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Content Warning: This section of the guide includes descriptions of sexual violence and/or harassment, rape, mental illness, child abuse, suicidal ideation and/or self-harm, graphic violence, sexual content, death, physical abuse, and emotional abuse.
Adeline Reilly, or “Addie,” is the protagonist of Haunting Adeline and Hunting Adeline. She is a young author who lives in her deceased grandmother’s house, Parsons Manor. In the first novel, Adeline investigates the ghosts of Parsons Manor, solving the murder of her great-grandmother, Gigi, all while being stalked by Zade Meadows (and eventually falling in love with him). In the first novel, Adeline is defined by her wit, which is often expressed as sassy comments to friends and family. However, Hunting Adeline poses new challenges and complications for Adeline as she is forced into the violent world of human trafficking. As a captive, Adeline gradually learns to suppress her wit for her own protection, though she still speaks out of turn on occasion and receives violent punishment for her disobedience. Even after Zade rescues Adeline, it takes time for her to return to the behavior that she displays in the first novel. In particular, the recovery of Adeline’s sexuality takes on a more dominant tone in Hunting Adeline.
Adeline is the central focus of the novels, even though the two narratives are “duets” that are structurally split between Adeline and Zade’s perspectives. Even when Carlton writes from Zade’s perspective, the character is often most concerned with Adeline’s well-being. Haunting Adeline largely addresses Adeline’s sexual awakening under the abuses that Zade inflicts on her, which gradually evolve into consensual non-consent fantasies. However, Hunting Adeline sets Adeline back in her previous growth, putting her in genuine non-consensual situations that deeply traumatize her. Specifically, Adeline’s experiences with Xavier, a narcissist who cuts Adeline for pleasure, force Adeline to question her relationship with Zade, and she must also redefine her sexuality more broadly. As Adeline gradually recovers her sexual appetite, she starts taking a more active and dominant role with Zade, though these situations most often conclude with Zade resuming control.
Adeline’s role in the novel is to endure a level of abuse and violence that forces her to undergo a distinct inner shift from security and comfort to strength and determination. Adeline comes to understand the privilege of her prior existence, learning that she must defend herself and bide her time while a captive of human traffickers. Upon meeting the similarly abused women and children at Z’s sanctuary, Adeline finds a new purpose for her life, joining Zade in taking down the Society as an act of revenge and as a way to defend other women who could just as easily become targets like Adeline.
Zade Meadows, or “Z,” is the deuteragonist of Haunting Adeline and Hunting Adeline. He is an imposing man, tall and scarred, and he is most known for his ability to easily intimidate even the most fearsome of criminals. He has dedicated his life to hunting down human traffickers, but Hunting Adeline forces him to use all his skills to find the woman he loves, Adeline, when she is kidnapped by the Society to draw Zade out. For the duration of Part 1, Zade undergoes a harsh transformation. Just as Adeline is forced to stifle herself to survive trafficking, Zade sacrifices his humanity, becoming increasingly violent and ostentatious in his destruction of the institutions of human trafficking. Part 2 follows Zade’s prolonged recovery alongside Adeline as he gradually comes to understand the need to limit his violence and aggression. First, he must control his sexual feelings for Adeline to avoid triggering the trauma that she has already suffered as a captive. Second, he must learn to choose his victims and refrain from violence in certain cases, as when he decides to spare Rio Sanchez at Adeline’s request.
Zade is a protector figure in the text, and the novel initially focuses on his feelings of failure and incompetence after Adeline is taken by the Society. Later, the narrative details his inner growth as he is forced to reconcile his own abuses while trying to help Adeline recover. Ultimately, Zade is a complex character who fills the role of the morally questionable dark romance love interest. In both novels, he openly acknowledges that he sexually assaulted Adeline, but he consistently backs away from any moral recognition of this action. Instead, he either justifies the act by noting that Adeline has fallen in love with him, or else he admits only in the broadest sense that he is a “bad” person. Zade’s character is ultimately riddled with contradictions. Most notably, although he desires to end all sexual violence against women, he repeatedly perpetrates sexual violence against Adeline.
