59 pages • 1-hour read
Ottessa MoshfeghA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: The stories in this book contain explicit descriptions of sex work, drug use, thoughts of suicide, mental health conditions, and interpersonal violence.
Ms. Mooney teaches on the first floor of the Ukrainian Catholic School in New York City. She is frequently hungover in the mornings, and drinks at a nearby Indian restaurant on her lunch break. Her classroom is the school’s old library, a disheveled, noisy space filled with out-of-date textbooks and hidden stashes of pornography. Mooney is not an effective teacher, and fabricates her students’ standardized test scores when she knows they will fail. She often shares inappropriate information about her life—including her sex life—with her students.
Mooney’s addiction to alcohol defines her life away from work. She buys two or three 40-ounce bottles of beer on her way home, and then more in the evening. At 10:00pm she moves from beer to vodka. Feeling guilty, she tries to “better herself” by reading or listening to music, “as though God were checking up on [her]” (6). Occasionally, she’ll go to a bar and order drinks she doesn’t like in an attempt to force herself to drink more slowly.
As a result of her addiction, Mooney has very few meaningful relationships. Mooney has an unnamed boyfriend, who is still in college and comes to visit her on weekends, and an ex-husband, living in Chicago, whom she calls when drunk. Her only adult friend is a woman named Jessica Hornstein, who lives on Long Island and visits to experience nightlife in New York City. These visits usually end with Jessica going home with a stranger and Mooney drinking alone.
The climax of the story comes when Mooney’s ex-husband visits and asks to have dinner with her. She spends several days preparing for his arrival: She stops drinking, starts exercising, cleans her apartment, and buys new clothes, sheets, and towels. On the day of the dinner, Mooney arrives early and begins drinking. By the time her ex-husband arrives, she is drunk, and when he offers her an undisclosed sum of money to stop contacting him, she agrees. She drafts a resignation letter and admits to fabricating exam results.
After a few days of drinking and cocaine use, Mooney decides to hand-deliver the resignation letter to the Ukrainian Catholic School. She imagines the priests comforting her and thinks about the moving scenes she saw last time she attended church. When she finally arrives at the church, however, she finds it closed. She sits on the steps briefly before going to a nearby bar, ordering a bowl of pickled onions, and ripping up the resignation letter.
Like much of Moshfegh’s work, “Bettering Myself” relies on mood—rather than plot—to communicate meaning. The non-linear, contradictory nature of the narration is reflective of Mooney’s mental state. The story—which jumps from descriptions of the school to Mooney’s drinking to her fragmented relationships before finally landing on the incident with her ex-husband—lacks a clear narrative because Mooney’s life lacks a clear purpose. The story’s abrupt ending is similarly reflective of this instability, offering the reader no clear answers about Mooney’s choices.
Both Principal Kishka and the unnamed boyfriend enable Mooney’s addiction and Social Isolation by pretending not to see it. Kishka avoids Mooney’s classroom because “he knew if he ever set foot in there, he’d be in charge of cleaning it up and getting rid of me” (3). Similarly, the boyfriend “looked the other way,” (4) when he saw Mooney drinking too much over the weekends, and “rarely poked his head” into her private life (6). Although neither Kishka nor the boyfriend actively contribute to Mooney’s addiction, their refusal to engage allows her to continue these self-destructive patterns, increasing her feelings of isolation.
The title, “Bettering Myself,” is a reference to Mooney’s habit of listening to music or reading when she switches to hard alcohol, “as though God were checking up on [her]” (6). When Mooney’s ex-husband comes to town, she seems to be actually bettering herself: she quits drinking, exercises, and begins to eat healthy. She seems capable of making an effort to “better herself” only when she feels watched by some male authority figure—whether God or the ex-husband. She is unsatisfied with her life as it is, but she cannot define for herself what “better” might look like—she can only attempt to mimic the kind of person she thinks someone else would want her to be. As a result, she almost immediately returns to her old patterns, and the story ends with Mooney alone at a bar, leaving the reader to wonder if she can, in fact, change.



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