52 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of parent death and childhood grief.
Ten-year-old Melody Bishop scouts her yard for dandelions. She’s made a deal with her dad: For every dandelion she removes with roots intact, she’ll get a nickel. Melody wants to earn enough nickels to buy some Wild Berry Skittles, but she’s having a hard time getting the roots out of the ground with each dandelion.
Melody’s neighbor, six-year-old Teeny Nelson, pops up on the other side of the fence to ask what Melody’s doing. Melody is often annoyed by Teeny, who cannot take a hint that Melody doesn’t want Teeny’s company. Teeny asks Melody about her gardening gloves and why Melody’s hair is so short. Melody isn’t into the girly things that Teeny likes. She prefers her hair short and likes wearing her dad’s old button-downs.
Teeny adds that she knows something about Melody: Melody does not have a mom. Melody’s mother died when she was born, and she has never known her mom. It doesn’t bother Melody, as it’s a fact of her life that she simply accepts. Teeny asks if Melody misses her mom. Melody responds that she never knew her mom, so she doesn’t miss her. Melody’s dad takes care of everything, and it’s just been the two of them since Melody was born.
Melody is very close with her father, who works as a high school humanities teacher. Melody’s dad comes outside to check on her progress. He invites her to join him at the store, and they go back and forth with a word game they invented, in which they call one another “Boris” and “Doris” and use as many synonyms as they can think of. Melody gets caught up when she throws out “unilaterally” and learns that it means without the agreement or participation of the other people affected.
Melody’s dad offers to race her to the end of the driveway, with the loser responsible for dishes after dinner. Melody thinks her dad let her win, but she doesn’t care. He’s been in such an odd mood lately, making absent-minded mistakes and whistling “You Are My Sunshine” around the house. Melody is certain something is going on with him.
Melody and her dad talk about famous misused expressions on their way into the store. They usually split up to get their shopping done quicker. While Melody is alone in the cereal aisle, a woman approaches her, seemingly familiar with Melody. She hugs Melody, who is so scared of the stranger that she nearly punches the woman.
When Melody’s dad enters the aisle, the woman goes to hug him too. Melody’s father introduces the woman as Nancy Montgomery. Nancy was friends with Melody’s parents before Melody’s mom died. Nancy is so shaken that she begins to cry, saying Melody looks just like her mother. Nancy talks about how much she misses Melody’s mother. Melody’s father is uncomfortable with Nancy’s emotional outburst. He tells her it isn’t the time or place.
Melody thinks that it will never be the time or place to talk about her mother, as her father never seems to want to approach the subject. The one time Melody asked about the day her mother died was the first time she’d seen him cry. She never asked again. Melody’s mom was quite the local celebrity, but it seems no one ever wants to talk about her around Melody.
On the way home, Melody’s father muses over the expression “spitting image.” Melody wants to ask if she really looks that much like her mother, but she remains quiet. Melody’s dad surprises her with a bag of Wild Berry Skittles.
Over dinner, Melody’s father asks about her math test. Melody laments that she dislikes her teacher, Miss Hogan, because she puts questions on the tests that are designed to trick students and grades harshly. Melody asserts that Miss Hogan dislikes her too. She wishes she had her teacher from last year, Mrs. McKenna. Melody’s father responds that they were a good fit and muses about how the two very different teachers are close friends. He encourages Melody to ask for a retest.
Melody asks her father why he’s been whistling “You Are My Sunshine” lately, but he deflects, asserting he can whistle if he likes. Melody still feels he’s hiding something.
A week later, Melody wakes up and hears her father on the phone with someone he calls Honey. She’s certain she did not dream it. The next morning, Melody’s grandfather Gramp-o is there and her father is gone for the weekend. Gramp-o regularly leaves his oxygen tank inside while he sneaks to the garage for a cigarette. Melody gives him a hard time for his “looking for a hammer” excuse.
Melody’s father has written a note on the back of a flyer announcing the opening of a new beauty salon. He tells her to take care of Gramp-o and provides an emergency number. When Gramp-o enters, Melody asks if he’s noticed anything different about her father. Gramp-o thinks Melody’s father is just absent-minded because it’s the end of the school year. He usually mellows out when grades are in. Melody thinks this time is different, and she’s excited at the idea of her suspicions being true.
Melody talks to her best friend, Nick Woo, on the phone. Melody informs Nick of the latest development—the Honey nickname she overheard. She thinks her father has a girlfriend. She and Nick want to figure out who it is.
Melody returns to the yard to keep working on the dandelions. Teeny pops up over the fence, but Melody wants to be left alone. She considers her conversation with Nick, who suggested she ask her dad. Melody told him about her dad’s camping trip with the debate team, which would last through Memorial Day Monday. Melody has an easier time with the dandelions now after the rain the previous night.
Teeny squeezes through. She’s dressed for ballet lessons. She talks about how her mom got a free manicure from a lady named Bee-Bee, who gave Teeny a Dum Dum and let Teeny pet her dog. Teeny hopes to get her nails painted too next time. She muses about what color she wants, listing the colors as numbers. Melody wonders why the polishes are numbered.
