I See You've Called in Dead

John Kenney

56 pages 1-hour read

John Kenney

I See You've Called in Dead

Fiction | Novel | Adult | Published in 2025

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Chapters 25-32Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death, substance use, sexual content, graphic violence, child death, addiction, suicidal ideation, bullying, and antigay bias.

Chapter 25 Summary: “Officer and Laughing Girl”

Bud wakes with renewed energy the morning after his fight with Tim and texts an apology, inviting him to have lunch and visit the Frick Collection Museum. They walk the Upper East Side and eat at Three Guys diner, where Bud confesses his recurring dreams of dying by falling. Tim interprets these as symbolizing the death of Bud’s old life—his job and marriage. Bud admits that he wants forgiveness for everything and fears that he’s never truly lived. He reveals that wakes and funerals terrify him.


At the Frick, they sit in the garden court listening to a cellist. Bud apologizes again for his church comments; Tim apologizes for being “didactic.” Tim then reveals the depths of his post-accident struggles, which included drinking and using various drugs, hiring sex workers just to watch them, and being beaten and robbed. He explains that Lou, Esther, and his parents saved him by refusing to abandon him. Tim tells Bud that he gives advice because he cares deeply and has difficulty watching loved ones suffer.


They view Vermeer’s Officer and Laughing Girl. After Bud initially jokes about the girl’s expression, Tim presses him to truly see the painting. Bud finally understands the simple truth: The girl is laughing because she’s happy. Tim affirms this as the painting’s message.

Chapter 26 Summary: “Block Party”

On a sunny spring day, Bud and Tim attend Leo’s eighth birthday block party on their Brooklyn street. Bud has his face painted like a baboon and Tim like a meerkat; they are the only adults with painted faces. Leo, now eight, tells them that he’s no longer afraid of the dark. Bud gives Leo Rubik’s Cubes, a hockey stick, and a custom Hartford Whalers jersey with “LEO” on the back. Leo hugs them both.


Clara arrives and bonds with Leo over the Minions movie, giving him a Slinky. Seth, Leo’s father, tells Bud about their family tradition of releasing a balloon for their deceased daughter, Lucy. After the party ends, Bud, Tim, and Clara watch the family release a single pink balloon that rises and disappears into the sky.


Bud surprises Tim and Clara with a helicopter tour of Manhattan. A large mechanic named Tony lifts Tim into the aircraft. The pilot, Alan, bonds with Tim over philosophy of life. During the flight over the city, Clara holds Bud’s hand. Tim tells Bud he did well.

Chapter 27 Summary: “I Had a Lovely Evening”

That evening, Bud, Tim, and Clara eat Thai food and drink wine in Tim’s kitchen. Clara tells Tim that her firefighter father died the previous fall. She asks Tim if he ever experienced suicidal ideation after his accident. Tim shows her a keloid scar on his wrist, admitting to Bud that he lied about getting it in a boating accident. He reveals that he attempted to die by suicide twice—once with pills and once with a stolen scalpel—and describes the constant physical and psychic pain that drove him to addiction and despair. Together, they toast to the fact that such attempts failed.


As Tim drinks wine, it dribbles from his mouth. The glass falls and shatters, and he collapses backward in his chair. Bud catches Tim’s head. Clara calls 911, and paramedics arrive, transporting him to Methodist Hospital. Tim and Clara follow, though Tim eventually persuades Clara to return home and pack. Before she leaves the waiting room, Clara touches Bud’s stomach, ribs, hands, and head, explaining how the body holds trauma and identifying his physical symptoms of stress.


After hours in the waiting room, a nurse named Tara takes Bud to see Tim, who explains he has deep vein thrombosis and was visiting a specialist in Los Angeles. When Bud offers to stay overnight, Tara says that only family can do so. Tim insists that Bud is family. He kisses Bud on the forehead and says that he is “tired of funerals” (245).

Chapter 28 Summary: “See You Later”

The next morning, Tim texts that he’s been cleared to go home and asks Bud to pick him up at noon. Bud gets Tim’s car and makes a detour to Fascati Pizza in Brooklyn Heights to buy Tim’s favorite food for lunch. He reflects on how small, random choices can alter the course of a life. While Bud is sitting in the car with the pizza, he learns that Tim has died. Numbly, he calls his sister, Louisa, who begins screaming.


Bud goes to Methodist Hospital to identify the body. A hospital employee gives him a plastic bag with Tim’s clothes and escorts him to the morgue. In a state of shock, Bud sees Tim’s body, which looks peaceful, almost smiling, but also oddly unlike himself: “Where was he, I wondered in a kind of confused shock. Because this wasn't him. This bluish-gray body devoid of life. Where was my friend?” (249). He formally identifies Tim.

