54 pages 1-hour read

How To Hang A Witch

Fiction | Novel | YA | Published in 2016

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Background

Historical Context: The Salem Witch Trials

From 1692 to 1693, the people of Salem, Massachusetts, accused 200 people of being witches and executed 20 of them in an event known as the Salem Witch Trials. It began when two young girls began having fits and contorting themselves, making strange noises, and throwing things. A doctor diagnosed supernatural causes, and the girls, including another from a different family, blamed their behavior on three women in the community: an enslaved woman, a beggar, and a poor elderly woman. The women were brought to court, where the enslaved woman, Tituba, confessed she had made a deal to help the devil to destroy the Puritans.


Accusations flooded in. Courts were established, and spectral evidence—or testimonies of people who claimed the spirit of the accused witch was trying to harm them through dreams and visions—was allowed instead of physical evidence. Those who confessed were generally allowed to live with the idea they were saving their souls, but those who pleaded their innocence were deemed unrepentant and sentenced to death by hanging; one man was pressed to death. Years later, a few accusers confessed to wrongdoing, including one of the original accusing girls, Ann Putnam, and one of the judges, Judge Sewell.


While no single reason explains the mass hysteria of the Salem Witch Trials, scholars consider multiple factors that created a perfect storm of conditions: Life was difficult in Salem, and that winter had been particularly challenging. Puritan life was spartan, restrictive, and unpleasant, and people had few outlets. Anxiety about neighboring towns and tense relationships with the native people also weighed on the community. There was an upturn in infighting regarding land rights and petty grievances. Some scholars even speculate a fungus called ergot in their grain might also have caused the original hallucinations and behavior of the girls.


Ultimately, the trials were an outlet for the community’s anxiety, allowing citizens could enact revenge for squabbles and fights. The trials were, as Adriana Mather writes, “like crazy reality TV and everyone got consumed by them” (208). Further, anyone standing up for the accused came under suspicion themselves, ensuring that the trials continued. Governor Phips dismantled the courts only when his wife was accused, and by May 1693, he had pardoned any remaining people accused of witchcraft.

Authorial Context: Adriana Mather

Adriana Mather is an actor, producer, and writer. Her first two books, How to Hang a Witch and Haunting the Deep, are inspired by her family history. Her ancestor, Cotton Mather, was an influential Puritan clergyman in the Massachusetts Bay Colony during the Salem Witch Trials and wrote a book called Wonders of the Invisible World, which declared that the devil was using witches to harm the Puritans.


On a personal trip to Salem, Mather noticed people recognizing her last name. Mather realized the long-reaching effect of history and the weight her family name still carried. This trip and its revelations were the genesis of her first novel. Her later ancestors were survivors of the Titanic, and the story of their survival shaped the plot for her second book, Haunting the Deep, which, despite being about the infamous maritime disaster, features the same protagonist, characters, and setting of Salem.


In a video for Penguin Random House’s GetUnderlined, Mather discusses the connection between historical events and their modern reiterations. Mather finds that history repeats itself, and the lessons learned from tragedies like the Titanic, or the hysteria of the Salem Witch Trials can be applied to modern-day circumstances.


Her second series of books, Killing November and Hunting November, follows the adventures and troubles of a student who attends an academy for teenagers from elite families who are being trained as spies and assassins.

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