51 pages 1-hour read

I Regret Almost Everything

Nonfiction | Autobiography / Memoir | Adult | Published in 2025

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Key Figures

Content Warning: This section of the guide includes discussion of bullying, suicidal ideation, death by suicide, mental illness, and chronic illness.

Keith McNally

McNally is the author of I Regret Almost Everything. Because the text is McNally’s memoir, McNally renders his account using his first-person point of view. He employs an honest and open tone, affecting a confessional mood. Although the memoir focuses on McNally’s ongoing work in New York’s restaurant industry, he also incorporates events from his childhood life into his personal account.


McNally was born in 1951 to Joy and Jack McNally. He, his parents, and three siblings, Brian, Peter, and Josephine, “grew up in Bethnal Green in a one-story house known as a pre-fab, half a million of which were slapped together in working-class areas after the war to compensate for the country’s housing shortage” (27). McNally claims that his childhood home was an overt symbol of his family’s “poverty-stricken” state (27). For years to come, McNally would live in shame of his working-class origins and make every attempt to escape them.


McNally’s parents rarely got along and McNally often fought with his brothers—resulting in a contentious home and family life throughout McNally’s childhood. Although McNally was close with his sister when he was young, he dropped out of school and left home at 16. This decision propelled McNally into the unknown. The welcome unfamiliarity of his subsequent travels through Europe and the Middle East launched the start of his coming-of-age journey and ongoing Search for Meaning and Purpose. This era of McNally’s life was also defined by relational and vocational exploration. McNally not only made and acted in films, but he also dated numerous individuals. Most notably, his relationship with the older playwright Alan Bennett contributed to McNally’s emotional and cultural education.


In 1975, McNally started his life over once more when he relocated from London, England to New York, New York. This life-altering move further propelled McNally into adult independence and personal exploration. At the same time, McNally’s early days in New York were defined by uncertainty. He wanted to be a filmmaker and actor, but these opportunities didn’t ultimately secure him in the film industry. By happenstance, his bussing and serving jobs offered him a foray into the restaurant industry.


McNally is best known as “The Restaurateur Who Invented Downtown,” an accolade given to him in a 2004 New York Times review (1). This title captures the lasting impact McNally has had on New York’s food scene and culture. Over the course of his career, he’s opened over a dozen restaurants—the majority of them in Manhattan. Although McNally isn’t a chef, he has a honed aesthetic, a keen eye for detail, and a lifelong devotion to creating community. These are the central tenets of his personal restaurateur philosophy, and have secured him his reputation in the industry from the 1970s on.


On the page, McNally owns his faults and missteps to promote the importance of authenticity. As a young man, McNally admits that most of his decisions were inspired by his insecurity. He wanted to prove himself to others, instead of simply to himself. Even though these decisions led to his success, McNally retrospectively regrets having achieved his goals by using a persona. In the memoir, he embraces vulnerability to claim his true identity and voice—even openly discussing his depression, stroke, and attempt to die by suicide. He admits the mistakes he’s made and struggles he’s faced, while also leaving room to own his achievements and growth.

Lynn

Lynn is McNally’s first wife. McNally and Lynn met when McNally was working as the general manager of One Fifth. In need of new floor staff, McNally soon found himself “sitting across from a twenty-four-year-old woman applying for a waitress job. Her name was Lynn” (94). Immediately taken by Lynn’s artistic sensibility and devotion to authenticity, McNally hired her on the spot. This decision would lead to a lifelong relationship between Lynn and McNally. They married five years after their first meeting and had three children together: Harry, Sophie, and Isabelle.

 

Throughout their marriage, Lynn and McNally were also business partners. They opened several restaurants together, the majority of which are still open. After their divorce—which was inspired by tensions over hiring and firing employees—McNally recognized how much he’d been depending on Lynn all along. Not only kind hearted, Lynn was also an excellent financial manager and businesswoman.


McNally and Lynn rekindled a friendship in the years following their divorce, with McNally’s stroke helping them make amends. While McNally was recovering at New York-Presbyterian, Lynn devoted herself to his care and well-being. Indeed, McNally attributes his recovery solely to Lynn’s support. McNally’s ability to honor Lynn on the page conveys his abiding care for her. Their marriage didn’t last, but McNally continues to respect Lynn as a person and to value her influential role in his life.

