53 pages 1-hour read

Hot Milk

Fiction | Novel | Adult | Published in 2016

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Chapters 16-22Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, sexual content, emotional abuse, animal cruelty and death, mental illness, and ableism.

Chapter 16 Summary: “Nothing to Declare”

Christos meets Sofia at the airport in Greece with his new wife, Alexandra, and their infant daughter, Evangeline. Christos is 69 years old, Alexandra is 29 years old. Christos asks about the flight and insists that Sofia call him “Papa.” Alexandra has braces and wears animal slippers, which makes Sofia think about how sophisticated Rose is. Alexandra recommends visiting the Parthenon. Christos drives them to Athens and asks if Sofia is getting a lot of rest in Spain. Christos explains that Sofia does not speak Greek because Rose thought she could not handle it, while Alexandra speaks fluent Italian, which surprises Sofia.


Christos’s home in Kolonaki is covered in Donald Duck posters and the word “OXI,” which means “no” in Greek. Alexandra likes Donald Duck because he is a child that likes adventures. Rose has seven prints by L.S. Lowry, an English artist who painted while caring for his ill mother.


Alexandra brings Sofia to a guest room with no windows and a camping bed, closing the door carefully to avoid waking Evangeline. Sofia lies down, and the bed collapses, waking Evangeline and knocking over a table. Christos comes in without knocking, and Sofia stretches her legs without getting off the bed.


They eat an Italian dish on their not-as-good plates, and Alexandra asks Sofia about Spain after Christos says a prayer. They do not ask about Rose, but Christos says he revealed his shame to God.

Chapter 17 Summary: “The Plot”

Alexandra is a mainstream economist on leave from her job in Brussels. Before she had Evangeline, she would fly back to Christos on the weekends. Sofia compares herself to Alexandra, who is talking about the survival of the euro and the debt crisis across Europe. Sofia thinks about Ingrid and Juan, imagining walking with both of them, and she thinks the word “beloved” has more importance to her than “euro.” Sofia realizes Dan may have flirted with her and thinks about him sleeping in her room at the café.


Alexandra asks about Rose, and Sofia says she hopes Rose does not miss her. Sofia says Christos does whatever serves him, and Alexandra asks why Christos would do anything that is not to his advantage. Sofia wonders if she does things that are not to her advantage, and imagines Rose leaving when Sofia was five years old to live in Hong Kong.


Alexandra also does not do anything that is not to her advantage, and Sofia thinks about how Alexandra and Christos both have religion to guide them. Alexandra confides that it is difficult to be with an older man, noting how Christos has health issues and forgets things. Alexandra asks Sofia to take the bus back to the airport when she leaves, and Christos enters, saying he is glad they are getting along.

Chapter 18 Summary: “Other Things”

Sofia walks with Christos to his job at the shipping company he owns. She knows he cannot repay his debt to her. They run into one of Christos’s colleagues, George, whom Sofia thinks is attracted to her. Her outfit is revealing, and she thinks Christos thinks she is not upholding the family honor. They say disparaging things about each other to George, and Christos tells Sofia not to come into his office. She goes to a museum instead, and thinks about ancient Greece.


Alexandra reads Mansfield Park out loud, and Christos corrects her pronunciation. Sofia thinks their family is unstable and only united through God. She knows Christos had to leave her and Rose behind to start a new life.

Chapter 19 Summary: “The Cut”

Alexandra asks what the word on Sofia’s shirt means and thinks Sofia misread it. Sofia dreams of falling asleep with her hand on Ingrid’s breast on the beach, leaving a gap in Ingrid’s tan that Ingrid says will frighten her enemies.


Sofia goes to buy lamb for Alexandra’s moussaka, and she thinks about the rites ancient people used to comfort them when eating meat. Matthew texts Sofia saying that Rose needed to be rehydrated and that Gomez is a quack. Sofia calls Gomez to tell him that Rose will only drink the “right” water. Gomez is more interested in Rose’s problem with water than with walking.


Sofia cannot sleep, so she decides to sleep outside. Christos and Alexandra are there, and Sofia does not want to interrupt. Alexandra lights Christos’s cigar, which makes Sofia think about the submissive role of women in ancient Greece. Sofia wants someone to light a cigar for her. She remembers Ingrid thinking about snakes, stars, and cigars while embroidering, and she decides to take a bath. She reads the word on the shirt Ingrid made for her and realizes the word is not “beloved” but “beheaded.” Sofia imagined the word “beloved,” and she thinks about Ingrid cutting off the snake’s head.

Chapter 20 Summary: “History”

Christos and Alexandra cuddle on the couch, and Sofia thinks about how Evangeline is beloved. Sofia asks to speak to Christos privately, which makes him untangle himself from Alexandra. Sofia says she wants to finish her doctorate in America, which requires funding and someone to care for Rose. Christos says it is not his problem and goes back to Alexandra on the couch to nap with her and Evangeline. Sofia is livid, and she wonders if Evangeline will make Christos less uncomfortable. Christos wants Sofia to see his family from his perspective, where everyone knows their place.


Sofia goes for a walk, and there is a package from Rose when she returns. Alexandra tells Sofia that Christos likes dill. The package is for Christos and contains Yorkshire tea, which Alexandra says Christos does not like. Christos offers to bring Sofia for Greek coffee. Sofia tells Alexandra where Yorkshire is.


At a café, Christos thanks Sofia for coming to Athens and meeting Evangeline. He gives her 10 euros as “spending money,” which Sofia gives to a woman asking for change. Christos folds a flower, and Sofia takes it. She thinks about the roles of men and women in families and reflects on keeping her father’s last name.


At home, Alexandra pretends to sleep, and Christos gets her a blanket. Sofia knows Alexandra is awake.


