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Content Warning: This section of the guide includes discussion of death.
Carmen wakes in a hospital room to find a young red-haired nurse holding her hand and speaking to her. The nurse reassures her not to “fuss,” explaining that Carmen has a serious leg injury and lost a great deal of blood, but that she will recover. She adds that Carmen has been unconscious for three days and is fortunate compared to many others injured in the disaster. The nurse also tells her that much of the waterfront has been destroyed by the molasses flood.
As Carmen’s thoughts become clearer, she immediately asks about Tony, but before the nurse can answer, she is called away. Soon, however, the Grasso family, including Tony, rushes into the room—“A stampede of little footsteps clatter[ing] across the tile floor” (55).
Because of her leg injury, Carmen remains in the hospital for a week after waking. She is visited by the Grasso family, Mr. Lawrence, and Mrs. Ortelli. One day, Mr. Pallo brings Rosie to her window. The horse survived the flood, though the molasses destroyed the stable and much of the surrounding neighborhood. Seeing Rosie makes Carmen cry—partly out of relief and affection, but also from the reminder that she is expected to return to Italy and may never ride Rosie again.
Carmen looks forward to Tony’s visits. He recounts what happened after they were separated: he was carried by the flood to Commercial Street, where the flow slowed enough for him to escape. He describes the devastation as “terrible”: “The bodies—bent and broken, so covered with molasses that he couldn’t tell if they were men or women” (57). Mrs. Grasso found Tony, and together they searched for Carmen. Mr. Grasso checked the Haymarket Relief Station, where the victims were brought, identifying two children who were not Carmen. After three days, he located her alive at Boston City Hospital, on the other side of the city. Tony also mentions a rumor that a bomb caused the explosion, though most people doubt it, saying, “The tank had leaked from the moment it was built!” (59).
That night, Carmen dreams of being trapped in the molasses again and hears her father’s voice urging her to “hold on.” Upon waking, she wonders why she continues to hear him until she looks out the window and thinks of her life in Boston. She realizes that her father’s message means to “hold on to their life here in l’America” (59). Determined, Carmen resolves not to return to Italy but to stay with the Grassos and find work to help support herself.
Carmen sits in the kitchen watching Mrs. Grasso cook while the Grasso children play. The apartment is filled with the smell of food, and the atmosphere is lively. Mr. Vita has been invited for dinner, and everyone keeps hinting that he is bringing a surprise gift for Carmen. As the children argue over who might receive presents, Mrs. Grasso sends them to the bedroom. Carmen, still recovering from her injury, remains in the kitchen.
When the two are alone, Carmen asks Mrs. Grasso about the plan to send her back to Italy, explaining that she wants to stay in Boston. Mrs. Grasso kneels beside her and assures her that she is not being sent away. Moments later, the children burst from the bedroom in excitement as Mr. Grasso and Mr. Vita arrive. The apartment falls silent, and Carmen notices that “they [are] all looking at her” (63). She turns toward the doorway and sees Nonna.
In the bedroom, Nonna explains that she has come to America to be with Carmen and that Mr. Vita accompanied her on the journey. She tells Carmen that she will not take her back to Italy, saying, “Your papa brought you here. And I know how sad the Grassos would be if you left” (65). Instead, Nonna plans to stay and see what life in America is like for herself. Though the reunion makes Carmen miss Italy, she feels surrounded by love and belonging. Soon, the others knock on the door, calling for Carmen and Nonna to come join the family for dinner.
Chapters 12-14 provide the novel’s resolution, guiding readers from catastrophe toward Recovery and Remembrance After Tragedy. After the chaos of the flood, these chapters slow the narrative pace and allow emotional and thematic closure. Through realism, moral clarity, and intergenerational connection, Tarshis concludes I Survived the Great Molasses Flood, 1919, with a message that recovering from disaster requires the ability to remember, rebuild, and remain connected to others.