Chapter 29 Summary: “The Obituary Writer”

Leo finds Bud on the stoop and comforts him, explaining that he keeps his deceased loved ones alive in his mind. Clara stays over, and the next morning Esther sobs in Bud’s arms.


Bud goes to his office and finds a new, young employee—the “bro”—at his desk. When the bro calls him the “drunk-obit guy,” Bud grabs him by the throat. Howard appears, and Bud explains that he needs to write Tim’s obituary. Tuan hands Bud a draft he has already started. Bud apologizes to the bro, who threatens to go to his father and sue Bud. In response, Howard fires the bro; coworkers applaud.


Tim’s funeral instructions included a new pair of P.F. Flyers. Bud brings them to Aldo, the funeral director at Giordano Funeral Home. Days later, Aldo allows Bud into the preparation room and explains the embalming process. Aldo says that God, the deceased, and he are in the room as he works and that all the deceased matter to him. Bud puts the sneakers on Tim’s feet. He considers tying the laces together, imagining Tim, now able to run, tripping over his shoes: “‘That sonuvabitch,’ he would have said, smiling” (260).


At the wake, Bud and Louisa greet a long line of friends. The gathering becomes a celebration with stories, laughter, and wine. The morning of the funeral, Buckley from HR calls to say Bud is officially “alive” again, so his termination can proceed.


The funeral takes place in an Episcopal church whose starry ceiling Tim helped restore. Bud gives a eulogy: He lists the strangers whose funerals he and Tim attended, admitting that those deaths did not affect him but that Tim’s did, deeply. He goes off-script to explain how Tim saved his life by showing him how to live. He concludes by asking the congregation what they will do with the gift of being alive.


At the reception, Howard and Tuan embrace him. Louisa stays for several days before returning to Los Angeles. She gives Bud a letter from Tim revealing that he has left his house to Bud and asking him to rent out the apartment cheaply to someone in need, keep the salon tradition alive, and be happy.

Chapter 30 Summary: “The Hearing”

Before Bud’s misconduct hearing, Clara kisses Bud and tells him that the worst has already happened: “You died already” (271). Tuan escorts him to a conference room where Megan, Beth, Buckley, Howard, and corporate counsel, Martine, await. Megan reads the list of violations and officially terminates Bud. Beth notes that the decision wasn’t unanimous. When Martine threatens legal action, Bud angrily responds that they can’t hurt him more than he’s already been hurt. He apologizes for his “stupidity” but, as he’s leaving, delivers a passionate speech about how the company does obituary writing wrong: “[P]eople read it. And think…nothing. Because it was cheap and easy. It didn’t get to who they were” (274). He argues that they must attend wakes and funerals to truly capture a person’s essence. He illustrates his point with a hypothetical story of an ordinary man about to die whose full life deserves to be honored.

Chapter 31 Summary: “Gross National Happiness”

The next day, Bud drives Clara to the airport for her year-long trip to Bhutan. Before they leave her apartment, she leads him to the bedroom. Bud reflects that the experience is about emotional connection and love rather than just sex. At the airport security area, during an emotional goodbye, Clara asks what he would say if it were the last time they’d see each other. After cracking a joke—“I’m sorry, I wasn’t listening” (278)—he tells her that he loves her; after a pause, she says that she loves him too. She then walks through security without looking back.


During the summer, Bud copes with grief by running extensively. He looks after Tim’s empty apartment, reads books from Tim’s collection, and occasionally calls Tim’s phone to hear his voicemail. In late summer, Tuan invites Bud to Fire Island for three days with his friends Ian, Lucas, Patrick, and Ryan. Bud relaxes, swims, and joins their dinner parties and beach bonfires, finding their happiness and confidence contagious: “I […] watched these men who had been bullied as children, taunted as teenagers, had to hide their true selves, but who were, now, here, tanned and laughing, fully themselves, inviting me, daring me, to join them” (281). When Tuan expresses interest in Lucas, Bud tells him that Lucas isn’t good enough for him. Tuan admits that he’s lonely, but Bud insists that he shouldn’t settle. He then apologizes to Tuan for his past behavior at work, including the repercussions of his suspension and firing.

Chapter 32 Summary: “Life After Death”

After Labor Day, Bud moves into Tim’s apartment. He rents his old apartment to Mariel, a woman from Honduras who cleans hotel rooms and has a six-year-old son, William, charging her only $300 monthly. He plans to host a new salon.


Howard meets Bud and offers him a job creating “Life Stories,” an in-depth obituary feature inspired by Bud’s eulogy. Bud accepts and suggests that Tuan work with him. His first assignment is Professor Avner Chartoff. Bud travels to Scarsdale and interviews the professor’s widow, Greta. She reveals that she still makes eight cups of coffee every morning out of habit and shares a story about her husband touching 2,000-year-old pigment on excavated frescoes and feeling a connection to people who lived millennia before.


