57 pages 1-hour read

Home of the American Circus

Fiction | Novel | Adult | Published in 2025

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Part 5-EpilogueChapter Summaries & Analyses

Content Warning: This section contains references to emotional abuse, suicidal ideation, death by suicide, and substance use and dependency.

Part 5: “Winter, Again” - Part 6: “Spring, Finally”

Part 5, Chapter 66 Summary

Freya walks toward the Elephant Hotel and enjoys the carolers and the tree-lighting taking place in the square around the statue of Old Bet. She reflects that Somers is a quaint town, but not her home. She sees Hans with a sleepy Emmeline. Freya says “Sorry, Bet” (375) before she walks home.

Part 5, Chapter 67 Summary

Freya reflects that she wanted to believe that, if she told Step what Charlie had done, Step would stand up for her, but she knows deep down that he wouldn’t have. The night of the laundry room assault, Steena called their mother. Charlie was claiming that Freya had “thrown herself” at him. When Freya arrived home, Step gave her a notebook and insisted she write an apology. Step said it was Freya’s fault for getting drunk and Charlie couldn’t be blamed for acting like a man. Freya considered using Step’s safety razor to cut herself, but she thought of the things she loved and realized she wanted to go to Maine. She wrote a letter saying she was not coming back and wrote, “Tell Aubrey I love her more than anyone I’ve ever met” (378).

Part 5, Chapter 68 Summary

Lenny Juice dies, and it proves an emotional moment for Freya and Aubrey. They perform a funeral, and Jam plays songs. Freya wonders how she’s going to leave Jam.


Freya and Jam discuss how Somers is named “The Cradle of the American Circus” (381) and Freya asks if Bet the elephant could have been happy. Jam takes her hand, and Freya thinks, “I am keenly aware that anything good is fragile and fleeting” (382). They have sex on the piano bench, and Freya suggests Jam could come with them and have his own hike.

Part 5, Chapter 69 Summary

Bee, Shray, and Jam come to the house to celebrate New Year’s Eve. Jam shows Freya that the support beams in the basement are soft with moisture. Freya asks him not to tell Aubrey.


A segment at the end of the chapter discusses how elephants are herd animals and how Bet was isolated from her kind. The report concludes, “In writing this paper, I’ve come to understand that society prefers to choose historical narratives based on what we want to believe and how we want to see ourselves” (385).

Part 6, Chapter 70 Summary

Freya looks through Step’s notebook as they prepare for their hike. He writes about birds and plants he wants to see. Freya reads a mention of Halley’s Comet and realizes she was nine when Step was writing about leaving her. Inside the cover are lists of trees, flowers, and birds. Freya thinks that if Step had left, “our family would have looked like a problem to the outside world. Maybe someone would have helped me” (391).


Freya visits Bee and reveals that her father was planning to leave her. She tries to consider how Step felt, but Bee reminds Freya that her parents were supposed to take care of her, not the other way around. As she drives away, Freya notices the names of the streets around Bee’s development match up with Step’s nature checklist. She returns to Bee’s and finds that the developer—Charlie’s company—used the banned drywall in building Bee’s house.

Part 6, Chapter 71 Summary

Freya recalls that, when she went to discuss her college paper on Old Bet with her history professor, he berated her for not basing her report on facts. Freya asked why a man should be more important than an elephant, and her teacher accused her of making “feminist performance art” (395). Freya dropped out of college and moved back home. She realized later that if she’d waited tables instead of going to college, she could have saved enough money to move out.

Part 6, Chapter 72 Summary

Freya goes to Steena and Charlie’s house with the papers giving her guardianship over Aubrey. She tells herself if she could feel anything right now, “I’d be crushed by the sadness of this moment, by how bad things have to be for it to come to this” (398). She wishes she could have had someone to do this for her.


She tells Steena if she doesn’t sign, Freya will reveal that Charlie used banned materials in the houses he built. Freya reflects, “I spent my childhood thinking if I tried harder, I could figure out how to be someone Steena could love, but it was always a lost cause” (399). Charlie, who appears to be heavily drinking, signs the papers also. Freya buys her and Aubrey cupcakes to celebrate. Aubrey describes the things she wants to see on the trail.

Part 6, Chapter 73 Summary

Jam comes to the house in the middle of the night before Aubrey is scheduled to take the GED. Freya can tell he’s high. Later Jam calls and says he’s under the elephant. He wanted to get her for Freya. He tells Freya that one night, he overdosed, and Eddie gave him a shot that saved his life. Jam reflects that he took up playing piano to please his mother, but then she died by suicide by driving into the reservoir. Freya understands his pain and also why he deals with it this way. She thinks that everyone she knows has been broken somehow.

