52 pages 1-hour read

House of Salt and Sorrows

Fiction | Novel | YA | Published in 2019

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Themes

Dark Retellings: Causes and Curses

As a dark retelling of the fairy tale “The Twelve Dancing Princesses,” House of Salt and Sorrows follows the original story’s premise but includes horror elements—such as ghosts and deals with supernatural beings. In a retelling, the basis for the story comes from another story, with the author’s own twists. Erin A. Craig adapts the premise of 12 daughters secretly dancing each night into a fantasy murder mystery. Craig creates an ominous tone through characters like Viscardi (who initially presents as a dragon man) and Kosamaras (the Weeping Woman who cries black tears) and vivid nightmares and illusions (which are believed to be effects of the Thaumas family’s curse). She subverts scenes from the original story such as the discovery of a magical door (which, in the novel, is found in a Grotto, which later turns out to be an illusion), the magical balls themselves (which are also revealed to be illusions), a king’s proposal of marriage as a reward for solving a shoe-related mystery (which Ortun, a duke, proposes and his daughters refuse), and a happy ending (which comes at the price of several deaths and Cassius’s temporary demise).


The Thaumas family is rumored to be cursed due to their history of tragedies. The novel opens with eldest sister Eulalie’s wake, making her the fourth daughter to die in recent years. Many in Salann are wary of interacting with the family, so the sisters barely have dancing partners at the triplets’ birthday ball, let along suitors. The sisters are respected as daughters of Duke Ortun, but all act on the rumored curse in some way. Camille and the younger sisters believe in the curse (or at least the stigma of the curse), while Annaleigh doesn’t. The novel frames the curse as a real possibility, despite Annaleigh fighting superstition to find Eulalie’s murderer. Though her family can’t deny their losses, she prioritizes logic. In a way, the family needs something concrete to blame for their tragedies, but she thinks a curse is too simple of an answer. This conflict of opinions pits the sisters against each other, especially when Kosamaras tightens her grip. After Rosalie’s and Ligeia’s deaths and a sudden shipwreck, even disbelieving Ortun is sullen and wonders if their family is plagued by a curse. Annaleigh notes how her father has aged, having endured grief his whole life—with grief being a metaphorical curse, as it often feels endless. As for the family’s literal curse, Cassius reveals that Annaleigh’s deceased sisters died due to natural causes and accidents, having met their souls himself. In reality, Morella and two Trickster gods are to blame, finally putting an end to the murder mystery.

Layered Mysteries: Reality and Perception

The novel’s blurring of reality and perception plays into its mysteries, with the Thaumas family allegedly dying to a curse and their world being home to supernatural forces. After eldest sister Eulalie’s wake, youngest sister Verity starts to see her deceased sisters’ ghosts; Annaleigh is bruised by the deceased Elizabeth and locked in a solarium by the deceased Rosalie and Ligeia. The people of Salann worship a sea god named Pontus, and Cassius himself is revealed to be a demigod, later bringing Annaleigh to his goddess mother’s healing waters after the solarium incident. Despite these incidents and partially because of the repetition of these incidents, when Annaleigh sees horrors at the magical balls, she questions her sanity:


The punch was made of blood. [...] The cakes and the trays were gone, replaced with butchered carcasses of fish. [...] Tentacles, long and ropy, flailed off the table, spiraling to the floor below. [...] Only I saw this. Only I smelled this. I was the only one who noticed any of this night’s horrors. [...] How was any of this possible? There is one way, a tiny, dark voice whispered in my mind. [...] None of this is real, it persisted. No one else sees it because it’s not really here to see. You’ve gone mad, my girl. No. That wasn’t it (306).


Annaleigh fights to maintain reason and continues to seek answers regarding her family’s curse, Eulalie’s murder, and the balls, among other mysteries. During her investigation, Edgar, Eulalie’s lover, seemingly dies by suicide after sharing information about the night Eulalie died—only for Eulalie’s ghost to later claim Annaleigh killed her. Like Verity, Annaleigh sees these visions but doesn't know they’re hallucinations crafted by Kosmaras, Harbinger of Madness and Nightmares. The ongoing mystery builds suspense and pushes readers to question Annaleigh as she does herself, as she is often alone when subjected to horrors—and others claim ignorance.