Leo’s mother asks Bud to participate in show-and-tell at school. Leo gives a presentation explaining that obituaries aren’t sad because they celebrate the good things in a person’s life.


Bud notes that he sometimes sees a cardinal outside his window; he reads about its symbolism as a spiritual messenger between Earth and the spirit world. He reflects that he still doesn’t truly understand death but suggests that it involves “lov[ing] the miracle of existence” (288). On a cold December morning in Tim’s apartment, Bud prepares to write an obituary, remembering Tim’s philosophy that everyone is an obituary writer, creating their own life story every day.

Chapters 25-32 Analysis

The Search for Authentic Human Connection culminates in the novel’s depiction of Bud and Tim’s friendship. Bud has already experienced the disarming effect of Tim’s conversation, but their visit to the Frick museum, followed by the dinner with Clara, moves their relationship into a space of even greater vulnerability. When Tim reveals the extent of his past despair—addictions, rage, and suicidal ideation—he demonstrates a level of trust that redefines their bond. The exchanges suggest that connection is often forged through the sharing of intense feeling. Such feeling includes pain but is not limited to it, as their discussion of Vermeer’s Officer and Laughing Girl demonstrates. After moving past Bud’s initial sarcasm, Tim guides him to the painting’s simple core: The girl is laughing because she is happy. Bud’s reluctance to acknowledge joy is the flipside of his reluctance to acknowledge suffering, but with Tim’s guidance, he begins to confront both.


The authentic bond forged in this shared vulnerability is what allows Tim’s subsequent death to be a transformative event for Bud rather than a purely destructive one, that death marks the final step in Bud’s increasingly personal confrontation with mortality. It shatters any protective barrier that remained between Bud and death as an immediate reality—a point underscored by the parallels between the moment when Bud identifies his friend’s body in the morgue and his earlier experience of his mother’s death. In both cases, for instance, Bud meditates on the fact that the deceased’s body no longer resembles the person he knew. These echoes suggest that Tim’s death serves as a replay of the trauma that has defined much of Bud’s life, and this time, he finds closure. In particular, the act of putting new sneakers on Tim’s feet in the funeral preparation room allows Bud to honor his friend while beginning the process of internalizing his spiritual and philosophical legacy. It is through this direct experience of loss that Bud fully confronts the novel’s central theme: Confronting Mortality to Gain an Appreciation of Life.


Bud’s eulogy for Tim exemplifies this shift, as well as Bud’s changed understanding of The Power of Storytelling to Define a Life. He is no longer a detached recorder of facts but a storyteller, listing the names of the deceased as a testament to the journey he and Tim shared—an act that also retroactively imbues those lives with personal meaning by framing them through his friendship, even as he acknowledges his numbness at their funerals. His speech at the termination hearing further develops the philosophy of storytelling he has embraced, as he argues against the standard obituary format in favor of one that honors the complexity of ordinary lives, contending that their “whole lives […] mattered” (275). This moment of professional defiance is also one of self-realization, and the narrative affirms Bud’s new purpose when Howard offers him the “Life Stories” position, providing a professional framework for his personal awakening.


Symbolism and motifs throughout these chapters chart Bud’s internal progress. The helicopter ride, occurring just before Tim’s collapse, functions as a moment of transcendence and altered perspective. In lifting Tim, who has frequently shared his frustrations regarding his physical confinement, high above the city, Bud provides a literal and metaphorical zenith for their friendship, a moment where earthly limitations seem to fall away. This in turn reveals Bud’s own changed perspective, including his increased capacity for empathy. In the novel’s closing pages, the appearance of a cardinal offers a symbol of spiritual continuity as Bud explains that many people see the bird as a “doorway between Earth and the spirit world” (288). This suggests that Tim remains a presence in Bud’s life, illustrating Bud’s integration of grief into a new worldview.


The novel’s resolution depicts a “Life After Death” that is a re-creation of self. Bud’s termination, once a source of anxiety, becomes an act of liberation. His parting with Clara is grounded in mutual respect; the novel leaves open the possibility of a future relationship but also suggests that a transient connection can still be meaningful, as the pair have already had a measurable impact on one another. The conclusion shows Bud actively constructing a new life founded on the principles that Tim taught him: He moves into Tim’s home, honors his friend’s legacy by renting his old apartment affordably, and accepts a job that aligns with his values. By concluding with the reflection that “we are all obituary writers because we get to write our life every day” (289), the narrative affirms that the ultimate story is not the one written after death, but the one authored during every moment of life.

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