Alina

Alina is McNally’s second wife. They first met “in the basement of Balthazar during its construction in the winter of 1997” (11). McNally was immediately enraptured by Alina’s “sultry gaze,” and “powerful mix of tenderness and sensuality” (11). The next time they met was “two weeks later at Pravda, a subterranean vodka bar” McNally also owned (11). Not long later, they began dating and fell in love. They married five years after their original meeting in February 2002, and soon had two children together: Alice and George.


McNally and Alina’s relationship was complicated from its start. Although defined by passion, the two often fought over their differences. McNally was perpetually frustrated with Alina for failing to follow through on anything, and Alina was perpetually frustrated with McNally for being emotionally detached and failing to listen to her and their children’s needs. The two would remain married until 2018. McNally’s stroke took a particular toll on their marriage, and contributed to Alina’s decision to divorce McNally. Although a difficult time, McNally and Alina would later rekindle a friendship. McNally holds that things are better between him and Alina, but also acknowledges the constant work they have to do to maintain a healthy connection.

Harry, Sophie, Isabelle, Alice, and George

Harry, Sophie, Isabelle, Alice, and George are McNally’s five children. He and Lynn had Harry, Sophie, and Isabelle together, while he and Alina had Alice and George together. Throughout the memoir, McNally often refers to Harry, Sophie, and Isabelle as the older children, and to Alice and George as the younger children. When McNally first married Alina and had Alice and George, they got along well with the older children. The families often spent holidays together. Things changed, however, after McNally’s stroke. Alina resented Lynn and the older children’s involvement with her husband, and pulled Alice and George away from them.


McNally’s relationships with his children also evolved as a result of his medical, marital, vocational, and logistical challenges. When he was living in London with Alina, Alice, and George, distance grew between him and his older children. His relationship with Harry was strained because of disagreements in schooling; and his relationship with Sophie was strained because of his inattention to her mental health. Years later, McNally struggled to connect with Alice and George after they witnessed his stroke and his attempt to die by suicide. As with his marriages, McNally has had to work hard to repair these complicated dynamics. His raw excavation of his parental challenges on the page reiterates the Complexity of Family Relationships.

Brian

Brian is one of McNally’s older brothers. Although Brian was unkind to McNally throughout their childhood, the brothers later established a more sustainable bond as adults. Brian also relocated from London to New York, bringing him and McNally into closer physical proximity. When McNally was working “[a]s One Fifth’s general manager,” he “gave [Brian] a job as a bartender” (94). Brian had arrived in New York one year after McNally, in November 1976. His first time in the American city, Brian had “never experienced anything as sophisticated as downtown New York and was in awe that, in managing this stylish restaurant, [McNally] seemed to have [a] foot in the door of Manhattan’s high life” (94). In reality, McNally knew almost as little about New York’s culture and restaurant history as his older brother. Further, he often looked up to his brother and wished he could be more like him. Over the years, the brothers continued working together in various hospitality settings. Brian would go on to open his own restaurant. Although McNally admits that the two have constant conflicts and arguments, they are the best of friends and the most trusted confidantes.

Alan Bennett

Alan Bennett was one of McNally’s romantic partners, and one of two men with whom he had an intimate relationship. Alan was an English playwright who McNally “became friends [with] when sharing the stage in his play Forty Years On” (47). In the wake of the production’s completion, McNally and Alan started seeing each other regularly. Their intimate relationship began when Alan invited McNally “to go to the theater with him,” and then “back to his house in Camden Town for supper” (47). The two continued this routine until they eventually became a couple. McNally holds that although he wasn’t as in love with Alan as Alan was with him, Alan was one of the most influential figures in his life. Not only older and wiser, Alan was a cultural, artistic, and emotional mentor for the young McNally. The two ended their romantic entanglement when McNally relocated to New York City in the late 1970s.

Peter

Peter was another of McNally’s older brothers. Like Brian, Peter was unkind to McNally throughout their childhood. His constant bullying made McNally feel small and weak. Although Peter didn’t treat McNally this way throughout his life, the brothers never developed the same bond that McNally and Brian did.


McNally devotes Chapter 28 to reflecting on Peter’s life and death. Although “the most moral” member of McNally’s family, Peter was “also the most socially awkward” (213). He went on to become a translator and a spy, but he struggled to establish and sustain interpersonal relationships of any kind throughout his life. He never married or had children.


Peter died of colon cancer in 2017. The last time McNally saw him “was in the Cotswolds,” when he came to visit McNally and his family (214). Although he’d known Peter was dying, McNally hadn’t broached the topic with his brother because Peter had no interest in others’ sympathy.

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