Teeny tries to get Melody’s attention by performing yo-yo tricks. Then she begins to repeat gossip she’s heard about people in town. She repeats that “Henry’s been bitten by the love bug” (30), giving Melody pause. Henry is her father’s name. She asks where Teeny heard that. Teeny wants a turn with the weed-pulling fork before she’ll tell Melody, but the girls are interrupted by Teeny’s mom screaming at her through the window. Teeny isn’t supposed to enter other people’s yards without being invited. Melody screams back that she invited Teeny, saving Teeny from her mother’s wrath. Melody asks again where Teeny heard the thing about Henry and the love bug. Teeny must leave for ballet practice, but she calls back to Melody that she heard it at the Bee Hive.
Bee-Bee Churchill has always wanted to own her own beauty salon. She pursued this dream through beauty school and learned to mix her own nail polishes. She ascended the ranks at her salon job, quickly becoming the beloved head stylist. When she won the lottery, it was finally time for her to realize her dreams.
Bee-Bee fell in love with a former ice cream parlor, The Frosty Boy, as the ideal location. Before settling on it with her realtor, Bee-Bee made a mysterious phone call. Bee-Bee has always been trusted with the secrets of the small towns she’s served, despite how fast things spread. She vowed to keep another secret to the person on the phone, then told her realtor that she’ll take The Frosty Boy.
Bee-Bee moved into the apartment attached to the store and remodeled The Frosty Boy into her salon, the Bee Hive. She wanted to get everything prepared for a Memorial Day weekend opening. She repurposed an old bowl from The Frosty Boy into a candy bowl for her counter, and her interior glowed with bee-themed décor.
Bee-Bee printed fliers offering free manicures to any customer who arrives before noon on opening day. That Saturday morning, she woke up early, took her dog Mo for a walk, and returned to a line of people forming at the salon door. Bee-Bee excitedly welcomed the crowd to the Bee Hive.
Mo recalls his early life as a puppy at a puppy mill, where he struggled to compete for food with his siblings. He remembers a white car pulling up with a thin man and a large woman in a yellow dress. The woman went right for Mo, as though she were looking just for him. They took Mo home in the back of the white car. The thin man watched Mo in the rearview mirror, and the big woman sang “You Are My Sunshine” to him.
Mo loved the comforts of his big new home. The big woman enjoyed fussing over him. Mo felt loved for the first time. One day, the woman presented Mo with a shiny, heart-shaped pendant for his collar. Mo loved his pendant, as it made him feel special. Mo was very happy with his new life.
One morning, Mo woke up to a horrible, high-pitched sound upstairs. No one came to feed him or walk him that day. People flooded into the house. Mo waited all day, hiding until everyone left. When Mo went to the bedroom, he found the large woman asleep on the bed, a small bundle beside her. He could smell fresh-cut grass. The thin man was distraught in the corner, and when he saw Mo, he shooed him away.
The thin man fed Mo the next morning—a task he’d never done before. He didn’t do all the special things the large woman did, though. He also didn’t give Mo any water or his vitamin. Mo looked all over the house for the large woman again, but she was gone. More strangers came to the house dressed in black. Mo went home with one of them, a nice tall woman who fed him chicken and dumplings for dinner. Mo was happy for the tall woman’s care, but he worried about the large woman and the big house he’d left behind. Before Mo left, the thin man took the heart-shaped pendant from his neck and said it would only be for a little while.
That night, Mo dreamed of a laughing, dancing girl with long yellow hair. When she saw Mo, she threw her arms around him and said, “It’s you” (45). Mo feels this is where he’s meant to be—with this mysterious dream girl.
The Bee Hive is booming on opening day. Bee-Bee flies from customer to customer working on the free manicures she promised. Everyone is in good spirits. The widow of the former Frosty Boy owner stops by to compliment Bee-Bee’s work. She likes that Bee-Bee kept the big glass bowl and the framed newspaper clipping about a famous little girl. Bee-Bee gives manicures to 36 clients, and the only one who is displeased is Teeny Nelson’s mother, Mrs. Nelson, who complains that the color looked different in the bottle than on her fingers. Bee-Bee offers to redo Mrs. Nelson’s fingers. She allows Teeny to take candy from the candy bowl and offers to let Teeny pet her dog.
Nick goes to Melody’s house for lunch. Gramp-o has the kids fetch the tuna casserole from his trunk, as he forgot it when he arrived earlier. Melody fills Nick in on Teeny’s gossip about Henry and the “love bug.” Melody and Nick ask Gramp-o if he knows anything about Melody’s father’s girlfriend, but Gramp-o hasn’t heard anything about that. Gramp-o insists Melody’s father would tell them if he were seeing someone.