In the morning, Sofia packs to leave, and Christos is already gone for work. Sofia finds Alexandra on the balcony and asks about her family. Alexandra was adopted, and Sofia speculates that she married Christos for another childhood. Alexandra seems concerned: She offers to help Sofia learn Greek via email.


Sofia finds the paper flower Christos made in her luggage and thinks about how things did not work out to Rose’s advantage.


The other narrator looks forward to the Greek girl’s return to Spain and thinks about asking her to dig holes to plant olive trees.

Chapter 21 Summary: “Medication”

Back in Almeria, Rose calls Sofia for water, and Sofia gives her a massage. While Sofia was away in Greece, Matthew brought Rose to a hospital, where the doctors prescribed a series of medications. Gomez does not want Rose to drive anymore, and Rose wishes she could keep Sofia’s hands when Sofia leaves.

Chapter 22 Summary: “Big Sea Animal”

Sofia and Ingrid go to a different beach. Sofia wears a satin dress that Ingrid embroidered for her. Ingrid tells Sofia it is better that Pablo’s dog drowned, but Sofia is not sure the dog is dead. Ingmar is sick because there was a gasoline spill at the beach, and he drank the water to try to prove it was clean. Ingrid tells Sofia how she pushed her younger sister off a swing as a child, causing her sister to have brain damage. Ingrid becomes sullen, walks off, and starts catching jellyfish in a net before dumping them on the beach.


Julieta calls Sofia over to a cave by the beach and tells her how her father hates medication, including alcohol. Julieta says it is a myth that urine helps jellyfish stings. Sofia returns to Ingrid, who wants to leave, and Sofia takes Ingrid’s phone. Ingrid chases Sofia and rips her dress, but Sofia throws the phone in the ocean. Ingrid pushes Sofia under the water and holds her there, but Julieta pulls Sofia onto the beach. Ingrid gets stung by the jellyfish she dumped in the sand. Sofia realizes Ingrid pushed her like she pushed her sister. Ingrid pees on her stings, but Sofia says it is a myth.


Ingrid invites Sofia to help plant olive trees. She asks Sofia if she thinks Hannah can still think and remember, and she asks if Sofia still likes her. Ingrid says everything will be dark until Sofia answers, but Sofia says nothing. Leonardo shows up and looks displeased to see Sofia. He gives Ingrid riding boots and a helmet, and Ingrid says one of the olive trees is for him. Sofia realizes Ingrid is running from the memory of what she did to Hannah, and she uses Leonardo to mask the desire she feels for Sofia. Sofia is a “monster” to Ingrid because she is frightened by her desire.

Chapters 16-22 Analysis

In this section, Sofia continues The Struggle for Independence by spending some time away from Rose, marking a unique portion of the text that takes place in Greece. This change shows the other side of Sofia’s possible family structure, in which she could choose between her father and mother. However, she finds that she is not welcome in her Greek family. Sofia asks Christos for advice and support with her education, only to face his total indifference. Sofia notes how, “My father is furtively looking at me as he folds himself into the sofa with his wife and daughter. He wants me to see his new, happy family from his point of view” (155), with his rejection of Sofia representing a second kind of abandonment.


For Christos, Sofia’s visit is only a disturbance, but it presents the chance to show Sofia that it was worth it for him to abandon her. Christos’s expectation is that Sofia will either mold herself into the family he has now or leave them alone, so when Sofia tries to force Christos to act as her father, he rejects her. This reveals how Sofia does not really have any parents at this point in her life, since Rose is entirely dependent on her, as shown in her hospitalization during Sofia’s trip, and Christos has his own, new family that he wishes to exclusively prioritize. With both father and mother representing dead-ends in terms of support, Sofia becomes more aware of how she must learn to rely more on herself.


During the trip, Sofia discovers that the shirt Ingrid gave her, which she thought was embroidered with the word “Beloved,” actually reads “Beheaded.” This mistake mixes the themes of The Complexities of Sexual Desire and Identity with The Blurred Line Between Physical and Psychological Suffering, since Sofia’s misreading is itself a symptom of her psychological suffering during her sexual awakening. Sofia wants to be with Ingrid, so she imagines herself as “beloved” to further this desire, which suggests that her loneliness interferes with her ability to see others’ motives clearly.


Sofia cannot sleep thinking of how the “incident with the snake and then Leonardo undermining [her] keep colliding with other anxious thoughts” (152), creating a crisis moment for Sofia. After being rejected by Christos, Sofia realizes she is being rejected by Ingrid as well, leaving two gaps where Sofia expected to find a father and a lover. However, both of these gaps were created in Sofia’s mind by her own misguided sense of Christos’s and Ingrid’s perspectives. Christos never accepted the importance of being a true father, even though Sofia hoped he would, and Ingrid embroidered “Beheaded,” which reflects Ingrid’s own emotional conflict over her sexual identity and how she fears getting too close to others.


After returning to Almeria, Sofia collides with both Ingrid and Julieta at the beach, where Ingrid tells Sofia about hurting Hannah as a child. These interactions culminate in Ingrid attempting to drown Sofia, during which Julieta saves Sofia and tells her: “Your boundaries are made from sand” (172). Sofia reflects on the incident and concludes, “Ingrid was repeating a traumatic memory from the past and playing it out with me because she knows my boundaries are made of sand” (172). By using Julieta’s perspective to understand Ingrid, Sofia realizes how making herself into the person others want her to be only leads to abuse. Just as Rose abuses Sofia because she knows Sofia will not stop her, Ingrid, too, is now willing to hurt Sofia openly without fear of losing her. Significantly, it is Julieta—who sees herself as a chameleon, signaling her awareness of her own people-pleasing tendencies—who provides this insight to Sofia, preventing Sofia from dying in both the literal and metaphorical sense on the beach.

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