Tarshis uses Carmen’s internal monologue and the cadence of her thoughts to illustrate her emotional state. As Carmen wakes in the hospital, her fragmented memories reassemble the chaos she has lived through: “Carmen’s mind was clearing, it was all slowly coming back to her. The shattered tank. The raging river of molasses” (54). The rhythm of the sentence mirrors her return to consciousness—slow, halting, and filled with images of destruction. Tarshis’s choice to focus on recollection rather than spectacle shifts the tone from terror to reflection. The following scene, describing “bent and broken” bodies and “mothers screaming for their children” (57), presents tragedy in stark language. These details root the narrative in historical realism without crossing into sensationalism, acknowledging suffering while preserving the story’s accessibility for younger readers. The nurse’s understated observation—“Who would have ever thought that a molasses tank could explode like that?” (54)—takes on an almost journalistic tone, mirroring the disbelief expressed in real accounts of the disaster and hinting at early rumors of sabotage. The contrast between disbelief and devastation underscores Industrial Negligence and the Human Cost of Progress, emphasizing that the flood was not an accident but the consequence of carelessness and greed.
Carmen’s gradual recovery parallels the community’s search for truth and accountability, underscoring the novel’s thematic exploration of Immigrant Resilience and Community Solidarity. Tarshis writes, “Everyone in the North End knew why the tank shattered—because it wasn’t built right. Even little kids knew that” (59). Tarshis’s direct phrasing strips away ambiguity and elevates the neighborhood’s collective knowledge over corporate denial. The line empowers working-class voices that history often overlooks, turning everyday people into truth-tellers. For young readers, this simplicity suggests that disasters can be prevented when people in power value safety and integrity. Tarshis draws a lesson about social responsibility from this historical disaster, fulfilling her broader goal of educating through empathy.
At the emotional core of these chapters lies Carmen’s relationship with her father and the persistence of his voice, reinforced by the motif of his mantra, “Hold on.” As she recovers from her injuries, Carmen asks, “Why was she still hearing these words? Carmen was safe now. Nothing was going to sweep her away. But Papa’s voice only got louder” (59). His earlier refrain—“Hold on”—has evolved from a literal survival command to a metaphor for perseverance in life. The voice, once tied to trauma, now symbolizes memory as strength. Through this recurring motif, Tarshis portrays grief as a dynamic process. Papa’s ongoing presence in Carmen’s life, even after his death, illustrates that healing involves keeping love alive through memory. The motif also connects Carmen’s personal journey to the book’s educational purpose, modeling emotional resilience for readers who may have faced their own losses.
As the narrative draws to a close, family and community help complete Carmen’s recovery arc. When Mrs. Grasso rushes toward Carmen “out of breath,” smiling through tears (55), the juxtaposition of joy and sorrow captures the complexity of post-crisis emotion. Tarshis portrays compassion as an act of courage, emphasizing that empathy sustains survival as much as strength does. The reappearance of Nonna extends this theme across generations. Her arrival bridges Italy and America, reuniting past and present while reinforcing immigrant resilience and community solidarity. Carmen’s realization—“She felt a pang in her heart as she realized how much she’d missed Italy. Of course she wanted to go back there. Just not now. And not forever” (65)—balances nostalgia with acceptance. Rather than idealizing either homeland, Tarshis presents belonging as layered and dynamic. For Carmen, America no longer replaces Italy; it expands what home means.
The novel’s final image restores calm through domestic warmth, positioning family and community as the cornerstone of Carmen’s life. Tarshis writes, “There would be plenty of time for Nonna and Carmen to talk about what was ahead. Right now, the table was set. Dinner was hot. And their family was waiting for them” (66). The sensory detail of food and togetherness contrasts sharply with earlier scenes of chaos and hunger. This closing tableau affirms the endurance of ordinary life—the quiet heroism of returning to routine after tragedy. The dinner table becomes a symbol of stability, care, and shared survival, reinforcing the theme of recovery and remembrance after tragedy, demonstrating that healing is found not in forgetting disaster but in the continuity of love and community.



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