Part 6, Chapter 74 Summary

Freya stores some of her things at Bee’s and says goodbye to Hans, whom Bee is dating. Bee asks Freya what she wants for her life, and for the first time, Freya imagines having a shop in Maine where she sells books and art. She imagines furnishing a bedroom where Aubrey can stay, and she thinks, “No one will yell in our home. No doors will slam” (411).

Part 6, Chapter 75 Summary

Freya has a picnic at the bridge with Eddie. He suggests he might come visit her up north, and she imagines him in her house and in her future.

Part 6, Chapter 76 Summary

Freya and Aubrey hold a sale, and Freya says goodbye to many of her friends. Gus says he will hold onto Vili’s woodworking tools for her. She hugs Bee, who will come visit them at the top of Mount Katahdin, the end of the trail. Freya takes Step’s bolt cutters and cuts away a section of the deer fence so the deer won’t be trapped.

Part 6, Chapter 77 Summary

Jam makes them breakfast the morning they leave. Freya tells him one more time he could come with them. She sits at the piano while he plays music and, when he asks, tells Jam what his mother had hanging from the rearview mirror of her car.


Jam will look after the house, which Freya hopes will sell. Jam sends her a tape of music labeled Seiđr, which is a term from Norse mythology that describes the goddess Freya’s magic. As she looks at the house, Freya thinks, “I’m glad I had the chance to repair what I could” (419).

Epilogue Summary

Monson, Maine. September 2008. Freya and Aubrey visit the post office to collect their resupply package. Included is a newspaper clipping describing how Freya’s house burned down in a fire. Jam took in the cat, Coriolanus. Freya feels only relief and thinks how much stronger Aubrey looks. In six days they will reach the end of the trail, and after that, Freya thinks, “We can go anywhere” (422).

Part 5-Epilogue Analysis

These final sections of the novel show Freya reckoning with the last things holding her in Somers, while also allowing her to make peace with The Importance of Interrupting Cycles of Abuse. Where the first movements of the novel dwelt on loss, these concluding chapters show all that Freya has gained, or regained. There is further conflict and a lingering heartbreak as Freya realizes that her father’s plan to hike the Appalachian Trail involved an intention to leave Freya. However, Freya’s emotional growth and maturity have brought her to a new level of clarity where she can process these heartbreaks and move on.


After the tension of earlier confrontations, the concluding scene with Steena and Charlie is almost anti-climactic, but also fitting as Freya realizes the hold they had over her was the nurture she wanted from them and didn’t receive. She’s made the same realization about her parents, and she’s now able to deal with that hurt in a more empowering fashion. There’s a semblance of justice in the plot device that it is Step and Charlie’s plotting that gives Freya the leverage to bargain with Steena about signing over her parental rights. More importantly, Freya understands this is another way of standing up for Aubrey and stopping the family’s cycle of abuse. In protecting and caring for Aubrey, Freya can find justice for her younger, traumatized self.


The chapter segments on Old Bet play out to Freya’s conclusions that it is unfair for a human to profit from an animal’s misery, and it is unjust to valorize a man for exploiting a more vulnerable creature. Her insistence that a man in authority should not claim sole power over the narrative shows Freya’s reclamation of agency over her own situation in refusing the narrative Charlie wrote about his rape of her. Freya’s final act before her departure—cutting apart the deer fence—is an act of liberation that demonstrates the extent of her healing and recovery as she shakes off the hold of her past.


Jam’s substance use is a cycle Freya can’t interrupt or change, but her wish to care for him invokes both The Human Need for Nurturance and Forging Family and Community Ties. It seems for a while that Jam is healing too in the return to his music. His ability to speak about how much his mother’s death hurt him feels like another emotional breakthrough. However, that relationship, like Freya’s romance with Eddie, is left unresolved as Freya focuses her attention on her own needs and wants— another step in her character arc of growth and recovery. These bonds, in their grounded emotional support, reinforce the found family Freya has developed with the regulars at The Aster, with Bee, and with Hans. The sense of community and support she feels as she prepares to leave Somers remind her that affection, loyalty, and aid are what bind people, not necessarily biological relationship.


When she leaves, Freya recognizes the house as a symbol of the repairs she has tried to make to her own life, and is glad for the effort she’s invested. By the Epilogue, when she’s been away, the destruction of the house feels like a relief. Freya can truly feel like she’s escaped the last burdens that her childhood laid upon her, which leads to the image of utter freedom captured in the Epilogue’s last line.


The closing lines of the last chapter provide an image that circles back to the conclusion of the Prologue and its line describing five-year-old Aubrey: “The sun is setting and she’s beautiful” (2, emphasis added). In the Prologue, the setting sun symbolizes the sense of ending and loss that Freya feels at having left Aubrey behind. As they set out together to begin their hike, the line “The sun is rising and she’s beautiful” (420, emphasis added) captures the hope and the new beginning that Freya feels, contrasting the misfortune that began the story with Freya’s sense of good fortune at the end.

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