As the novel comes to a climax, Annaleigh and Camille catch their stepmother, Morella, in a lie and force her to confess. Through her own observations and Cassius’s talk of faraway lands, Annaleigh pieces together Morella’s deal with Viscardi, Trickster god of bargains, who then summoned Kosamaras to torment the sisters. The family isn’t cursed, but rather targeted by the supernatural forces of the world—as was the case for Rosalie and Ligeia, who froze to death due to Kosamaras’s illusions. Before this turning point, Annaleigh and her sisters never question the magical door in the Grotto or the balls. They assume the balls are real, taking place in different locations in the kingdom, but the balls are illusions grounded in the sisters’ own rooms. Despite learning the truth, Annaleigh fails to convince her family (who have long been manipulated) and nearly loses herself in anger when no one believes her or remembers Cassius exists:


Though it seemed clear Kosamaras was using Camille’s accusations to have me killed, maybe she was creating all this confusion to make me strike at Sterland first? Which meant Sterland hadn’t made the bargain…Or had she known I would jump to that conclusion and wouldn’t be able to kill him, thus protecting the dealmaker? Or, worse, was she putting these ideas into my head now, overloading me until I snapped? My temples pounded, my mind cycling through too many possibilities. How was I ever to know which was right? (354-57).


Based on her family’s reactions, Annaleigh starts to think she’s “gone mad” and questions Cassius’s existence as well. She’s confused but doesn’t give up trying to outwit Kosamaras. Readers are trapped in the same scenario, wondering how to parse reality and perception for themselves when the layered mysteries of the family’s curse, Eulalie’s murder, and the balls are all entangled in a web—which eventually points to Morella.

Honoring Identity: Empowerment and Love

Amid grief, Annaleigh and her sisters must honor their identities as Thaumas daughters and figure out who they are and how they fit into the family. Camille, as the eldest daughter and heir of the family, must claim her identity as Duchess—having been pushed into the role by Eulalie’s death. Due to the pressure of this responsibility, she often lashes out at Morella (whom she sees as an intruder), laments her lack of suitors, and regrets not helping her sisters prepare for the Churning Festival. When Annaleigh reveals Morella as the one responsible for the family’s tragedies, Camille believes her sister and steps up upon the destruction of Highmoor Manor (as Ortun is presumed dead). At the end of the novel, she fulfills her role as Duchess, stating the family will rebuild. In a twisted way, younger sister Lenore fulfills her role as one of three triplets, three sisters who understand each other without words (more so than any of the other sisters), by becoming silent after Rosalie and Ligeia’s deaths—only breaking her silence once Camille starts to rebuild. Even so, she wishes to travel, as Highmoor Manor will never be the same without her fellow triplets.


Likewise, Annaleigh honors herself by becoming the deceased Eulalie’s sole advocate; she champions Eulalie’s memory by insisting she be mourned (even when this attempt fails) and investigating her potential murder. Though her quest sometimes stagnates due to Kosamaras’s illusions, she finds the truth by exercising empathy and remaining true to her instincts. As for her love life, she grows to trust Cassius and voice her affection without fear; she apologizes for accusing him of murder in her frenzied state, and this moment only strengthens their trust.


Overall, love plays a significant role in the characters’ actions. All the sisters love each other, as shown by their grief over Eulalie, Rosalie, and Ligeia, as well as their banter and loyalty to each other, as no one informs their father of the magical balls. The older sisters miss their mother, Cecilia, and comfort each other, with Annaleigh embodying this love in particular. She comforts Camille when she laments her lack of suitors and sleeps with Lenore after Rosalie and Ligeia’s deaths. Love also fuels Morella’s scheme to be with Ortun, a married man, though she never intended to kill any of the sisters. In contrast, Annaleigh and Cassius’s love is portrayed as healthy, as much grounded in meaningful conversations as it is youthful flirting. Cassius goes so far as to defend Annaleigh from Kosamaras, his aunt, and risk his own life to save Verity. Annaleigh’s belief in his existence and their mutual love see them reunited at the end of the novel.

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