Over lunch, Melody and Nick decide to visit the Bee Hive to investigate the rumor. Neither Melody nor Nick have any desire to step into a beauty salon, but Melody promises they’ll be quick. They decide to search Melody’s dad’s name to see if there are any other Henrys in Royal, Indiana, but Melody’s father is the only one. Melody knows for certain now that her father is the Henry with the “love bug.” Now she’s determined to figure out who his girlfriend is.
Mo spends the morning relaxing. He is happy that the loud construction workers are gone, so he doesn’t mind the bustling noises of the busy salon. He recalls his last home with the tall woman, where he was surrounded by the sounds and smells of nature in their cabin by the river, but the tall woman seems much happier here. Mo isn’t sure yet.
Mo has been watching an orange cat that hangs around the area. He hates the cat’s smell and that it wanders through the yard, yowling at all hours of the night. Mo hopes to one day chase the cat up a tree to prove he’s the boss.
Mo dozes on the couch until a little girl with long blonde hair skips in. At first, he’s excited, believing his dream is about to come true, but then he realizes this isn’t the right girl. She pets his head with sticky fingers and leaves.
The first third of Honey introduces the novel’s main characters and the multiple mysteries that propel the novel’s action, introducing the theme of The Problem of Family Secrets. Melody’s primary conflict is figuring out why her father has been acting “so distracted” and “staring off into space with a goofy-looking grin” (7). Melody’s certainty that “[s]omething was definitely up” (7) with her father establishes the novel’s main mystery and sets up the novel’s primary conflict, as Melody begins to wonder if her father is hiding a new relationship from her.
The novel also introduces the secondary mystery about Melody’s mother. Melody herself doesn’t know much about her because “As far as Melody could tell, her father never felt it was the right time or place to talk about her mother” (11). Melody also acknowledges that her father “wasn’t the only one who avoided talking about her mother. She’d been the closest thing to a celebrity Royal, Indiana, had ever known, but nobody ever mentioned her name anymore—at least not around Melody” (11). Although it has never bothered Melody that she has no mother, she lacks a connection with the woman who made her, because no one ever tells Melody what her mother was like. The mystery of who Melody’s mother was thus parallels the present mystery of who Melody’s father is seeing.
The narrative’s changing perspective also introduces Mo, Bee-Bee Churchill’s dog, who has a secret past of his own. Mo fondly recalls his first family and the tragic and confusing end to his time with them. Combined with the information that Melody’s mother died in childbirth, it is implied that Mo was first adopted by Melody’s parents before Melody was born, but was surrendered to another owner when Melody’s mother died. Mo shows a deep attachment to this first family, and his dreams of one day being claimed by a girl with long yellow hair foreshadow his change of home at the novel’s end.
The small-town setting of Royal, Indiana, introduces the theme of The Dangers of Small-Town Gossip. Teeny, fresh from the Bee Hive, begins repeating things she heard the adults say about other townspeople to Melody. The nature of Teeny’s ramblings is personal, as she talks about someone’s appendix bursting and another family’s expected “stork visit” (i.e., a new baby). When Teeny repeats that “it looks like Henry’s been bitten by the love bug” (30), Melody is convinced Teeny is talking about her father, Henry Bishop, and launches her investigation. Teeny’s repetition of the beauty salon gossip is a significant factor in Melody’s decision-making and actions in the following chapters, showing the significant influence of gossip in a small town.
Bee-Bee also shows awareness of the potential dangers of small-town gossip, with the narrative noting, “Secrets in a small town are about as easy to keep as a snowball on a radiator, but when it came to Bee-Bee Churchill, even the juiciest of secrets was safe with her” (35). The simile in this quote emphasizes how fast secrets spread through small communities, comparing the speed of rumors to a rapidly melting snowball. Shortly before purchasing The Frosty Boy to convert it into the Bee Hive, Bee-Bee makes a mysterious phone call and “by the time she hung up the phone, she’d been entrusted with another secret” (36). Bee-Bee’s tight lips in the face of rapidly spreading town gossip characterize her as a trustworthy individual, while the new “secret” she hears foreshadows the later revelation of Henry’s new relationship.
These first eight chapters also introduce several of the novel’s important symbols. In Mo’s flashback, Mo recalls receiving a heart-shaped pendant with his name on it. Mo adored the pendant and “the way it made him feel like he belonged” (42). When Mo went to his new owner, one of his old owners took the pendant back, and “Now Mo missed the jingle-jangle sound and the way it made him feel” (44). Mo’s desire to return to his first family is represented through his longing for his pendant, which symbolizes Mo’s sense of belonging. Mo’s recurring dream about the little girl and his wish to have his pendant back parallel Melody’s search for truth about her father’s present and her mother’s past.
An important motif is the song “You Are My Sunshine,” which is sung or whistled in multiple places throughout these chapters. Melody’s suspicion that something is going on with her father is deepened by her father’s mysterious fixation on whistling the song, and in Mo’s flashback, he recalls the large woman singing the same song to him on his way to his first home. This song represents the idea or presence of love, as both Melody’s love-bug-bitten father and the large woman in Mo’s flashback sing the song out of love.



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