Sibel, or “Sibby,” is a supporting character in Hunting Adeline, reuniting with Zade after the events at Satan’s Affair in Haunting Adeline, which are further detailed in Sibby’s spin-off novel, Satan’s Affair. Sibby grew up in a cult run by her father, Leonard Dubois, who would sexually abuse the men, women, and children living within the cult. He claimed that performing sex acts with him was an act of divinity, and only Sibby saw through the illusion he maintained over the congregation. After the death of Sibby’s mother, Sibby killed her father and ran away. Sibby is mentally scarred by her time in the cult and by her subsequent loneliness. To cope, she has created imaginary henchmen: Mortis, Jackal, Bane, Timothy, and Cronus. These figments of her imagination constitute the extent of Sibby’s social circle before she meets Zade and Adeline.
In many ways, Sibby is a source of comic relief in the novels, as she often makes wild and unpredictable comments and engages in “sex acts” with her henchmen, which in reality amount to no more than masturbation. However, Sydney, one of the captive women in Francesca’s house, proposes a darker side to Sibby’s story. Sydney explains that she is Sibby’s sister, and like Sibby, she also had to leave the cult after Leonard’s death. However, unlike Sibby, Sydney was captured and brought to Francesca’s home, where she faced the abuse of Rocco and his friends. Given the rough parallels in the women’s storylines and origins, Sydney mirrors Sibby in both personality and unpredictability, exercising a similar degree of violence but lacking Sibby’s sense of morality.
Claire Williams is the former wife of deceased senator Mark Williams, who abused Claire throughout their marriage. In Haunting Adeline, Zade decides to let Claire leave Satan’s Affair while he and Sibby kill Mark. Adeline, Sibby, and Zade all believe that Claire is a survivor of abuse, so they do not view her as a threat. However, Hunting Adeline reveals Claire’s role as a mutual partner in running the Society, and she implies that she, Mark, and another figure ran the Society together. Though Zade and Adeline struggle to understand why Claire chose to seek power by perpetuating violence and abuse, Claire becomes the main target in Zade and Adeline’s plan for revenge. In Part 1, the focus is on finding Adeline, but Part 2 centers on tracking down all the people who participated in Adeline’s capture. In the end, Claire explains her plot for world domination before Adeline and Zade kill her, revealing that she intended to institute total mind control around the world.
As the leader of the Society, Claire is the primary antagonist of the novel, and she is responsible for Adeline’s capture, which is intended to taunt and hurt Zade. Max, Luke, Rick, Rio, Francesca, and Rocco all work for the Society (a massive shadow government that controls everything in the United States). Though Claire essentially functions as an avatar of the conspiracy-style side plot of the novels, her role in Adeline’s specific trauma and Zade’s operations adds a problematic element to an already-controversial text. Her actions reflect Carlton’s decision to frame the Society as an organization that harms women specifically but is also paradoxically run by a woman. Although Haunting Adeline, Where’s Molly, Satan’s Affair, and Hunting Adeline focus on the ways in which men abuse women, Claire stands out as an exception, since she is both a survivor of abuse and a perpetrator of abuse. The final scene in which Zade and Adeline confront Claire adds insight to Claire’s character, especially when she claims that abuse is inevitable, and she merely chooses to perpetuate it in exchange for power and wealth. Her mindset suggests that power is sufficient to corrupt anyone into becoming their own worst enemy.
Rio Sanchez is a supporting character during Part 1 of Hunting Adeline, and he becomes a representation of mercy in Part 2. These roles reflect Rio’s conflicted sense of morality, in which he is both a part of the system of abuse and a survivor of that system. In Where’s Molly, Rio reluctantly helps Molly escape Francesca’s house, and in Hunting Adeline, he does the same for Adeline. Additionally, Rio tends to Adeline’s wounds, and he refuses to participate in the group punishments doled out by Rocco and the other men in the house. Later, Adeline discovers that Rio is only working for Francesca to protect Katerina, his sister, who is being held captive at another house like Francesca’s. However, Rio is not only working in Francesca’s house; he is also the survivor of sexual abuse, as Francesca forces Rio to perform sexual favors for her, using Katerina as leverage.
In Part 2, a conflict between Adeline and Zade forms around whether Rio deserves to live. Zade argues that Rio participated in Adeline’s capture, as well as the kidnapping, imprisonment, and abuse of countless other women. Adeline counters that Rio did those things to protect his sister, not because he is a bad person. Ultimately, Zade decides to call off the search for Rio, though he does not fully forgive him. The novel ends with a letter from Rio to Adeline, thanking her for saving Katerina and calling her “princesa,” a reference to their time in Francesca’s house. Though Rio’s morality remains ambiguous, his conflicting roles add nuance to the otherwise reprehensible act of human trafficking.



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