held many barriers for women at that point in time. She senses that her mother’s frustrations in her domestic situation, and her alcohol use, were how her mother tried to escape her own sense of failure. Though she can recognize where her parents failed her, Freya better understands her parents’ own emotional wounds. This offers her space to cope with her lingering sense of hurt and betrayal.


The connections and parallels between Freya and Aubrey as characters deepen in this section as they both acknowledge experiencing sexual assault and recognize The Human Need for Nurturance in one another. Aubrey gives Freya a sense of hope. She is more resilient than Freya remembers being at that age, and her attachment to Lenny Juice, the rat, also suggests that Aubrey has found some emotional relief in caring for another creature. Shray and Jam reinforce the therapeutic effects of making art, which allows Freya a sense of self-expression she only found in books. Her effort to rescue Jam’s piano further illustrates Freya’s reknitting connections and her wish to nurture and care for her friend.


The setting continues to mirror and frame the characters’ emotional experiences. While spring is a time of renewal, mirroring the larger themes, the unexpected ice storm in April symbolizes that setbacks or obstacles can arrive suddenly. Her need to protect Aubrey during the storm offers an emotional turning point for Freya as she realizes the effort it takes to care and provide for another, and also for herself. Small images that speak to Freya’s wish for growth and freedom, like the tree saplings she plants or the deer she frees from being trapped in the fence, continue to chart the path of her character growth toward maturity and healing.

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