37 pages 1-hour read

I Survived the Hindenburg Disaster, 1937

Fiction | Novel | Middle Grade | Published in 2016

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Symbols & Motifs

The Hindenburg

The Hindenburg is a symbol of the duality of technological ambition, embodying both the pinnacle of human ingenuity and the latent potential for catastrophic failure. For Hugo’s family, the airship is initially a vessel of hope, whisking them toward a life-saving cure for Gertie. The passengers experience a futuristic luxury, a seemingly magical domain floating above the world’s dangers. Marty captures this feeling of awe and safety when she asks, “It’s magical, isn’t it, Hugo?” (24). This perception establishes the Hindenburg as a sanctuary, a self-contained world where family bonds can strengthen and childhood friendships can blossom, temporarily removed from the anxieties on the ground.


However, this sense of security is an illusion, built around a core of danger. The very element that gives the airship its “magical” ability to fly, the 7 million cubic feet of flammable hydrogen, is also the source of its destruction. This inherent contradiction is the symbol’s central tension. The modern design and luxurious interiors conceal an essential vulnerability, mirroring the way the journey’s hopeful purpose is overshadowed by the presence of Nazi malevolence. The fire that ultimately consumes the airship does not introduce a new meaning but rather brings to fruition the disastrous potential that was always present.

Wild Animals

The recurring motif of wild animals is the primary literary device used to establish and explore the theme of Childhood Innocence as a Moral Compass. The narrative filters the moral complexities of the adult world through the simple, unfiltered perceptions of its youngest characters, Hugo and Gertie. The motif is introduced as one of “Gertie’s games” (23), a playful way of categorizing the people she meets. Fellow passengers are likened to largely harmless creatures; Miss Crowther is an “ostrich,” and the cheerful Mr. Lenz resembles a “nice walrus” (29, 31). These initial comparisons create a baseline of innocent observation, establishing Gertie’s unique worldview as a source of charming, if simplistic, truth about the people around her. These observations set up Gertie’s comment about Colonel Kohl being a “big cobra,” which carries serious thematic weight.


Hugo has his own animal comparison that follows him throughout the narrative. The one-eared baboon he met in Kenya serves as a touchtone for important plot moments and decisions. The baboon is important because it became Hugo’s companion in Kenya. Every day, it visited him on the porch while he did his homework, and sharing a mango with it became one of Hugo’s happiest memories from that time. Hugo thinks of the baboon in the crucial moment when he decides to outwit Kohl in the cargo hold. Taking the baboon’s strategy of creating a distraction to outsmart a hippo, he and Panya successfully direct Kohl’s attention away from Mr. Singer. This scene subtly changes Kohl’s animal corollary from the deadly cobra to a slow-witted hippo. He remains a threatening presence, but Hugo’s success takes away a little of his venom.

The Swastika

The swastika functions as a historical symbol of encroaching evil, representing a tangible political threat that invades the seemingly safe world of the Hindenburg. Its appearance on the “bloodred band” of the Nazi officers shatters the celebratory atmosphere of the voyage, introducing a malevolent force into the narrative. For Hugo, the symbol is not an abstract political emblem but a direct source of anxiety. The sight of the “hooked black cross” gives him a “bad feeling—dark and shadowy,” which he compares to the latent danger of hippos lurking in a river (17). This visceral reaction establishes the swastika’s power to evoke fear and transforms the airship from a simple mode of transport into a stage for a high-stakes moral conflict, engaging the theme of Acting Courageously in the Face of Fear.


The swastika also represents the novel’s primary antagonist, Colonel Kohl, defining his character and motivations. He is both a personal adversary to Mr. Singer and an agent of a totalitarian ideology. The symbol provides the crucial context for his hunt for the spy, as Hugo sees it stamped on the envelope Mr. Singer takes from the cargo hold. Hugo now knows what’s at stake, and his decision to lie to protect Mr. Singer becomes an act of defiance against the violent authority that the swastika represents.

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